Quotes of All Topics . Occasions . Authors
We live in a culture that does not encourage women to be epic heroes of their own Big Stories but the mothers and lovers and wives and mistresses and muses and personal assistants, the femme fatales and fantasies and manic pixie dream girls, in someone else's Big Story, and this someone else is usually a dude.
There's been times where I sold the place out, and I walked in and the guy's like, 'Uh, ID?' 'No, you can't ID me, man. I just sold this place out.' People are just doing their jobs, but I think if you're working the door at a venue where there's a headliner, you should at least be like, 'OK, this is the dude.'
Snoop Dogg eats terrible. That's another reason I had to leave him. I would have been dead of a heart attack. He literally eats at 7-11. That's where he does his grocery shopping or it's Roscoe's Chicken & Waffles, or it's Denny's delivery. There's not a piece of salad or vegetable within two miles of this dude.
The thing is, everybody wants to be famous. Everybody wants to be successful. Everybody wants to be that dude, but not everybody wants to do the work for it. And I think that's probably one of the reasons why there's so many juniors and only a couple that make it. Because I really wanted it. I wanted it real bad.
I've been on predominantly 'white' shows before, and I had also been on predominantly 'black' shows. I would complain that when I was on a white show, they would only hire me because there was a black character or they needed a black voice. But then I would be mad if they went and hired a white dude in my position.
The local dudes who knew that my dad owned a studio would say, 'Ahh, dude is spoiled,' and this and that. But we didn't abuse it at all. I'd always ask if we could use the studio first, and if our dad didn't want us there he would tell us, and that was that. But I definitely tried to get down there as often as I could.
I think, in the middle of the '90s, I made a couple of records where I tried to figure out what I thought the radio wanted from me. They weren't my best records by any stretch of the imagination. It didn't take me too long to figure out, 'Whoa, back up, dude. Just go back to following your heart, and it will all be OK.'
They call it a reunion for a reason. It's called bringing the original members back to what it was. So there's a lot of these things that they call reunions that aren't really reunions. They've got one dude from the band floating around in them, you know. That's not a true reunion. With Pantera, it'll never be possible.
Being gritty doesn't mean not showing pain or pretending everything is O.K. In fact, when you look at healthy and successful and giving people, they are extraordinarily meta-cognitive. They're able to say things like, 'Dude, I totally lost my temper this morning.' That ability to reflect on yourself is signature to grit.
I love good balance, so being a collector is a fun little thing while we travel this world. I mean, every night, it's something else. The other night, I head-banged a dude on my rental car and drove him through the curtain in my rental car. So some moments are not as good as others, but they are all fun, that's for sure.
Everybody wants to see this fight. Everybody wants to see these fireworks. They want to see that explosiveness. They want to see me throw Khabib on his back and get that five-point motion with this U.S.A. wrestling. Because if wrestling was easy, it would be called Sambo, my friend. Straight up, I'm going mop that dude up.
I have a hard time with musicians who act like pricks because it just makes me mad. I just sit there and I go, 'You know what, dude, no matter whether you're in a band just surviving or you're in a bus playing stadiums, one way or another, you're still among the rare breed of people that are actually getting paid to do it.'
London has such an unbelievable respect for theater, where L.A. does not. You go to a play here, and the dude next to you is sleeping. In London, if you're not in your seat when it starts, they lock the door. In Los Angeles, you can stroll into school late with a cup of coffee. In London, you get your butt to class on time.
I feel like a lot of people in the hip hop world don't take me seriously as a rapper, and I feel that first-and-foremost I came up as a rapper before I started singing. All a lot of people know from me is 'Cupid's Chokehold,' and they don't scratch the surface and see beyond that dude who sings the song about his girlfriend.
I still run into people in the business who skip over any other credits I have and say, 'I loved 'Hey, Dude!' This was back in '88, '89, '90. It was a goofy show about kids working at a dude ranch in Arizona. We did 65 episodes; I wrote 13 of them. We didn't know what we were doing, but it was writers' boot camp. It was great.
I don't follow anything blindly. I have to know the entire thing, if I have to get in to it. It might sound funny to you, but it's like using English language. I use an English word only when I know its meaning and understand its connotation. You won't hear me say, 'What's up, dude' or anything like that just for the heck of it.
I was the dude you didn't wanna go to school with, because I would come to school and get on your shoes. If you had a hole in your pants, I'd talk about it all day long. If your hair was messed up, if you had buck teeth, I'd talk about it all day long. And I made people laugh doing it, but it wasn't like I thought I was a comedian.
I don't mind running; I don't mind taking a few knocks. But hopefully, it's just not 'Sam's an action dude.' That, to me, is not what I wanted. I wanted to bring a sense of weight and emotionality of doing Australian films and bring that into a bigger blockbuster, so you're not just kind of grunting and groaning and running around.
It doesn't make sense for me to try to be, like, a dance dude who only releases two 12-inches a year and then plays every weekend. Making an album, you get to put out a body of work that shows a lot of different sides of you. And you get to work on it for an intense period of time and promote that album. And then you get to move on.
When I used to live in Chicago - went to school there for four years and lived there for two years after - the whole time, I worked at this restaurant called DMK, and people would come in, and I would wait on their tables, and they would say, 'Oh my gosh, man. You look like the dude from 'Parks and Rec.' You look like Jean-Ralphio.'
It's funny because as much as I've done Dr. Freeman, I guess because I shave right afterwards, people don't recognize me necessarily as Dr. Freeman, whereas a small role like 'Garden State' or 'Get Him to the Greek', which is the funniest one to me, they're like, 'Hey, you're that dude!' and you're like, 'Oh my God!' Which is awesome.
I know the difference between someone coming up to you on the street and saying, 'Hey, you're that dude, right. Yes, that's what I thought,' and somebody coming up and saying, 'Big fan of the show. Big fan of that character.' And that's nice. You're out there telling stories, you're hoping to find an audience, and it's very appreciated.
Surf culture and surfing for me are two completely different things. Surf culture has become very - it's a very commercial, competitive thing, fashionable. With all due respect to the 'Surfer Dude' movie, I think the 'Surfer Dude' movie reflects that, reflects what surfing's become, but I come from a place where the surf industry began.
It's funny: when I started playing bass in 1984, you had guys like Paul Simonon fron the Clash, John Paul Jones, Lemmy, and Nikki Sixx was the head guy in Motley Crue, and you had all this post-punk stuff like Magazine and Killing Joke where the bass sort of lead the way. Not that I picked it to sort of be a main dude, but it intrigued me.
In San Paulo I went to the movies and by the time I left the theater there was a mob at the exit. I had never been in that kind of situation when we weren't on tour and there was a whole bunch of security. I'm a little dude, and out of nowhere to have 50 or 60 people come running towards me when I'm jut with my friend, it was kind of scary.
You know, I guess there's enough information out there to support that I'm a crazy, wild dude and rock and roll and this, that and the other. And there's enough information to support that, you know, I'm a single father, that, you know, has been a pretty standup guy in his community and pretty private about that stuff. But it's on both sides.
I was in the sixth grade and living in Germany, when I was hanging out late with some friends. I turned around, and there's a dude dressed up as Michael Myers following us all the way home. It was the scariest thing ever, and it always reminds me of Halloween. In my mind, I was so young, so I really thought it was Mike Myers following me home.
I said, 'What I'm going to do is dress as plain as humanly possible.' I'm not going to wear anything fancy, I'm not going to have fancy music, I'm not going to have fancy pyro - I'm literally just going to be a dude walking into the ring. I'm going to look like I just got off work from a construction site, and I am now punching you in the face.
