Quotes of All Topics . Occasions . Authors
When I was a teenager, what I most wanted to read were fantasy novels. Not Tolkien and Malory, but sword-and-sorcery pulp. I craved glowy blue magic, chainmail bikinis, dragons with unpronounceable names.
I realise that there's something about fantasy, whether it's written by the Grimm Brothers or J. K. Rowling or Thorne or J. M. Barrie, that it gets closer to the human experience than realism every could.
I used to have this fantasy when I was growing up where Princess Leia would be in the slave Leia costume and she would be in a vat of Breyer's ice cream. A recurring dream where I would eat my way to her.
Richard Nixon had a kind of Walter Mitty fantasy life. He was a man with a grandiose thoughts: dreams of not simply being president but maybe becoming one of the truly great presidents of American history.
It's not just what Christian fiction lacks I appreciate - it's what it offers. The variety is vast: contemporary, historical, suspense, mysteries, adventure, young adult, romance, fantasy, science fiction.
Even when the characters are supposed to be accustomed to the wonder, I try to weave an air of awe and impressiveness corresponding to what the reader should feel. A casual style ruins any serious fantasy.
If it is a fantasy fiction, and you want to portray a story of a vampire, you have to keep the essence of the story same. But if you have to have five episodes a week, where do we get so much content from?
The great thing about Jane Austen - the reason we're all still obsessed with her - is that she gets inside a woman's mind and she taps into our fantasies of wanting to be accepted and loved for who we are.
I was very much a part of the civil rights era, so, of course, my fantasy was to marry some outstanding black gentleman, a leader - someone like Martin Luther King who was doing something for black people.
Sixteen times a year, all thirty-two NFL teams give us what we're looking for: speed, skill, violence, fantasy league orgasms and a final score. No confusion. No doubt. No indecision. A winner and a loser.
The thing I really love about 'Saturday Night Fever' is that the movie is a gritty drama. Most people just remember the amazing, whimsical fantasy dance scenes, but then, when you watch it again, it's raw.
Imagination is usually regarded as a synonym for the unreal. Yet is true imagination healthful and real, no more likely to mislead than the coarse senses. Indeed, the power of imagination makes us infinite.
For men, as they get bogged down with responsibilities, commitments, bureaucracy, it is a fantasy just to think of shedding everything literally, walking away with nothing at all, and just hitting the road.
Nature is my springboard. From her I get my initial impetus. I have tried to relate the visible drama of mountains, trees, and bleached fields with the fantasy of wind blowing and changing colors and forms.
I love to perform not only music, but to make performances extremely visual, and create almost a magical fantasy. It's really an uplifting style of art that combines visuals and music in very dreamlike ways.
When I was either 7 or 8 years old, I did a sketch every day of my teacher and what she wore. At the end of the year, I gave her the sketchbook. For me, the sketching of dresses was about fantasy and dreams.
I always wanted to live alone for a month in a lakeside cabin. In my fantasy, I enter a state of perfect peace and grow my own kale and stuff, but in real life, I think I might be very bored after four days.
My real fantasy if I was to drop out would be to live in a mobile home and be a hippie and drive around festivals and have millions of children - children with dreadlocks and nose rings - and play the flute.
I've always found it easy and natural and, more importantly, necessary to articulate thoughts and feelings, and fierce emotions, through the written word. Fantasy and horror came to me when I was very young.
The first couple of pictures I wrote and directed were dreadful, because I was dealing in worlds that were not familiar to me, and writing about fantasy. They were just not anything I was really connected to.
I loved 'Pan's Labyrinth.' It transported me into another world. I like fantasy worlds; I love 'Lord of the Rings' as well, for that reason, because you really get to get out of reality and go somewhere else.
I like to be prepared enough to be completely unprepared. I don't know if I make sense, but I have a fantasy of living someone else's life. And to do that perfectly, I need to prepare myself just as properly.
I'm a huge fan of Tolkien. I read those books when I was in junior high school and high school, and they had a profound effect on me. I'd read other fantasy before, but none of them that I loved like Tolkien.
I'm from New Orleans, and we have a Mardi Gras group called the Chewbacchus. It's celebrating all things geeky: science fiction, fantasy, 'Star Wars,' 'Doctor Who,' 'Men in Black,' 'Ghostbusters,' everything.
In the electronic game world, I know I have a reputation for doing the cyberpunk thing, and for doing the serious epic fantasy thing, but if you go back to when I was a kid, I've been a Disney fan all my life.
Here I was, having done a thriller and a horror movie - why did I have the audacity to make a romantic fantasy? How can I continue to make genre films? Well, maybe I don't want to continue to make genre films.
It's a fantasy that we could have a president who could actually make choices based on what's right, rather than having to weigh the political fallout. But that's sort of what we're showing. And you can dream.
As a senior editor at Tor Books and the manager of our science fiction and fantasy line, I rarely blog to promote specific projects I'm involved with, for reasons that probably don't need a lot of explanation.
I mean, I don't know anything else that I would try to do, but it's a very frustrating thing to do, because you are trying to take what's a fantasy in your head and make it live through the minds of 200 people.
You cannot convince a Buddhist to become a Protestant any more than you can convince a person who embraces realism as the highest form of art that fantasy is an equally important manifestation. It's impossible.
I don't care for horror and fantasy films. I never go to see them in the theater. I know I've played in many of them, but I didn't do them because of their genre - I did them just because I loved their scripts.
I had the taste of the alcohol since I was 11. It allowed me to be clever, charming and to behave outrageously. Acting also allowed me not to be me. So I could indulge every fantasy in this paradise of America.
I don't really understand why so many fantasy writers choose to focus on worlds that just seem strangely denuded. But to them, I guess it doesn't seem strange. And I guess that's their privilege. It isn't mine.
The whole idea of doing the Hollywood thing never even occurred to me. When you grow up on the East coast, Hollywood seems like this fantasy land and you don't think that people can actually make a living there.
I don't have a specific message for 'The Grace of Kings' and the sequels in mind other than wanting to challenge some of the source material I was working from as well as some of the assumptions of epic fantasy.
I think academics are infuriating. For every expert on Shakespeare there is another one to cancel his theory out. It drives you up the wall. I think the greatest form of finding out the truth is through fantasy.
If you lived in a provincial town like Torre Annunziata, where there was nothing to do in the evening but go to the movies with your friends, the cinema was a world of fantasy. I had always been in love with it.
Read good books. Read bad books - and figure out why you don't like them. Then don't do it when you write. If you are a science fiction or fantasy writer, going to conventions and attending panels is very useful.
When I first started working on 'Staying Dead,' I got some well-meaning but negative feedback from industry folk because - back in 2001 - epic fantasy was still the big thing, alternate history a tight runner-up.
You can also make explicit certain social problems which, again, would be prejudged or not encountered at all in real life, because people have set up defenses against it. Fantasy allows you to get past defenses.
I like the order and simplicity of sports. They have an ending. You can argue with your friends about it, but in the end, you still like sports. I almost love the fantasy world of sports more than the real world.
I think that it is expansive for the mind, for the fantasy of children and grownups alike, to understand that the world is huge. There is so much in the world to experience, and the odds are so essential to life.
Fantasy is usually considered an escape, but it's also a way to deal with weighty real-world issues from a safe distance and in a context where you usually have some kind of power that you don't have in real life.
He kissed her as though he were starved for her. Like he'd been held away from her and had finally broken free. It was the kind of kiss that lived only in her fantasies. No one had ever made her feel so..consumed.
I think over the course of 14 films, I'm returning to a place that I know to tell a story... the same way Spielberg returned to fantasy, Lucas returned to the 'Star Wars' saga, or John Ford returned to the western.
There are definitely times where I am listening to the radio, and I think, 'That would be awesome. I would love to sing that.' It's this weird karaoke fantasy that I might someday get to live out on the big screen.
When I write for kids, I have to make sure they know what can't happen. They have to know it's a fantasy. But when I write for adults, they have to think it's real. Every detail has to be real or they won't buy it.
Before 'Final Fantasy VII,' I would have told you that I had zero interest in RPGs with turn-based combat. But that game was so well done, I didn't care what genre it was. Any genre can be done poorly or done well.
I think of myself as Mirren rather than Mironova, absolutely. I am a Brit, really. I mean when I go to Russia and I do have, maybe it's a romantic fantasy. You know us actors, we're very good at romantic fantasies.
We have people being a little uncomfortable in their life on Earth with finances and so on, so Science Fantasy or Science Fiction allows people to think that there are possibilities beyond the gravity of our planet.