Quotes of All Topics . Occasions . Authors
I got a crash-course education in urban fantasy. I suddenly had to look up all these other writers I was supposed to be in a genre with. I instantly had to become an expert in this genre I knew almost nothing about.
We've pitched and even begun development on a number of fantasy worlds that have never seen the light of day. All of those worlds... It's soul-crushing to see them sputter out, one by one. Lost. Like tears. In rain.
When I started really writing fantasy, one of the things I noticed was a real absence of sexuality in the genre at all. And it's such a profound part of the human experience that it's a really big thing to leave out.
I do that mostly because I believe that the fantasy business is in terrible trouble right now, for several reasons, not the least of which being the almost Democrat vs. Republican mentality of readers on the Internet.
In a single lifetime, roughly from 1865 to 1930, one finds the pioneering and patterning works of modern fantasy, science fiction, children's literature and detective fiction, of modern adventure, mystery and romance.
I read everything. When I say everything, I read everything: children's literature, Y.A., science fiction, fantasy, romance - I read it all. Each genre fulfills a different need I have. Each book teaches me something.
The American fantasy of love is the 'meet-cute,' 'Love at first sight,' and 'You had me at hello!' The completely spontaneous version of accidental love, which doesn't care about demographics and social compatibility.
Consensus wisdom has it that all modern commercial fantasy novels fall into two camps: those derived from J.R.R. Tolkien and those derived from Mervyn Peake. The 'Lord of the Rings' template or the 'Gormenghast' mold.
She’d already decided to be with him. If only to wipe him from her mind, get him out of her system and stop the fantasies plaguing her. If only to prove to herself that being with him would not be pleasurable for her.
Women don't want to exchange places with men. Male chauvinists, science-fiction writers and comedians may favor that idea for its shock value, but psychologists say it is a fantasy based on ruling-class ego and guilt.
As a kid, I always liked reading stories where I had a power-projection fantasy. I wanted to be inside of a story where I had power and influence, was going to rise to power, was going to somehow influence my society.
Audiences have taken a liking for supernatural and fantasy shows. The genre is doing well on the small screen, and I wanted to get into that mould. I have never played a naagin, and such roles have always intrigued me.
Fantasy fans are incredibly loyal and passionate. Other people don't want to be seen as passionate about things, they want to be cool and laconic. The great thing about fantasy fans is they'll really get behind a show.
The constant in all the businesses I've become a part of is taking what I do and making it real for everyone. I believe fantasy and dreaming can be made a reality. You don't have to be rich. You don't have to be a VIP.
I grew up feeling voiceless and powerless as a kid. I turned to books - fantasy books in particular - to give me comfort. As I grew up, I realized I could find that sense of power and voice if I simply started writing.
I really can't write fantasy. I cannot invent a world which does not exist. And I can't read fantasy either. As soon as I realise I'm reading a book that hasn't got its roots in a reality I can comprehend, I switch off.
Blending consensus historical events and personages with imaginary occult forces is a strong recipe for counterfactual storytelling goodness that combines the best of two worlds: resonant history with wild-eyed fantasy.
I have so much respect for John [Galliano]s technical skill and the fantasy, its just something that I dont find relevant now, especially when it restricts a woman, because in every other area they have so much freedom.
One of my teachers says the sound you hear in the center of the universe is laughter. I don't know if it's true, but if you do something and 30 years later it still produces laughter, that's a fantasy you can't make up.
I know I play into that image out there, but I try to say it is a fantasy. I look at my own pictures and wish I could look like that. There are probably five people in this whole entire world who actually look like that.
With superheroes and comics and fantasy and sci-fi being absolutely the popular currency in cinema, it's like people have said in endless magazines, it's the revenge of the geeks and all that. There's some truth in that.
Encourage children to write their own stories, and then don't rain on their parade. Don't say, 'That's not true.' Applaud flights of fantasy. Help with spelling and grammar, but stand up and cheer the use of imagination.
Critics have called alien epic 'Avatar' a version of 'Dances With Wolves' because it's about a white guy going native and becoming a great leader. But Avatar is just the latest scifi rehash of an old white guilt fantasy.
With the possible exception of steampunk aficionados, many reasonable people must view my fascination with Victorian and Edwardian popular fiction - mysteries, fantasy, and adventure - as eccentric or merely antiquarian.
With 'Grimm,' it's a lot of fun for me to be able to play within the familiar world of fairy tales. As for satisfying my inner fantasy geek, anything that would have me wielding a sword or shooting a bow would be a dream.
One of the most interesting things about science fiction and fantasy is the way that the genres can offer different perspectives on matters to do with the body, the mind, medical technology, and the way we live our lives.
Fantasy isn't something I put into the pictures; I don't try and inject them with a sense of play. But it's about being an honest photographer; a photograph is as much of a mirror of the photographer as it is the subject.
Urban Fantasy is a subgenre pretty much designed for teenagers. It's pretty twee, but I adore it. I've been trying to come up with an Urban Fantasy comic ever since I'd read the Nancy Collins 'Sonja Blue' series years ago.
Ever since the Beatles, the concept of lovable mop tops, it's a bit of a fantasy, but it's a lovely idea that people make wonderful music and live a wonderful life being friends together. Sadly, life isn't quite like that.
The thinking person has the strange characteristic to like to create a fantasy in the place of the unsolved problem, a fantasy that stays with the person even when the problem has been solved and truth made its appearance.
As for genre, my adult books are usually filed under science fiction / fantasy, although some stores put them into romance, and few have stuck them into horror. I consider all my books a mix of steampunk and urban fantasy.
I took classes taught by an elderly woman who wrote children's stories. She was polite about the science fiction and fantasy that I kept handing in, but she finally asked in exasperation, 'Can't you write anything normal?'
What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page that's really dark and adds a little sweetness to it, a living toys realm.
So many of the fantasy stories I encountered growing up were set in worlds that were largely modelled on medieval Europe in one way or another. Lots of white folks in feudal societies, castles and kings, that kind of thing.
My own novel, 'The Silver Bough,' about the inhabitants of a remote town at risk of being overwhelmed by Scotland's mythological past, was once criticised by a disgruntled fan as 'fantasy for people who don't read fantasy.'
In black neighborhoods, everybody appreciated comedy about real life. In the white community, fantasy was funnier. I started looking for the jokes that were equally hilarious across the board, for totally different reasons.
The thing with 'The West Wing' is that the fantasy was legitimately better than the reality - these were smarter, better people than their real-life counterparts, working together at a better White House than the one we had.
I keep threatening to write a non-fantasy book, and they keep offering me the kind of money I can't refuse to write a fantasy. That's a good thing. I have to pay my mortgage, and I have to pay for my Chargers season tickets.
Maybe every other American movie shouldn't be based on a comic book. Other countries will think Americans live in an infantile fantasy land where reality is whatever we say it is and every problem can be solved with violence.
We cannot, of course, disprove God, just as we can't disprove Thor, fairies, leprechauns, and the Flying Spaghetti Monster. But, like those other fantasies that we can't disprove, we can say that God is very, very improbable.
I try to live instinctively. And I guess I've always enjoyed living in a fantasy world, daydreaming. I really do think that dreaming and fantasies are very important to the human psyche and the soul. That's why I want to act.
I was passionate. I found something that I loved. I could be all alone in a big old skating rink and nobody could get near me and I didn't have to talk to anybody because of my shyness. It was great. I was in my fantasy world.
'Entourage' is a great show, but it's fantasy. I spent my twenties in L.A. in this business, and my life didn't look anything like that. 'Big Bang' reflects a side of men that is rarely shown. We see their flaws - all of them.
When you sing on stage, the songs are part of the narrative, but in 'Unconditional Love,' it was just singing for singing's sake. It was playing at being pop star. As a young boy growing up in North Wales, that was my fantasy.
I cannot say how strongly I object to people using other people's writing as research. Research is non-fiction, especially for horror, fantasy, science fiction. Do not take your research from other people's fiction. Just don't.
You have this great big fantasy life, and it looks like a non-stop 24/7 party. But what do you do when you get to the end of the Internet and there's nothing left to buy? There's just a picture of Wayne Newton flipping you off.
Vampirism, for me, was a way to live in fantasy and have superpowers, but not just in a really perfect, happy, everything is great way. It's superpowers with a cost. It's having to be the villain, and what do you do about that.
A lot of people have read the Mira Grant books who are not urban fantasy readers, and they would never have picked up a book with an urban fantasist's name on the cover, but then they go on to read my urban fantasy and like it.
Daily fantasy sports is neither victimless nor harmless, and it is clear that DraftKings and FanDuel are the leaders of a massive, multi-billion-dollar scheme intended to evade the law and fleece sports fans across the country.
My advice to aspiring writers of fantasy trilogies or series is that each book needs two main plots. There's the 'big story', the over-arching grand plot of the entire series, and there is the complete-in-itself, one-book plot.