Quotes of All Topics . Occasions . Authors
I love to be in front of big galleries.
Art galleries are the best first date spots for my money.
Galleries are easier to steal from than the Apple Store, maybe.
Galleries, and they're all the same, and rightly so, they sell work.
I love going to galleries, particularly the National Portrait Gallery.
It's a mystery to me the way that contemporary art galleries function.
I love the art world, I love art galleries, I love what it means - I love art.
The art galleries of Paris contain the finest collection of frames I ever saw.
Edinburgh is my favourite city. We'll be doing a lot of children's theatre and galleries.
I love art, being so close to the galleries, being by the water - and sunsets from the terrace.
Cincinnatians support a symphony, an opera, a ballet, museums, many galleries and theater groups.
The art world is molting - some would say melting. Galleries are closing; museums are scaling back.
There are so many great galleries and museums in London, but they can be very crowded during the day.
In my mornings I can do what I like - go to art galleries, museums and things, go to lunch with people.
And several galleries - two had asked me and I said no, because I didn't want to leave things on consignment.
Read the folklore masters. Go to galleries. Walk in the woods. That's what you need to be an artist or storyteller.
I visit a lot of art galleries. I live in Dublin and there's a very good gallery called the Kevin Kavanagh gallery.
We live in a world where art exists in galleries and museums, and musicians have to play the same venues over and over.
When I'm traveling the world, I don't ever look anymore at the geography - just enough to catch galleries and paintings.
When some people were going around being surf bums and tennis bums, I was being a gallery bum. I really liked galleries.
I grew up in a town where there were no galleries, no museums, no theaters - a very religious, ultraconservative community.
There are 65 to 70 photography galleries in New York alone. In the U.K., there are no more than five, and they're all in London.
When the 14th Amendment, equal protection clause was enacted, the galleries in the Senate were segregated. Now we have integration.
My first teenage holiday was spent touring the great art galleries of Europe after having been inspired by what I had seen on television.
I never really took a proper art class in college. I just started reading art magazines and going to galleries. I was really drawn to it.
I've always liked artists like Chris Burden, who would take performances, put them in galleries, and then do things that were on the edge.
Street art belongs on the street. But I'm a working street artist and I earn my money selling art in the style of street art via galleries.
I'm saving up to buy art. Nothing famous, but every time I'm in a new city I wander into galleries and dream about buying great pieces one day.
A lot of the conceptualists and the prestige galleries are debasing themselves in presentations which have little else to them but the presentation.
I like going to New York. I like the galleries and the theatre and the restaurants and bars and music. I think that city is more alive than Los Angeles.
I've seen beautiful art on the sides of buildings. I've seen beautiful art in museums. I've seen beautiful art in galleries. Beautiful art is everywhere.
Great Art is Great because it inspired you greatly. If it didn't, no matter what the critics, the museums and the galleries say, it's not great art for you.
I don't get paid for what I do in public places. So I invest the money I earn in galleries back into doing the stuff I passionately want to do on the street.
I go to contemporary galleries all around the world when I can. There's always something historical and something contemporary; those are my rock references.
We live in a world of crisis, of challenge, and... it's in our galleries that we can unpack the civilizations that we're seeing the current manifestations of.
The last time money left the art world, intrepid types maxed out their credit cards and opened galleries, and a few of them have become the best in the world.
I love Tate Modern; there's such great style and shopping here. I love the galleries and the pubs out on the street, just having your pint as the sun is setting.
I think the art world... is a very small pond, and it's a very inbred pond. They rely on information from an elect elite sect of galleries, primarily in New York.
Galleries needn't be exactly like White Columns purely because times are bad again. But the idea of this special space could - should - help shape what comes next.
I've always done live art history lectures and small documentaries in the past in Australia, on Australian art and art galleries, so I've already done a lot of that.
First of all, I only get 50 percent of it, because, I mean, the galleries get 50 and 60 percent. I mean, that's normal. I understand that. I don't quarrel with that.
During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around Europe looking at art, visiting artists, studios, galleries and museums.
For all the splendours of the world's greatest galleries, visitors are likely to be kept at arm's length, spectators of a world that can seem too rarefied to let them in.
We now live in the era of fake consensus, or phoney populism, a condition in which galleries and homes are seen to succeed best where they manage feelings of non-difference.
I'm trying to expand the notion of curating. Exhibitions need not only take place in galleries, need not only involve displaying objects. Art can appear where we expect it least.
Art suggests stuff that is traded like money, that is kept in galleries and that belongs to the elite, whereas experience is something that everybody has in the course of living.
The words that a father speaks to his children in the privacy of home are not heard by the world, but, as in whispering galleries, they are clearly heard at the end, and by posterity.
Galleries began growing in both number and size in the late seventies, when artists who worked in lofts wanted to exhibit their work in spaces similar to the ones the art was made in.
The art that I do is for the people. It is about engaging a new audience who wouldn't necessarily go to art galleries and museums and painting on the street is the best way to do that.
I cycled when I was at high school, then reconnected with bikes in New York in the late '70s. It was a good way of getting around the clubs and galleries of the Lower East Side and Soho.