Quotes of All Topics . Occasions . Authors
Please give me some good advice in your next letter. I promise not to follow it.
To me, a good running back is a good defense. A good running back helps you keep your defense off the field.
To me, having a good brow is very important because it is what frames the most important feature on you: your eyes.
It's never been about me... It's a team sport. It's basketball. It's not how good you are, it's how good your team is.
I think it's really, really good for me to be on stage once a year. It keeps your chops good. There's nothing else like it.
I remember once Robert Taylor invited me to lunch. I asked him, 'What is your ambition?' He said, 'I want to have 10 very good suits.'
I don't think it's a good M.O. to disrespect your opponents, and maybe that's why the teams that disrespected me and my team lost to us.
That's the buzz for me, the creative process. An idea is never as good as when it's in your head. And then it's just how little you ruin it.
The movie industry is very competitive, and if you're like me and you suffer from your own insecurities about whether or not you're any good, that can be troubling.
Your good friend has just taken a piece of cake out of the garbage and eaten it. You will probably need this information when you check me into the Betty Crocker Clinic.
To me, form is not about scoring runs but how you feel about your game. Sometimes the runs are not there, but you know you are batting well, and that is good form for me.
At the end, it's your movie and your performance that stands out. So if I am a good actor, and if am being part of good entertaining engaging films, audiences will like me.
Training is not the key. Head is the key. For me, it's head. How aggressive you will be. Who will attack first? But you need to be good in your head, and there will be no problem.
People would come to me and say, 'Jet, your Kung Fu is pretty good, do you want to be an action star when you grow up?' At 17, I was given the script and I went to make the movie.
My mother believed in curses, karma, good luck, bad luck, feng shui. Her amorphous set of beliefs showed me you can pick and choose the qualities of your philosophy, based on what works for you.
For me, it's about making sure the mental side of my game is in a good place; if it is, then it's just about backing your ability when you are out in the middle and doing what you can for the team.
For me, my 50s was the decade when my tolerance for heels faded. I'm in good shape and, at 8 st. 3 lb., I'm still the same weight I was in my 30s, but as you get older, the weight of your body shifts somehow.
Only younger brothers will understand me. We're following in the footsteps of older brothers. You are looking up to your brother. You want to do the same things. You want to do as good as he and do it even better.
The reason I go for the designers is because they make me feel good. It's about finding clothes that make you feel good as a woman. If I like it, I'll wear it. You have to go with your instincts and not be led by trends.
I'm usually really drawn to a song, and I know it would be good to cover if it sounds like something that I could write, or I wished I could write. Sometimes a writer just sounds like they're in your head, and that is really cool for me.
You have to take your ego out of it and say, do I want people to be obsequious to me or do I want to write good books? If it's the latter, you have to take criticism. It's annoying, but that's how to do good stuff; listen to other people.
Outside you get credit and praise and it makes you feel good, puts a spring in your step, but really the ceiling was the manager. If I was playing at Old Trafford and felt as though I was contributing and winning things, that was enough for me.
I wasn't a good student in high school. I wanted to go to college, but they weren't exactly beating down my door to offer me admission, and it's so expensive in the U.S. If you join up for a period, the army will pay your school and provide a stipend.
I can put my legs behind my head, but that's pretty much it. An early agent said to me, 'If you can put your legs behind your head, let's say you're a contortionist!' So I got sent out for everything twisty and bendy. It's a good conversation starter.
It took me a good decade of hiding in my house and not going outside to even, like, get my arms around this idea of celebrity, where suddenly people are looking for you to pick your nose or get a shot of you kissing some woman. It's a very discombobulating thing.
You would give up your career if you lost your voice for good, or if the impresarios stopped calling, or the audiences stopped coming. But as long as those things are there, I don't plan to stop. There is nothing that makes me feel better than to be with my public.
They'd have to force me to take the All-Star Game. They take over the building, your season-ticket holders have to be in a lottery to see if they get tickets, and then they don't get a good ticket. Really, no good can come out of it, and all it can do is upset your fans.
In golf, advice is not a big thing. If you don't have the ability, you won't get anywhere no matter how much advice you get. The only thing people can suggest that matters is, be a good person and treat people respectfully. But advice on your game doesn't mean much to me.
I've been booed off the field, and I've been carried off the field by people cheering me. So I've seen both ends of it, and I can tell you the bad side of it gets a lot more attention than the good side does, but the good side is pretty darned good when it's on your side.
They saw that it was a passion of mine from really young... My parents did a good job. They wanted me to win. They let me do all these things. If some old guy came to the house asking, 'I want your kid to sign a contract,' they were so open to it. Yeah, I credit them loads.
I remember when I fought Kevin Randleman, I was so wary about him taking me down, I figured it if he takes me down, was going to be so hard for me to get back up because he's just so good at ground and pound and keeping you on your back and it takes so much energy to get back up.
In Buenos Aires, I have a very close friend who speaks very good English, and she taught me. It was quite difficult because the muscles of your mouth are used to your language, and then when you want to speak another language, they don't go to the place they need to go to make the sound.
There is anxiety, but it comes after you've finished filming because it's out of your hands; people are editing it, they're cutting it, marketing it. And it's... part your career sort of rides on that. But when you're actually filming it's a team thing and it really feels good there for me.
I've gotten to a place where I'm better at curbing your ego, which usually happens when you're feeling super small and scared about whatever you're seeing, and you want to go read, 'Oh, I hear there's a really good article about me.' I've gotten better about knowing that's not going to end well, usually.
For me, it's all about the haircut. I don't have a lot of hair to style, so I keep it nice and fresh and tight. I actually go to the barbershop every five days. As soon as your haircut is on point, you have to make sure your outfit is fully ironed, you smell good, and you have clean sneakers on. Pretty much the head-to-toe look.
Across the Atlantic, commercial therapy of all kinds provides so many more comfortable outlets for people when they are under pressure. The English tradition is to get a grip, whereas the American version is to get in touch with your feelings, to say: 'I'm a good person. Isn't it terrible when bad things happen to people like me?'
I remember being at Greenblatt's on Sunset, and some guy just walked straight up to me, and he had some bling on and whatever, and said something about a party down in Malibu and asked if I would jump in his car and go to the party. All I could think was, 'Who are you? I don't know you, and I don't care about how good your car is.'