Quotes of All Topics . Occasions . Authors
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
I was staying with my sister and messing around with the guitar every day for my own amusement. Then she took me around and introduced me to Muddy Waters, Jimmy Rogers, Little Walter, and the first time I saw that onstage, it inspired me to play. I thought that was the world.
I didn't know that you were supposed to tune the guitar to an open chord, and I learned to play slide with a normal tuning. I think it's a little more melodic that way and doesn't sound so bluesy. Of course, if I could play like David Lindley or Ry Cooder, I'd be a happy man!
Lots of kids when they get their first instrument hammer away at it but they don't realise there are so many levels of dynamics with a guitar. You can play one note on a guitar and it really gets to people if it is the right note in the right place played by the right person.
If your going to learn to play lead guitar, get an electric guitar .. it doesn't have to be an expensive one .. acoustic guitars aren't good for learning lead, because you can't play up very high on the neck and they take heavier-gauge strings which makes it hard to bend notes
I have them a few minutes to absorb everything while I teased Ubie, who only had to recover from his near-death experience. I was so glad Reyes hadn't ripped him to shreds. I liked him much better un-shredded. Unlike, say, my preference for lettuce or heavy metal guitar solos.
'Built This Pool' was an idea that I had for a song starting several years ago, and as we were in between takes of recording something, I was actually holding a guitar at the time, and I played this silly thing, and sang the lyrics to 'Built This Pool' kinda in the background.
I didn't come in and say: "I'm a singer." I came into the band as a second guitar player and a vocalist, but not the songwriter. I had been writing poetry for years, so I sort of had the nature of the words. I felt like no one else could sing my lyrics, so I took a crack at it.
I remember you would record a guitar part, and we would have to sit there for 15 or 20 minutes waiting for the computer to process it. You'd see the little wheel spinning on the computer, and you'd be praying that the hard drive didn't crash and you didn't lose the performance.
Right now my mind is on the people who stole our instruments, and, specifically, the person with my guitar, which will no doubt end its days having Green Day songs worked out on it. A better fate was deserved - and while the reverence given to guitars annoys me, I shall miss it.
I never took singing lessons. I guess, I feel comfortable with it, but I do not feel like a singer. I never want to sing without a guitar in my hand. I consider myself more of a songwriter, rather than a singer. I could never be in a wedding band and just sing Marvin Gaye songs.
For years, I was stuck behind a keyboard rig. When I started playing guitar onstage, it was a bit of a release - not to be stuck in one spot the whole night. It's really enjoyable having the freedom to move around. You just have to remember to end up somewhere near a microphone.
I couldn't even have a guitar. But I got a three-track recorder that was so small that I could take it with me. Then I started recording and writing properly. I recorded lots of voices, not just my own. I was interested in people speaking and singing English and trying out words.
Grab a guitar, put some kind of strings on it, a banjo string, then a violin string, then a guitar string, tune it any way you want, and make some noise, and see what you get. And work on it until you get something that you think is interesting. That's all there is to art for me.
Elvis Presley was the big bang. He was the most influential single figure in the history of American pop culture. He changed the way we looked, thought, dressed, held a guitar. He didn't invent rock & roll, but he defined it in a way that everyone who followed him owes him a debt.
I like The Smiths as well. They took a cue from The Buzzcocks. They have jangly guitars instead of distorted guitars. All the Manchester bands have a character about them. The Stone Roses and The Smiths and all that. Even if you don't like them, they have a certain original sound.
I've always employed a melodic style with my leads, placing strong emphasis on infusing romantic sensibilities into what I'm trying to say. Those big, epic melodies come from influences like Pink Floyd, Journey, Marillion... bands that have these guitar parts that are just soaring!
I can't remember the first song I learned to play on bass, but the first song I learned to play on guitar was 'For Your Love' by the Yardbirds. That kind of was the beginning for me. I thought it was a great song and I loved the open chord progression at the beginning of that song.
I guess, and it may be a flaw, that I think about rhythm more [than anything else]. I'm always wanting to find something unusual. I've started to try and write more traditionally, but for whatever reason, I tend toward trying to find something that sounds more like a pattern to me.
Pot put me in a position where I could walk far away from my playing and hear it in the second person. It helped me step away from myself. I stopped seeing the guitar as a thing I'm holding in my hands and started seeing it as a thing that's at one with outer space and nothingness.
I'm playing a D-28 Martin that I've had about 20 years or so. I've got a '51 Martin and I thought I shouldn't be taking this on the road. So I went down to Gruhn Guitars in Nashville and kind of traded around and ended up with this one. This guitar sounded pretty good as new guitar.
Oftentimes, whenever I do interviews with guitar magazines and we discuss my influences, I mention people like Steve Morse, Alex Lifeson, Al Di Meola - but John Scofield's name never comes up. And that's funny because he's so amazing; he's the epitome of a really cool guitar player.
I wrote, recorded and produced everything myself. I played the guitars and keyboards while the drums were programmed. As a producer, I think music technology has reached a point, where the results that can be achieved in this way, allows me to create the music and sounds I envision.
Playing guitar as a young teen, I didn't really have the little light bulb in my head that said you're committed until when I was about 16. By the time I was 16, I was like, I'm guna do this. I don't care what happens. I'd play whatever other instruments fell into my hands along way.
I will keep a Bible or Koran on me at all times - the Bible I can actually carry on my phone, and any hotel you go to has a Bible, but the Koran is harder. I keep a physical Koran in my guitar case and put it on the table in hotel rooms so after a day's work, I can read a few verses.
I worked hard at that through most of the '80s, and in 1990 my house burned in New Hampshire, and my studios and my offices. I had to decide at what level to rebuild, and I decided that I was going to stop trying to be all things to all people, and just go back to playing the guitar.
I'm singing the way that I love to sing, which is like old soul, like old Al Green. I grew up about an hour from Memphis. So all that music that I grew up with - the Stax music and early rhythm n' blues - I'm doing that. I'm actually getting out from behind my guitar and I'm singing.
The very first concert I ever went to on my own was actually Rory Gallagher. In a one-month period in 1973 or '74, I saw him, Thin Lizzy and the Rolling Stones. I wasn't really a big Rory Gallagher fan, but I thought his guitar playing was fabulous. But Thin Lizzy, they were fabulous.
I've never been able to sit round on my own and play drums, practice in the back room, never been able to. I've always played with other musicians. It's how I play, there's no joy for me in playing on my own, bashing away. I need a bass, a piano, guitar, whatever, and then I can play.
I get to do a lot of things I don't usually get to do with the boys. I love playing guitar and rocking out on stage, so I do a ton of that with my solo project. [Backstreet Boys] all give each other the freedom to do our own thing, which just makes the bond the five of us have stronger
It's annoying when you've got a guitar and you're working on music and then you have to go and do the shopping or someone calls your mobile and you get distracted or you have to go out and do something. So it's nice to just concentrate on it one hundred percent and give your all to it.
Trey Spruance didn't want to tour for ages. And Dean Menta has always been our guitar-roadie during Angel Dust, and I remember him playing fantastically during soundchecks. During each gig, he was watching from the side of the stage, seeing Big Jim play stuff that he could play better.
I think one of the reasons I'm successful as a musician is that the first like 30 shows I played, I played with no monitors standing in front of guitar amps in a shitty, smoky warehouse where people were screaming and wasted, knocking over my gear. So shows after that seem pretty easy!
I was just a punk kid, trying to get a sound out of a guitar that I couldn't get off the rack, so I built one myself ... I wanted a Gibson type of sound but with a Strat vibrato .. I went to town painting it and I put three pickups back in, but they don't work - only the rear one works
The street's alive as secret debts are paid, Contacts made, they vanished unseen. Kids flash guitars just like switch-blades Hustling for the record machine. The hungry and the hunted explode into rock'n'roll bands That face off against each other out in the street, down in Jungleland.
Let me explain something about guitar playing. Everyone's got their own character, and that's the thing that's amazed me about guitar playing since the day I first picked it up. Everyone's approach to what can come out of six strings is different from another person, but it's all valid.
I play the guitar. This year at the Sundance film festival, I joined the band from 'The Guitar' on stage. We warmed up for Patti Smith, and then the director Michel Gondry got on the drums to play some songs from the soundtrack to his film Be Kind Rewind with Mos Def. It was pretty mad.
We've done every record on our own. Its produced by our guitar player and sometimes we'll have some help mixin' it and have some outside engineers but for the most part, it's done by the band and I think that's the reason why CKY sounds like no other band, 'cause we make our own albums.
I would think that the drumstick is probably pretty good. Because you can put that anywhere. If you are a strong guy, you can put it in the throat, the nose, the mouth, the ear. It's also easily concealed. The guitar is pretty good, but you have to break it. And that's pretty difficult.
I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don't want to lie to myself, or to them or to fans of Limp Bizkit.
Badfinger was pretty good. It was a very sad story, though, because the guy, he ended up killing himself, Pete Ham, who was a lovely fellow, he was a good guitar player and a great singer, he wrote, the most famous tune I would imagine is "Without You", you know the Harry Nilsson record.
I'm singing and dancing and playing guitar. I really enjoy pushing myself into different aspects. I'm not going to do this for the rest of my life, but I want to keep challenging myself. And if I'm fearful of something I definitely want to step into it and see how good or bad I am at it.
My favorite moments are when the bass falls in the pocket with the drums, the guitar is on top just slicing it, and the melody is scraping across like a sidewinder shattering through the monitor. It's just, ahhh, I love it! That's the jones, the hit, the buzz right there. It gets me off.
Everybody besides my piano player has been with me since the very first day. We were a four-piece band for a solid two years. It was me playing acoustic and rhythm electric guitar, a bass player, a drummer and a lead guitar player. For a couple of years, we sounded like the Foo Fighters.
When I was in high school, there were these British blues-rock-type bands with really good guitar players that would jam on one song for half an hour. And as much as I was amazed by some of those guitar players, seeing them prompted me to make a note that that's not something I could do.
I played the cello from when I was ten, and then I bought a guitar from the father of some friends of mine and played that for a while. And then when I was fourteen or so, I bought a guitar - a real nice one - in Durham, North Carolina, that I worked with up until I was about twenty-five.
I was in Jacques Brel Off-Broadway for many years, so I've always been a singing actress, but the songwriting was a complete surprise. I had never written a song in my life. We were on the road with Jacques Brel doing the national tour, and I picked up a guitar one day and I wrote a song.
I understand I'm supposed to be feminine and dainty, but I'm not. There are two sides to the coin. People are more impressed with things that I do because they almost treat you as if you're handicapped if you're a woman... people can be impressed that I can play a few chords on the guitar.
The music that really moves me is music that's written by people where there isn't a lot of money and they're really singing with just their voice and a guitar about their feelings and about their life. Their poetry is relatively simple, in the sense that it's about their soul in jeopardy.
To be a great band it's like you have that telepathy. You know when the bass player's in back of you without even looking. You know when your guitar player's coming up to you to lean up to you and sing into your microphone. You just know these things. You feel it. You feel the energy of it.