I was working on 'Harry Potter' while I was growing up, and the attention it brought me made me feel quite isolated.

One of the crucial things to the story of 'Harry Potter's' success is just how well everyone got on. There were never any problems with anybody.

I am a pretty level-headed person, but that person, Harry Reid, has been the most destructive entity in Washington when it comes to civility. By far.

I can't really go without being noticed. I'll keep my head a bit lower than usual. I've got to keep my head out of trouble, because if it goes on, it would be 'Harry Potter boy this, Harry Potter boy that.'

President Obama and Harry Reid and Nancy Pelosi represent what mainstream America is rejecting about Washington, D.C. And that is this out of touch with the people.

Doing 'Mamma Mia' was scary full stop, so playing a young Colin Firth was even more intimidating. I just had to keep reminding myself that I was playing Harry and not Colin Firth, which psychologically felt better.

The protests against Harry Potter follow a tradition that has been growing since the early 1980s and often leaves school principals trembling with fear that is then passed down to teachers and librarians.

In the same way that so many people read 'Harry Potter' and went to see 'Harry Potter,' just because a movie is about a kid, doesn't mean it's for kids, and just because a movie is about a girl, doesn't mean it's for girls.

When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.

Gene Krupa was my big hero, and I used to play on my mother's flour cans and sugar cans with the kitchen knives, listening to the big bands on my dad's records. Gene Krupa and Harry James.

I have three kids who like Harry Potter so I was sort of aware of it. You can't really move from it: it's on buses, in stores, it's everywhere. One of my kids has read the books; the other two are too small but they like the movies.

In creating the Harry Potter artwork, I try to bring a certain amount of realism and believability to the characters and setting, but still add an element of wonder and the unknown.

There's no subtext in 'Harry Potter,' really; it's all magic - anything can happen. Why do I say this? Because it's a magic spell. It's quite nice in a way. There is a real freedom to it. Doesn't say much for acting, does it?

This is what's sick about living in L.A. My eight-year-old daughter will point to a woman and say, 'Look! That woman's had too much Botox.' She spots them because they all look a bit like Lord Voldemort from 'Harry Potter.'

I would put Harry Kane in with Batistuta. All that is happening to him, he deserves. He is the protagonist of his life, and he deserves all the prize.

There are examples of ex-presidents speaking out. Jimmy Carter has not held back on a variety of issues. Harry Truman didn't.

Here's the thing with 'When Harry Met Sally,' it doesn't matter how many times you watch it, it's always interesting, and you're always identifying with a different scene in the movie - at least I am.

I will carry on writing, to be sure. But I don't know if I would want to publish again after Harry Potter.

Somehow, I had the feeling that I was responsible for Harry being dead. I remembered all the times that I wished he were dead, all the times I had dreamed of killing him. I got to thinking that maybe my wishing had finally killed him.

I wrote a story about a character who looks like Harry Styles. But it has nothing to do with Harry Styles at all.

As a young player, I had to compete with Harry Kane - the top scorer of the Premier League - arguably the toughest league in the world, and a striker who is performing remains in the team.

I'd seen Titus Welliver in a few shows and felt he had some inner demons in his portrayals, as does Harry Bosch.

Well, before I knew there was going to be a film. I was the biggest Harry Potter fan. I read all the books.

I absolutely don't relate to being beaten down my whole life - I had amazing opportunities at a young age - but there is still in many, many people's minds the notion that I'll never be able to escape Harry Potter.

With Harry, we all hope his goals and his performances will merit a trophy one way or another during his career, but Tottenham means the world to him.

I was grateful to have two weeks to shoot this one scene in Harry Potter. It's a big, big scene, but they have to deliver. And they have high expectations.

Look at the top strikers like Harry Kane and Sergio Aguero. They are ruthless, and every time they get a shot, people think they are going to score.

Sometimes I'm stressed and I'm sick of things and I need to forget about them for a while, so in Harry Potter you're taken to this wonderful imaginary world where everything is so different.

The anime that inspired me the most and one that I probably have influence from is the very first series of 'Lupin the 3rd.' I'm very drawn to 'Enter the Dragon' and 'Dirty Harry,' too. They definitely inspire me.

If I hadn't done 'Harry Potter,' I would have gone and done years of art. I really do love it, and I'd love to write.

I've got my life and 'Harry Potter,' where I travel the world, I make films, I meet amazing people, I do press junkets and stuff. And then I go back home to Leeds, where I live, and I've got the same friends from before.

I've never seen anything so abhorrent in my life as Harry Reid. He's an equal opportunity basher. He goes after everybody, and I think it has been so, frankly, disgusting.

It's like a candy store for an illustrator, I connected with Harry pretty quickly and loved the way J.K. described everything; she's such a visually thinking person. You can't pass that up.

The moment I said I'd finished a book, I knew what would happen. There would be a bidding war, and I would end up with someone who'd got the fattest wallet, who had bought it because I'd written Harry Potter. That would have been why.

My whole reputation and creative thought as a novelist is really wrapped around Harry Bosch, so he's near and dear.

I am a really big Harry Potter fan and I've seen all the sets, I've lived Harry Potter and I don't think it's destroyed the books at all, I think it's really spot on.

I'm never going to be in something as commercially successful as 'Harry Potter' ever again. It's impossible. So that gives me incredible freedom to go off and make the slightly off-the-wall films that I want to make.

With 'Harry Potter,' I've been all over the world. I probably wouldn't have gone to New York so young if it weren't for the films.

I am fortunate that I get sent scripts and get to meet people I would never have met had I not done 'Harry Potter.' But I feel I had to come out of that show and prove that I am not a one trick pony and can do other stuff.

My entire career writing novels was wrapped up around Harry Bosch. This character was too important to me to just hand off.

I've always thought that as long as directors and casting directors don't see me as just Harry Potter, I'll be OK. People have shown a lot of faith in me, and I owe them a huge debt. They're letting me prove that I'm serious about this.

It sounds so geeky, but I really do like studying and reading, and if I'm not working on 'Harry Potter,' then my greatest relaxation is to sit with a book.

I don't want to act as if 'Harry Potter' wasn't the most amazing thing because it truly was, but it's also great personally that I'm starting to see signs that I can move on from it and do other stuff that hopefully people enjoy.

As a former reporter, I wrote 'The Scarecrow' quickly - I didn't have to think about what the character would do the way I do with Harry Bosch.

For me, 'Harry Potter' isn't something that changed my life. It's just something I did that was a lot of fun and I got to experience amazing things from. But my actual, personal life is the same. Or at least I like to keep it the same.

I hate people thinking their city is unique, but there is a certain aura about Los Angeles; it's not necessarily a beautiful thing, but it's part of Harry Bosch.

In 1995, I sold the rights to Harry Bosch to Paramount. They had several screenplays written, but a movie never happened. Harry Bosch went on the shelf, and I had to wait 15 years to get him back.

When I write about places in L.A. - like where the best taco truck is or something - it's not about L.A. To me, it's about Harry Bosch, because he's the guy that does these things and has this experience.

It's about being fair. It's about Black Lives Matter. Yes, they matter. Everybody counts or nobody counts, and I think if more cops had the philosophy of Harry Bosch, we'd have less of these situations happening.

What is overriding that and most important is that readers generally are interested in a good character. They might be more comfortable with Harry because they think they know him, but they always seem willing to give somebody new a chance.

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