Quotes of All Topics . Occasions . Authors
It's the weirdest thing. Evan [Goldberg] was just telling me how weird it is that we won't be working on Sausage Party, to which I said, "Hopefully, we'll be working on Sausage Party 2." It was almost ten years ago when we came up with the idea.
The Greeks, those originators of the intellectual life, fixed for us the idea of the poet. He was a divine man; more sacred than the priest, who was at best an intermediary between men and the gods, but in the poet the god was present and spoke.
Only weeks after Oslo began, when nearly all the world and most of Israel was drunk with the idea of peace, I argued that a Palestinian society not constrained by democratic norms would be a fear society that would pose a grave threat to Israel.
The true idea of a church has not yet been shown the world, a visible Church, I mean, unless it was in the very earliest times; yes, the twelve disciples bound to their Lord in love, to do his work forever, that was a church, a Christian family.
With the idea that a single creator can build a society wherein a huge number of people will live, Le Corbusier later approached Stalin. In India, he charmed a powerful provincial family and ended up making huge, sculptural relics in Chandigarh.
How important is failure - yes, failure - to the health of a thriving, innovative business? So important that Ratan Tata, chairman of India's largest corporation, gives an annual award to the employee who comes up with the best idea that failed.
Don't let anyone tell you your ideas are stupid or the thing you feel most passionate about 'won't work' - it's happened to me time and time again, and we find that if you push at what you think is interesting hard enough, you're probably right.
What I am really interested in is that I want people to be thinking in other ways - to stop thinking they have to remain glued to a system that has failed and to ideas about society that's necessarily about being run by Democrats or Republicans.
I was very sad to leave Harry Potter but equally there will be an element of excitement about the idea that a script might come in and I don't have to go: "I'm sorry, I'm kind of busy for the next four years." The idea of that is quite exciting.
A lot of the stuff I've done is inspired by the location. Usually my works are pretty site-specific. There are a lot of shows that are older works, but often when I do new work for a show, it tends to talk to the space or the idea of the museum.
Little ideas can pop into one's head at any time, and if I'm being reasonably efficient I've got it close enough to hand, then I pop that little tiny moment of a few seconds down onto a tape and then I can forget about it for... years sometimes.
Just as it is important in Latin America to discuss ideas that come from North America, I think it is interesting for North Americans to discuss ideas that come from Latin America or Africa and do not insert themselves into capitalist interests.
The idea of reverence for God is transmitted from parent to child, it is educated into an abnormal development, and thus almost indefinitely strengthened, but yet it does appear to me that the bent to worship is an integral part of man's nature.
From the very beginning, I was involved in talking to people, listening to people. And it hasn't stopped. The idea was that people send me information; I'd ask them about it, listen, try to do something about it - and then ask for more feedback.
In so doing, the idea forces itself upon him that religion is comparable to a childhood neurosis, and he is optimistic enough to suppose that mankind will surmount this neurotic phase, just as so many children grow out of their similar neurosis.
I believe more and more that this business is about people. People, people. The idea is to make friends at the retail level, the warehouse level, let people see you exist, can form sentences and have an interest in something other than yourself.
All opening moves were the same, like in chess. You don't have to come up with anything new, there's no point, because you're both after the same thing anyway. The game soon finds its own way and it's only at that point that you need a strategy.
Jobs are a centuries-old concept created during the Industrial Revolution. Despite the reality that we're now deep in the Information Age, many people are studying for, or working at, or clinging to the Industrial Age idea of a safe, secure job.
For a long time networks just wanted to buy imitations of other shows - i.e. Curb (the Enthusiasm or the Office). The word gets out that "Hey, we want to buy something like that" and every comedy producer just starts dreaming up ideas like that.
Social mores change with time, like fashion - who knows where it might all end up? I especially like the idea that waste, impoliteness and overpopulation become "abominations," although I'm not sure recycling one's aunt will ever truly catch on.
When the first people started to argue against slavery, for example, this was a new idea. If you crowd-source, you'd never come up with this. And so the - exactly the kind of progress we've made couldn't be made if we depend it on crowd-sourcing.
Each man too is a tyrant in tendency, because he would impose his idea on others; and their trick is their natural defence. Jesuswould absorb the race; but Tom Paine or the coarsest blasphemer helps humanity by resisting this exuberance of power.
The success of any user generated content-related project should be judged in the long term. Try not to use it as a one-off campaign activation idea. Think of it instead as the beginning or continuation of an ongoing dialogue with your consumers.
The idea of eternity lives in all of us. We thirst to live in a belief which raises our small personality to a higher coherence - a coherence which is human and yet superhuman, absolute and yet steadily growing and developing, ideal and yet real.
I don't like it when they [media critics] see me as this little person who doesn't know what to do with herself -- like I have no idea what I want, like I'm just a puppet ... That's demeaning to me, because that ain't how it is, and it never was.
One idea I explore in my stand-up show is whether, if you try looking at the universe rationally and avoid coping mechanisms like mysticism or religion, you can still be happy knowing you are going to die after a brief time on this spinning ball.
I had no idea when I went to college what I'd be doing. I took organic chemistry and did terribly, but I was good in English and art. I took many courses and participated in as many activities as I could. I learned a lot about every single thing.
Perhaps the habit which distinguishes civilized people from others is that of discussion, exchange of opinion and ideas, the ability to differ without quarrelling, to say what you have to say civilly and then to listen civilly to another speaker.
The consciousness of a general idea has a certain "unity of the ego" in it, which is identical when it passes from one mind to another. It is, therefore, quite analogous to a person, and indeed, a person is only a particular kind of general idea.
People ask my mother whether she had any idea that I'd be CEO of a company some day, and she would say, 'Absolutely not. Totally out of the realm of possibility.' There was certainly nothing that would have been very predictable in my upbringing.
If one examines the American idea of freedom, the individual, free enterprise, their Constitution, their political and economic structures as well as their mode of exploiting their natural resources, all these are shrouded in the idea of justice.
When I am convinced of any principle, it is only an idea which strikes more strongly upon me. When I give the preference to one set of arguments above another, I do nothing but decide from my feeling concerning the superiority of their influence.
The representative element in a work of art may or may not be harmful, but it is always irrelevant. For to appreciate a work of art, we must bring with us nothing from life, no knowledge of its affairs and ideas, no familiarity with its emotions.
God is so big. It's a gigantic concept in God. The idea that God might love us and be interested in us is kind of huge and gigantic, but we turn it, because we're small-minded, into this tiny, petty, often greedy version of God, that is religion.
What baffles me is the comfort people find in the idea that somebody dealt this mess. Blind and meaningless chance seems to me so much more congenial - or at least less horrible. Prove to me that there is a God and I will really begin to despair.
If those in charge of our society - politicians, corporate executives, and owners of press and television - can dominate our ideas, they will be secure in their power. They will not need soldiers patrolling the streets. We will control ourselves.
You have no idea what's going to happen [in Downton Abbey] until you get the script. We roughly knew a couple of the key points that were going to happen, but when I got the last episode, I turned to the last page to check that I was still alive.
Life can be lived as a temporary arrangement. Life is a temporary arrangement! But the longer you go without changing, the more obscure the likelihood you ever will. After enough time passes, the idea of another way of life grows even more misty.
Human beings are accustomed to think of intellect as the power of having and controlling ideas and of ability to learn as synonymous with ability to have ideas. But learning by having ideas is really one of the rare and isolated events in nature.
Asked if he knew how important Stardust would be, Mitchell Parish said he did have a gut feeling that this was a momentous one. But had no idea it would become a standard. You don't sit down and write a standard, he explained. A standard evolves.
Silver rights aren't as dramatic and captivating as civil rights. The movement isn't good TV and it's boring or inaccessible to many people. The forums were created to spread awareness, dialogue, and community to forge new partnerships and ideas.
We talked a lot with the musician. And for now there are few options, and I give him few weeks to come and surprise me with something. I don't want to start and say, okay here is what I want. Because maybe he has an idea that is better than mine.
You don't have ideas when you're sitting in that sort of sterile little place, and you're not around people. The most boring scenes are the scenes where a character is alone. I just need that dynamic of other people around me to get my work done.
For most women, whether you're an actress or whatever you do, there is this pressure in society and within the world to look a certain way, dress a certain way, act a certain way, say certain things, and be this idea as opposed to being a person.
In some ways I believe music is the more convincing communicator of ideas than words. For instance, we can hear of Kordaly and Bartok and recognise them as Hungarian, but very few of us speak Hungarian, but the music itself speaks to more people.
The computer industry is the only industry that is more fashion-driven than women's fashion. Maybe I'm an idiot, but I have no idea what anyone is talking about. What is it? It's complete gibberish. It's insane. When is this idiocy going to stop?
I could never adjust to the separate waiting rooms, separate eating places, separate rest rooms, partly because the separate was always unequal, and partly because the very idea of separation did something to my sense of dignity and self-respect.
What I love about sci-fi is that every generation's films are based on what we know at that point in time. We make movies about the future, but it's always based on what we have. Then, as science grows and we discover new things, so do our ideas.
Maybe it's just a matter of getting older and being aware that the market for medium-budget and low-budget films, which is of course what I spent most of my life making, has diminished. And maybe the quantity of ideas has diminished a little bit.
As if paralyzed by the national fear of ideas, the democratic distrust of whatever strikes beneath the prevailing platitudes, it evades all resolute and honest dealing with what, after all, must be every healthy literature's elementary materials.