Quotes of All Topics . Occasions . Authors
Photography is there to construct the idea of us as a great family and we go on vacations and take these pictures and then we look at them later and we say, 'Isn't this a great family?' So photography is instrumental in creating family not only as a memento, a souvenir, but also a kind of mythology.
I don't really have a method or a technical process. I studied [Sanford] Meisner, and that's the thing that really works for me. That sort of instinctual, in the moment, what the other actors do, working off them and letting the story unfold, as opposed to having an idea of what the story should be.
To conceal a want of real ideas, many make for themselves an imposing apparatus of long compound words, intricate flourishes and phrases, new and unheard-of expressions, all of which together furnish an extremely difficult jargon that sounds very learned. Yet with all this they say-precisely nothing.
I really want some meaning. It used to be easy to toss it off. Now it's harder and harder. You have to navigate just to find something that has nourishment. It's the absence of nourishment. What do you do in place of nourishment? It's usually junk. Either it's junk food or junk clothes or junk ideas.
Good design today requires more vision (a larger point of view versus the single brilliant idea), more consistency (a deeper underlying structure of language and form versus the simple, uniform application of visual elements) and more patience (persistence over time versus creative authoritarianism).
I started in the mailroom, literally, as an intern... in 1974. The legislator I was working for at the time said, 'I want you to get your law degree and come back here and get elected and be the first woman governor.' I kind of took that guy seriously - I thought that sounded like a pretty good idea.
I applied, and I got in as a pianist. Their idea in the music department was that pianists, if they were good enough to get in, they were good enough to learn a new instrument. They felt sorry for pianists being alone in the practice room all the time, and they really wanted to socialize us pianists.
I used to go to church. I even went through a rather intense religious period when I was sixteen. But the idea of an everlasting life -- a never-ending banquet, as a stupid visiting minister to our church once appallingly described it -- filled me with a greater terror than the concept of extinction.
While we may blame the Internet for the ease with which conspiracy theories proliferate, the net is really much more culpable for the way it connects everything to almost everything else. The hypertext link, as we used to call it, allows any fact or idea to become intimately connected with any other.
I am whatever you make me, nothing more. I am your belief in yourself, your dream of what a people may become.... I am the clutch of an idea, and the reasoned purpose of resolution. I am no more than you believe me to be and I am all that you believe I can be. I am whatever you make me, nothing more.
While she could hardly fathom what had just happened to her that night, she reached some conclusions before she fell asleep, certain things now made perfect sense; Moon River didn't sound so syrupy, mistletoe wasn't such a bad idea, and perhaps dating was not such a frivolous waste of time after all.
The need for truth is not constant; no more than is the need for repose. An idea which is a distortion may have a greater intellectual thrust than the truth; it may better serve the needs of the spirit, which vary. The truth is balance, but the opposite of truth, which is unbalance, may not be a lie.
The pressure to make public retractions of past statements - there's something medieval about it. What does it mean, anyway, to 'retract' what you've said? How can anyone state categorically that a thought he once had is no longer valid? In modern times an idea can be refuted, yes, but not retracted.
When a truth is necessary, the reason for it can be found by analysis, that is, by resolving it into simpler ideas and truths until the primary ones are reached. It is this way that in mathematics speculative theorems and practical canons are reduced by analysis to definitions, axioms and postulates.
While writing is a mystical process, it's also work. If you show up to work five days in a row, nobody's going to pat you on the back - everyone does that. Well, do that with your writing. Just show up. Be there for it. When you get an idea, write it down somewhere and then be a steward of that idea.
This idea of anticipation is key to investing and to business generally. You can't wait for an opportunity to become obvious. You have to think, "Here's what other people and companies have done under certain circumstances. Now, under these new circumstances, how is this management likely to behave?"
I don't ascribe to the idea of the ivory tower composer who sits alone in a room composing his masterpieces and then comes down from Mount Sinai with the tablets. It doesn't work like that. The job of a composer is putting something down on a piece of paper that will inspire the person who's playing.
For me, collaborating is a marriage of the minds. It's two or more people coming together and making an idea come alive. Using their own creative knowledge or creative spirit to make the best version of an idea. To inspire an idea and to challenge it to be better than just one person's vision for it.
There is a whole field of inquiry that has come up in the last 30 or 40 years - some call it sociobiology or evolutionary psychology - relating to where we get our moral sense and why we value the idea of altruism, and locating both answers in behavioral adaptations for the preservation of our genes.
Some people are aware of another sort of thinking which... leads to those simple ideas that are obvious only after they have been thought of... the term 'lateral thinking' has been coined to describe this orther sort of thinking; 'vertical thinking' is used to denote the conventional logical process.
First comes an idea. Then, characters begin to evolve out of the landscape of that idea. And then, finally, characters dominate: plot is simply a function of what these people might do or be. Everything has to flow from their personalities; otherwise it will not be emotionally engaging, or plausible.
I know that what keeps me interested in my job and in the medium in general that what makes every few months more interesting, or newly interesting every few weeks, is the idea that everything is changing, that the ideas that you think are sacrosanct and unimpeachable suddenly are up for grabs again.
I was working with Toby Gad, who spent a lot of time in India. There's a sitar [in "Body Shop"] and the song has a very Indian flavor to it. I liked the idea of the body of a car as a kind of sexual metaphor - What you do to a car, what you do in a car - drive. So, lots of innuendos, and lots of fun.
I wrote [Collateral Beauty] on my own. I didn't get paid to write it. I didn't sell it as a pitch. It was an idea I had that I really, really felt needed to be in script form before showing it to anyone in the industry because of the uniqueness of the idea, and the weirdness of the idea, to be frank.
When talented people write badly, it's generally for one of two reasons: Either they're blinded by an idea they feel compelled to prove of they're driven by an emotion they must express. When talented people write well, it is generally for this reason: They're moved by a desire to touch the audience.
I'm trying to take culture and put it onstage, demonstrate it is capable of sustaining you. There is no idea that can't be contained by life: Asian life, European life, certainly black life. My plays are about love, honor, duty, betrayal - things humans have written about since the beginning of time.
That is a noble idea, though I think it far to generous," Jupiter said. "Once a decade should be sufficient." "I would rather be too generous than not in such cases." "As you wish." [One day, Atticus was amazed to discover that when Jupiter said, "As you wish," what he really meant was "I love you."]
It's a very teenage idea - this idea that thought is ruined when we give over to television shows and glossy magazines and what they are telling us to do. The alternative, I believe, in is pitiless censorship. Because we owe each other the best effort we can to see one another without that mediation.
The trouble with the jokes is that once they're written, I know how they're supposed to work, and all I can do is not hit them. I'm more comfortable improvising. If I have just two or three ideas and I know how the character feels, what the character wants, everything in between is like trapeze work.
Silence has been destroyed, but also the idea that it's important to learn how another person thinks, to enter the mind of another person. The whole idea of empathy is gone. We are now part of this giant machine where every second we have to take out a device and contribute our thoughts and opinions.
Until Eleanor Roosevelt, there was only one or two First Ladies in all of American history who made an impact, who people could even have recognized or identified. And it's really only been since Jackie Kennedy that there's been this idea that the family life of the president is such a central thing.
I always thought it was a B.S. thing that they didn't show it [scalping] in other Westerns, but especially if you're going to really go with the idea that we're desecrating the bodies, and the idea is to strike fear in the hearts of other German soldiers, then we had to see what they're talking about.
The idea that you have to drop any thing that you might be interested in doing because you have to pass that test tomorrow and it's something that you're not interested in, that's just the opposite of education. It's also harming teaching, because the teachers are evaluated by the results of the test.
Steve Jobs was one of the first people to understand that the computer wasn't just a tool, but that it could be an extension of ourselves, and he positioned Apple that way. The iPod was this revolutionary device with the idea of 1,000 songs in your pocket, and then that machine represents who you are.
One main problem with raising awareness of LGBT abuse is the denial. The term "domestic violence" is perceived as something akin to alcoholism, ("I don't sit on a park bench drinking") and people do not see that they are perpetrating or are a victim of DV because they have a set idea about what it is.
It wasn't just music in The Ramones: it was an idea. It was bringing back a whole feel that was missing in rock music – it was a whole push outwards to say something new and different. Originally it was just an artistic type of thing; finally I felt it was something that was good enough for everybody.
The quality of an idea does not depend on its altitude in the organization...An idea can be from any source. So we will search the globe for ideas. We will share what we know with others to get what they know. We have a constant quest to raise the bar, and we get there by constantly talking to others.
There is no tyranny in the world more hateful than that of ideas. Ideas bring ideophobia, and the consequence is that people begin to persecute their neighbors in the name of ideas. I loathe and detest all labels, and the only label that I could now tolerate would be that of ideoclast or idea breaker.
I don't mind being recognized, it's just that I have a bit of social anxiety, and this situation has increased it. The idea of having to be 'on' and social at random times can be difficult. I'll be out in the morning, someone comes and takes a picture, and then I discover I have toothpaste on my face.
If you look at the early nineteenth century you see the idea that we educate children to be voters and to be participants in our popular democracy. And then at the turn of the century when more and more immigrants are coming into the schools, Americanization becomes a more explicit part of the agenda.
There are some very similar moments in the early work where the focus was on drawing, abstraction and fragmentation. Then it moved to the development of ideas. Lately it has become what architecture should be, which is more fluid organization. There has not been so much 'a change' but 'a development'.
I have a shoebox: for ideas, fragments, snatches of conversation I hear. I scrawl it down, throw the scraps in the box. Every time I start a new script I start picking through the pieces. Suddenly you get five pieces together and think: this is almost the first Act of a movie, if I flesh it out a bit.
Psychoanalysts are fond of pointing out that the past is alive in the present. But the future is alive in the present too. The future is not some place we’re going to, but an idea in our mind now. It is something we’re creating, that in turn creates us. The future is a fantasy that shapes our present.
I follow the way people change. I follow the way people, who are very antagonized to one another become very close to one another and vice-versa. Sometimes I follow the way people who are intimately close to each other move apart. This is my business as a novelist. It is not about positions and ideas.
There's a radical - and wonderful - new idea here... that all children could and should be inventors of their own theories, critics of other people's ideas, analyzers of evidence, and makers of their own personal marks on the world. Its an idea with revolutionary implications. If we take it seriously.
The first step in wisdom is to know the things themselves; this notion consists in having a true idea of the objects; objects are distinguished and known by classifying them methodically and giving them appropriate names. Therefore, classification and name-giving will be the foundation of our science.
Human-centered design. Meeting people where they are and really taking their needs and feedback into account. When you let people participate in the design process, you find that they often have ingenious ideas about what would really help them. And it’s not a onetime thing; it’s an iterative process.
I remember I went to an exhibition somewhere and one of the artists, an Iranian lady, said, "I wish we had somewhere that our paintings would stay forever." So this idea came to me. I said, "She's right, we should have a place to keep them, and not only Iranian art works, but also of foreign artists."
As for me, my literary theory, like my politics, is based chiefly upon one main idea, to wit, the idea of freedom. I am, in brief, a libertarian of the most extreme variety, and know of no human right that is one-tenth as valuable as the simple right to utter what seems (at the moment) to be the truth
Says Bargh: "We all hold dear idea that we´re the captain of our own sould, and we´re in charge, and it´s a very scary feeling when we are not. In fact, that´s what psychosis is - the feeling of detachment from reality and that you are not in control, and that´s a very frightening feeling for anyone."