Late Quotes - Page 22

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It hadn't really percolated through my brain that I was going to see real, live TV from the surface of the Moon, and boy, oh, boy, had that Saturn V launch been exciting! And then, there it was - late at night, sitting up, watching, and there was Neil Armstrong actually standing on the surface of the Moon.

When my father was, you know, a very big artist in the 1970s and then later up through the '80s. And then I began playing guitar with him in the road in the late '80s until he retired in 1997. So I traveled the world with them for years, you know, and all around the world and got to meet some great people.

Is an out-of-control life challenge making you feel 'out of control' over your entire life? If so, stop lying around doing nothing. Stop sleeping late. Stop watching too much TV. Start recognizing that this lack of a disciplined schedule will only increase your feelings of being out of control of your life.

Fact is, awards shows were never really about recognizing achievement. They were a publicity ploy cooked up in the late 1920s by MGM topper Louie Mayer and his newly formed Academy of Motion Picture Arts and Sciences which was itself, back in the day, nothing but a front organization to discourage unionizing.

The Tea Party movement started in late 2008 as a rejection of President George W. Bush's bailout of the auto industry and Obama's excessive stimulus spending. It evolved into a movement opposed to ObamaCare, and grassroots efforts were employed to find qualified political candidates who could beat incumbents.

My dad is Chinese, and my mom is a white American, and they married only ten years after the United States Supreme Court ruled that it was illegal to ban mixed marriages. Imagine that. Marriages between people of different races - now common and accepted - were illegal in many states up until the late Sixties.

After finishing the gymnasium in Muenchen with 9 years of Latin and 6 years of ancient Greek, history and philosophy, I decided to become a physicist. The great theoretical physicist Arnold Sommerfeld, an university colleague of my late father, advised me to begin with an apprenticeship in precision mechanics.

For me, its like go ahead and eat. Live your life. I mean, I've just seen so much death, you know, as of late, being in my 40s, of people getting sick or, you know, whatever, that I just feel like, you know what? You never know with life. Eat. Enjoy yourself. Just try to be healthy and, you know, and watch it.

As I and the rest of my Pittsburgh Steelers teammates prepared that week in late December 1974, we knew one thing: The road to the Super Bowl in the AFC went through Oakland. To achieve your dreams as a team, you had to slay the Oakland Raiders. They were the barometer of what it took to be a championship team.

The reason I wanted to start directing is that as an actor I felt I came into a job late. There's a whole team of people who have been working on it for months before you start. You have this really intense period of filming and then you leave it, knowing that the director will work on it for another few months.

One of my great regrets, and I don't have many, is that I spent too long putting people's status and reputation ahead of their more important qualities. I learned far too late in life that a long list of letters after someone's name is no guarantee of compassion, kindness, humour, all the far more relevant stuff.

I fell in love with hip-hop a little bit late; I grew up on Another Bad Creation and Kris Kross. But my mom got me a TV in my room, and I remember seeing Biggie's 'Give Me One More Chance,' and I was like, 'Oh, this is how a house party looks!' I really, really fell in love with it when Tupac created 'Dear Mama.'

Part of me always felt like the other, the outsider, the observer. My father had two sons with his second wife, who I didn't meet until my late 20s. I was always on the periphery. In Madrid, I was the only Turk in a very international school, so I had to start thinking about identity. All these things affected me.

I remembered being young in the late '70s and early '80s and growing up at the height of the Cold War. I remembered how scared I was of nuclear weapons, how often I though about them and about the possibility of everything and everyone I knew vanishing in a second in temperatures hotter than the centre of the sun.

By comparison, 'The Secret Agent' is not especially prescient about terrorism, certainly not technically. The Professor was a stock figure of Edwardian fiction, and his dreams of mass destruction were nothing ahead of their time. Many novels in the late 19th and early 20th centuries involved plots far more deadly.

My late wife Olympia was Goan and I've been to India many times. I love the food there. We used to do our shopping in Southall, where you can find cheap but wonderful fruit like mangoes, vegetables and spices. I didn't do much of the cooking, as Olympia did a lot - I was the under-chef and did some of the chopping.

When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.

A couple of weeks after the Olympics, I thought I'd pop down to my local supermarket and do some grocery shopping. One person came up to me in the frozen food aisle, and that was it. I was mobbed, and I had to leave my shopping. Now, I either shop online or go very late at night when the supermarket's nearly empty.

From the late '70s to the early '90s, I wrote anything anybody would pay me for. This ranged from articles on how to clean a longhorn cow's skull for living-room decoration to manuals on elementary math instruction on the Apple II... to a slew of software reviews and application articles done for the computer press.

The whole mythological side of 'Twin Peaks' was really down to me, and I've always known about the Theosophical writers and that whole group around the Order of the Golden Dawn in the late nineteenth, early twentieth century - W. B. Yeats, Madame Blavatsky, and a woman called Alice Bailey, a very interesting writer.

I want to come back and do talk. I want to do late-night talk the right way. Arsenio ain't there anymore, and the late-night talk competition is weak. All them dudes is weak. I don't even know who they are. Weirdos, and I don't even care. I want to bring real fun back to late night where a real comedian is doing it.

As young parents of three girls, living in California during the late Sixties and early Seventies, Meredith and I couldn't help but be aware of the rising level of dialogue, debate, commentary, and proclamations about the place of women in society and about how to raise females in light of this raised consciousness.

Now, when you get a viral infection, what normally happens is it takes days or weeks for your body to fight back at full strength, and that might be too late. When you're pre-immunized, what happens is you have forces in your body pre-trained to recognize and defeat specific foes. So that's really how vaccines work.

What makes 'The Marriage of Souls' such a wonderful book is Collins's intricate reconstruction of the late eighteenth-century world. Simplicity and philosophy are the hallmarks of eighteenth-century art and architecture. The classically pure lines look deceptively simple and unburdened by heavy symbolism or imagery.

I had the good fortune to be raised in the 1940s and the 1950s. As I entered business in the late 1950s and 1960s, America was just coming into its own as a great industrial power. It allowed young entrepreneurs to start their engines, to start their businesses, to borrow a little money and to leverage what they had.

I actually went to see 'Rushmore,' and I came late, and I missed myself. It was great, that scene. I caught that scene the other day on TV, funny enough, the first scene that you see with Jason Schwartzman and myself, where we talk about his grades. That's a brilliant scene, and I have to say, we play it brilliantly.

New Zealand was such a weird place in the 1980s. For instance, we used to have this commercial in the late 1970s where this guy drives this car and stops outside a corner store. He goes in to buy something, and when he comes out, his car is gone. He's like, 'Huh?' Then a voice says, 'Don't leave your keys in the car.'

My sister learned she was a carrier for a recessive disease, Bloom syndrome, late in one of her pregnancies. I remember the panicked call and the weeks of worry as she and her husband awaited his test results; if he was also a carrier, this meant their daughter had a one in four chance of being born with the disorder.

Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.

Moving is easy, exciting, an adventure - when you're young. Later, not so much. I love Massachusetts, my old home. Sometimes, late at night, I even study the real estate ads in my old hometown. But it's not even a fantasy. My parents are both gone. The world I left doesn't exist anymore. Neither does the person I was.

The word queer first started being used in the late 1980s by members of the community who wanted to reclaim something negative and turn it into a positive. It's still a painful word for some, and lots of people don't identify with it. But for me it's a helpful and empowering term that unifies an ever-growing community.

My grandfather played a mandolin, so I got my hands on that. Then on down to a banjo, and I found I couldn't play any kind of soft or mournful music with that so I took up the fiddle in my late 20s or early 30s - and that was far too late. But it keeps me off the streets. It has been a love of mine since I was 17 maybe.

Instead of piling up food in my fridge that says 'Come eat me!' I keep enough for only a couple of days. And I rarely have treats around that might tempt me late at night, which is when I usually crave something really fattening. What am I going to do? Drive out at 11 at night just to satisfy a craving? No, that's crazy.

With such irresistible evidence before us of the great and rapid progress of abolitionism without the slightest indication of abatement, he is blind who does not see, if the state of things which has caused it should be permitted to continue, that it will speedily be too late, if not to save ourselves, to save the Union.

For a younger generation to imagine a time where there was no security at airports - going around the world in the bar of a jumbo jet, 'Tell the plane to wait, I'm running late!' - there is something very Austin Powers about David Frost, a man who, in all seriousness, would approach women in a safari suit, with sideburns.

When you look at what we can call the golden era of concept albums, which starts in the mid or late '60s and ends maybe in the early '80s, it's an interesting time for music. You see all these very established and popular acts and bands and artists that were somehow on the top of their game but really trying to experiment.

Decades of futile effort have not dampened my bold aspirations to save the nation. Born in a late age, I have not been able to witness the golden rule of Yao and Shun and other sage emperors of ancient China. Instead, my heart grieves at the suffering of the Chinese people under the cruel exploitation of the Tartar Slaves.

My sense of politics and justice was deeply shaped in adolescence by my involvement with the underground punk - rock scene, and though lots of social and political issues had come forth in my comics, it wasn't until my late 20s that I felt properly equipped to address certain issues of race, power, and violence in my work.

I begin early in the morning and edit everything I wrote the previous day. I write until mid-afternoon. My goal is to write a chapter per week, and if I am not finished by Friday, I write on the weekend. I get a lot of fan emails and answer them every day. In the late afternoon, I attend to the business of publishing, etc.

If you believe a black cat is bad luck, people think you're crazy, but plenty of times, if I see a black cat down my street, I turn around and go the other way. Even if I'm late. I'll be late for the airport and be in a limo, and if I see a black cat, I'll be like, 'Sir, you have to turn around and go down the next street.'

'Southern Accents,' I think that's one of my best, really. That would have been 1984, and I wrote that on the piano in the studio at home. I had a studio, and I just happened to be down there in the middle of the night. It was quite late, probably early morning, and I just started to play, and a song just started to appear.

I like 'Reanimator,' and I like 'Evil Dead 2.' But I really like the Corman movies from the late '60s and early '70s, and my favorite is 'The Mask of Red Death' with Vincent Price because - spoiler alert - but at the end of the movie, Vincent Price, he's the evil prince, and to kill him, his court just, like, dances at him.

What's weird is the Hot Boys and the whole New Orleans Cash Money thing had a really big impact on the Bay when that was popping off. I don't all the way understand it. I mean, I know that they were big everywhere and had a lot of commercial success in the mid to late '90s, but they were really, really felt in the Bay Area.

Sense the blessings of the earth in the perfect arc of a ripe tangerine, the taste of warm, fresh bread, the circling flight of birds, the lavender color of the sky shining in a late afternoon rain puddle, the million times we pass other beings in our cars and shops and out among the trees without crashing, conflict, or harm.

All this talk of equality remains merely on paper. In real life, women are still bound by several psychological shackles and emotional boundaries imposed on them by their families and others. If a girl comes home late, she is asked 100 questions, whereas boys are not answerable for anything. And this prevails across segments.

We began our 'Luxe Life' and 'Vegas DeLuxe daily columns' not long after the 9/11 terrorist attacks, and we've spent a decade bringing you showbiz stories and star scoops. I hope it continues for a long time to come because I honestly feel that all the late nights and around-the-clock hours to be first and fast keep me young.

Like many other touchstones of twenty-first-century pop culture, 'The Sopranos' was hatched in the late Nineties, predicting a future that never arrived. It was designed for a decade that would be just like the Nineties, except more so, in an America that enjoyed seeing itself as smarter and braver and freer than ever before.

In the late '70s I was asked to sing for the first time in Germany. I'll never forget it. It was at a festival in Bremen. The German audience went berserk and the reviews were a phenomenon. For some reason the German audience understood how technically challenging this music was; it wasn't just someone yelling their head off.

I thought, 'Oh, I'll be an independent producer. Oh, I'll be a manager.' I was going through all those things in my head, and one night, late at night, I was having what I would now describe as probably a panic attack because there were so many unknowns. An almost literal voice came into my head telling me, 'You need to write.'

For me personally, Elliott Carter was and remains one of the most meaningful composers of the late 20th and early 21st centuries because he represents substance. He was the living proof of uncompromising, complex music, which at first seems inaccessible. But it becomes accessible if one digs in and sees the development through.

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