In the West, people tend to look at life as spectators, but in the East, people are the thing.

Soccer matches should be something special, something people eagerly look forward to, something that brightens life.

I want to impact some lives down the road, one by one, and I want people to look at my story and my life as an inspiration.

Some people shun the idea of role models but I think it's one of the most important things people have in life - role models, to look up to.

Is it sufficient that you have learned to drive the car, or shall we look and see what is under the hood? Most people go through life without ever knowing.

Life is very complicated. I look to collaborate with artistic people and to go into an endeavor without judgment and to hopefully be treated with the same.

I'm excited for people to realize that I'm 25 years old and not a teenager anymore... even though I still look 18 and can't get into a bar to save my life!

People go through so much in life - financially, physically, mentally, and emotionally. So I don't look at the ups and downs as anything but a negligible area.

To develop drugs for people, we basically dismantle the system. In the lab, we look at things the size of a cell or two. We dismantle life into very small models.

It doesn't matter what color you are. Poverty is poverty. Inmates come from all walks of life. We have to make sure we look out for these people and give them a chance.

If you look in real life, it is very hard to describe people as good people, bad people, heroes or villains. People aren't bad people. They all have their justifications.

I think we always look up to legends and people who not only win but give us a larger than life role model... I think Michael Jordan is this, someone who became bigger than his sport.

It's people's own prerogative to be able to look at something and know the difference between 'this is what someone looks like with make-up on' and 'this is what they look like in real life.'

I can look back on my life, where there have been moments where things might have gone the other way. Everything is like stepping stones, and I've seen people I admire falter. We're all vulnerable.

My career and my stats, they all speak for itself so to say that I've got anything to prove to people, to say 'well, look, I can play, I'm not just a big guy,' that really is not my driving force in life.

I'm not looking for 'outer esteem' anymore, what they call 'other esteem.' I'm looking for self-esteem. And people think that self-esteem is built with accomplishments. And, 'Hey, look what I did in my life.'

Now the ambulance is always ready; the paramedics are always ready. People in the crowd can get help without risk. If you look at the Fabrice Muamba case, this is what helped save his life - the paramedics are there.

When you put an individual on the cover of a big picture magazine, like 'Life of Look', their career skyrocketed. As a photographer, you were very empowered; people came to you, bowing to you and what you represented.

It's the off-the-court spotlight in terms of having people look at you in terms of analyzing every little thing you do in your life, or having less privacy in your day-to-day activities, that's an area I need to get more accustomed to.

When I look into the audience, and I just know we understand each other, I can see their faces, and they know what I'm talking about. I feel like I've helped. Everything I've been through in my life, it helps people. Then that makes it worth it.

The more people who see a film, the more life it has. But I don't like when people watch DVDs and look at two scenes, but they don't look at the whole movie. Or they sit and talk to each other. You should always watch a movie all the way through.

When you're teaching creative nonfiction, it helps to have written about your life in a very open way, because you can say, 'Look, how much are you willing to risk emotionally to write? How careful can you be with the other people you're writing about?'

Most people are fascinated by what I did as a teenager, but when I look back at my life, I don't think very much about those years. I was an opportunist and got away with things because I was very young, but I went to prison and came out and remade my life.

I grew up poor and used to look at people in big houses and thought they had everything. Then, later on, I looked at models in magazines and thought they had it all. When you have the ability to live that life, to some extent you find out that they don't have any magic cure for everything.

When you're from New York, people take a second look at you. In Virginia, the other players always asked about the fast life we live. They want to know about the crime. As a player, they expect you to be able to do things that excite a crowd. And they always want to beat you. You're the New Yorker.

I think half the people who get married now have met online. If I think about all the people in my life who married - they met online, online, online. And it makes sense if you think about it, because you fill out this form of 35 things that really define you and - bam - look, you've got two people who match. It works.

When I wrote my first book, 'The Tennis Party', my overriding concern was that I didn't write the autobiographical first novel. I was so, so determined not to write about a 24-year-old journalist. It was going to have male characters, and middle-aged people, so I could say, 'Look, I'm not just writing about my life, I'm a real author.'

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