You gotta be nice. The way I look at it, why not be a nice guy to people?

When you write a book, you're an expert, and people look at you in a different way.

It's kind of disappointing and disgusting in a way, how some people are focusing on how we look.

It has always been very important to look carefully at young people and the way they wear clothes.

It is hard to look the other way when a dictator is being so cruel and violent with his own people.

Any people whose lives are about the way they look, whether it's fat or thin, are in a dangerous area.

When you look a certain way, or you have a certain presence, people take someone else's word over yours.

If you look at the way people behave at shows, icons are now musicians; they are the people that we worship.

People do get ridiculed for liking us or because they look the way they do and they're a part of what we do.

I don't want people to think you have to look a certain way or be a certain mold to be able to be a quarterback.

People think I look odd onstage. But the way I deal with being incredibly nervous is by concentrating really hard.

I'm interested in aesthetics, in the way things look, in finding something in an image that maybe people haven't seen.

It is something unique to the South, the way people look up to actors and worship them and literally celebrate their film.

I like stirring the pot - I think it's part of my duty, to shake people up a bit - make them look at things in a different way.

You kinda say, 'Well, straight people don't have to come out.' I understand now that's not necessarily the right way to look at it.

I feel very comfortable with the way I look, and I feel very comfortable with the kind of confusion that it creates in people's minds.

You won't have a story unless you have conflict, which means if there's no conflict in a situation, people look for a way to make some.

The way I go about it is that we should all be inviting people into our lives who don't look like us, speak like us and don't come from where we come from.

I can't look at 'WALL-E' or 'Finding Nemo' or 'Up' and look at in the same way as people outside of the company would look at it. Each one of them had angst.

I wanted to find a way to intelligently argue that we should be valuing our own skills and talents instead of valuing the number of people we can get to look at us.

Metallica is going to be one of those bands you look back on in the year 2008, that people will still listen to the way I still listen to Zeppelin and Sabbath albums.

Look what happened in Assam where the NRC was rolled out. Poor people with no way to find their documents were affected the most. And among them, the majority were Hindus.

Being an actor, you always feel like you're swimming upstream. People are going, 'No, they don't like you. They don't like the way you look. They don't like how old you are.'

As young people, you want to see people who in some way look like you to some degree, because it makes it a little easier for you to aspire to take on the qualities of those people.

If you look at the muscularity of something like 'Wicked' and the way it has just spawned sort of generations of young people wanting to get involved in the theatre - it's brilliant.

I believed what people said, that I don't deserve to be a leader because of the way I look. That I don't deserve to be popular, that I don't deserve to be loved. I'm not intelligent.

When a totally offensive tax hits a few million people, Washington is prepared to look the other way. But when everyone is harmed, self preservation kicks in, and Washington gets going.

I think that's the key to any artistic endeavor: You want it to feel fresh and not have people look at it like it's re-creation of something else unless it's done in a really strong way.

I think everybody's got a presentation. Everybody looks a certain way because they want to convey a certain image. You look a certain way because you want people to listen to you in a certain way.

That's what I paint, I paint people. They're portraits, but you won't always be pleased with the way you look in my paintings. Which is fine, I guess. Unless you're buying it, and it's of your kid!

People were always able to look at Bettie Page and see what they needed her to be and she gave them that permission to do so. So in that way she's a feminist but I don't think she was ever trying to be.

I suppose my look, the way I play - you combine all that sort of stuff and that makes people interested in what I actually do. So then, when off-the-field stuff happens... I suppose it's one of those cocktail mixes.

I have no problem with it. I don't look on homosexuality as an aberration. It's just they way they're born, and how could any relationship between two people in a committed relationship be wrong, regardless of gender?

I stand out because I'm usually the first to create a trend or make an existing trend unique in my own way. Plus I look and sound different then most people on the Internet and have the most recognizable lips in cyberspace.

Bruce Lee was just so lightning-fast. People try to emulate him in whatever way they can, but to try and do what he was doing... you're just inspired by it; you're not trying to say, 'Look, I can do that.' No one can do what he did.

I never understood the idea that I was a 'backpack rapper.' I think that's a lazy way that people started thinking. They like saying that because I got dreads. I look like I belong a certain place, so it's easy to put everything in a box.

These 'lone wolves,' people like to call them, you've got to look at them not like a lone wolf but an individual operator who's been convinced in their head, brainwashed, whatever, that this is the way to go. And they will carry out their assaults systematically throughout.

I know people who prepare their roles in such a way that they technically look ahead and memorize their gestures, and then they stick to it. Those that are technically proficient enough can make it seem natural, but they do that and don't really take in what other people are doing.

What you would call a 'lead,' I've always considered a supporting part, and what people would call 'supporting parts,' I've considered leads. In a way, I look at it in reverse, because supporting parts - when they're done correctly - are the ones that are progenitors for storylines, to move forward.

There's a theory with comedy that you shouldn't do anything that's too topical in your specials because people won't be able to watch them in five years. But I look at Trump in the same way I look at Mr. T. I can watch comedy jokes about Mr. T in the '80s and still understand what they're talking about.

I can make 10 jackets of the same colour, same two pockets and same length, that will look like 10 completely different jackets when you put them on. It's about the way they are cut - it makes them look and feel completely different and move differently, and that's a never-ending study. People who wear my clothes will know exactly what I mean.

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