Quotes of All Topics . Occasions . Authors
Michael Moore didn't have to worry that anyone would misinterpret the title of his film, 'Capitalism: A Love Story,' because in Hollywood, no one loves capitalism. That's too bad, because Hollywood is one of capitalism's greatest successes.
To make a love story, you need a couple of young people, but to reflect on the nature of love, you're better off with old ones. That is a fact of life and literature - and of the novel ever since it fell in love with love in the 18th century.
The young are in great danger. Much evil results from their light and trifling reading. Much time is lost which should be spent in useful employment. Some would even deprive themselves of sleep that they might finish some ridiculous love story.
I don't watch television, but I saw 'The Office' by accident. I thought it was so sophisticated, the Victorian love story, and so bold. We'd do anything, all of us, to not work in that environment, and then I'm sitting there watching hours of it.
I'd never done nudity in a movie; I've never sort of condoned it for myself, but David Lynch wanted it, and I was completely comfortable with it because that love story was so protected. There's never a moment where you feel anything is exploited.
I also wanted to do something that I hadn't really seen in almost any black novels, which was a complex love story in which both people were extremely intelligent and talented and understood a lot of things and were still at odds getting it together.
In a lot of films, forever it's been boy-meets-girl, and thank God for films like - I know it's going to sound ridiculous - 'Frozen.' I was so excited for my daughter to be able to watch a love story between two sisters instead of some stupid prince.
'When Katie Met Cassidy' is a romantic comedy about two very different women who find themselves uncontrollably drawn to one another. Issues of gender and sexuality play their part in the novel, but first and foremost, it's a fun, fast-paced love story.
I think what makes 'Maze Runner' so unique is that it is a brotherhood. It's really about a group of boys. It's not really a love story - there's no love triangle, none of that. It's mostly about a brotherhood of boys who really don't know what's going on.
In this one book are the two most interesting personalities in the whole world - God and yourself. The Bible is the story of God and man, a love story in which you and I must write our own ending, our unfinished autobiography of the creature and the Creator.
I'm not too comfortable going into the details, but yes, my love story with Andrei is beautiful and magical. We first met while I had gone diving in the Maldives. He didn't even know who I was when we first met. It was only later that he found out I'm an actress.
'Out of Africa,' Dinesen's second book, is a love story, though not the one portrayed by Streep and Redford in the film. The memoir is about Dinesen's love of East Africa - the cultures, the landscapes, the animals. The feeling that saturates the book is reverence.
I love to have real people of history interact with my fictional characters. History gives me the plot. I research the period meticulously, and then I blend in a romantic and sensual love story to give it balance. The heavier the history, the more romantic the couple must be.
I think sometimes we look at other people's marriages and we think they must always be so happy together. I don't know anybody who's married for a long time who hasn't somehow made room in their love story for the hate and resentment that they sometimes feel toward each other.
A romance is a courtship story. In the 19th century, the definition of the romance genre was an escape from daily life that included adventure and love and battle. But in the 20th century, that term changed, and now it's deemed only a love story, specifically a courtship story.
I've always found it funny when people call 'Romeo and Juliet' 'the greatest love story ever told' because - man - it does not work out well for those kids, you know? I'd like to think the greatest love story ever told would at least let them be together for more than a few hours.
If I could sum up 'Shadow's Claim' in six words: cage fights with hot alpha males. Seriously, though, while the fights are the backdrop for Trehan and Bettina's love story, the main emphasis is on how Trehan - a pitiless master assassin - wages the ultimate battle to win her heart.
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
Probably Lloyd in 'Say Anything' is the closest to me - or to who I was at the time. It was just a great love story about people in the '80s, and we all tried to make it feel as real as possible. It was such a wonderful time. We didn't leave anything in the gym; we put it all out there.
In the beginning, I would find a character I understood. That was my focus. Not now - but you basically get offered the exact same thing you just did. Which I find hilarious. I did 'The Vow,' and then I had every love story you can imagine thrown at me. And now I'm getting offers for comedies.
My favorite movies are the ones that are different the second time, or where you're constantly discovering new things. It's not just genre movies, either, and it's not just about twists. I saw 'Tinker Tailor Soldier Spy' four times in the theater before I realized it's a love story. I love that.
I think the key to a great romcom is to not fight against the genre. The trend more recently has been to apologise or be snarky, so it's an anti-romcom. Just lean in and embrace the fact it's a love story, and it's funny, and it's light. It can still be uber-smart and deal with zeitgeist issues.
In 'Love Story,' Oliver Barrett IV comes from generations of wealth and privilege, but when he meets working-class Jennifer Cavilleri, he can't resist. When they marry, his father disowns him, but they struggle on in love, until she's diagnosed with cancer and they can't afford the costly treatments.
I wrote 'Yellow Submarine' for the Beatles. I wrote the screenplay for 'The Games,' about the Olympic Games. I wrote 'Love Story,' both the novel and the screenplay. I wrote 'RPM' for Stanley Kramer. Plus, I wrote two scholarly books and a 400-page translation from the Latin, and I dated June Wilkinson!
I think that I was lucky that I was 30 when I did 'Love Story', which came with this extravagant pop celebrity. I had already done 15 years of what I call 'real' work.' I was a waitress, chambermaid, and a photographer's assistant, so I knew that I was tremendously lucky as a novice actor to have that big hit.
I'm definitely drawn to stories of just regular folks, just generally in some kind of horrific situation. I keep saying I want to do a love story in the south of France with a boy and girl and some wine. Then I always end up in an oil rig with four hundred guys or on a mountain with guys shooting at each other.
A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.
'Under the Poppy' is the love story of Istvan and Rupert, lovers and friends from childhood, who've been parted by jealousy - and a secret betrayal by Istvan's sister, Decca, who also loves Rupert, with whom she runs the brothel called Under the Poppy, where the floozies cater to every taste from saucy to peculiar.
I've been a huge fan of Hal Ashby forever. And I think that the distinctive thing about 'Coming Home' is the love story, and how - kind of emotionally real it is, and how these two characters allow each other to see their - kind of vulnerabilities. And it's great because it's a love story that's not really that cheesy, either.
Anne Wiazemsky wrote two books about her life with Jean-Luc Godard between 1966 and 1969. And I first read the second one, which is about the fall of their love story and their marriage. I immediately thought there was a movie to make with this book because it was so funny, and I thought the love story was very, very touching.
Many friends of mine told me that normally only guys like a kung fu movie and the girls would be turned off - they want to see a love story. But Ip Man is a family man, so the women see this and go: 'I want my husband to be like this man. He'll be a scholar, he'll be fighting, he'll care for the family.' So we had a bigger audience.
It's very important to not repeat yourself. After 'Delhi Belly,' I was offered 40 'Delhi Belly's and you can't do that! So 'Revolver Rani' is dark and gritty with action, 'Sooper Se Oopar' is a big commercial love story, 'Santa Banta' is a 'theth' Punjabi comedy, 'Golu Aur Pappu' is a kids' film and 'Amit Sahni Ki List' is an urban romcom.
There's a lot of mythological stories you can tell. There's not just one. I appreciate all of those different kinds, but what I was personally missing was grand, classic, true-north hero. Pure and simple emotion, and also aiming for big time emotion, like love story as well, in a very sincere way. Like 'Superman: The Movie' had done for me.
I'm not 100% sure 'Rebecca' qualifies as a thriller, given it's three parts screwed-up love story and two parts ghost-story-without-a-ghost, but the mystery at the heart of the novel is what happened to Maxim's first wife, the eponymous Rebecca, and it's unravelled with the pacing and finesse of the finest psychological thrillers out there.
I wanted to make a love story without being nerdy.
'Love Story' I wrote on my bedroom floor in about 20 minutes.
I think women love a passionate love story.
My favorite movie is 'Closer' and 'Love Story.'
On a serious note, I just enjoy exploring the unconventional. I like Alfred Hitchcock; I actually grew up watching his films. A thriller gives you much more scope of exhibiting creativity in terms of playing with the camera and sound, as against a typical love story.
1921' is a fantastic love story about people who are studying music. It has a fair leaning towards classic love story.
'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
I am a very big 'Vampire Diaries' fan, and I was a huge Stefan and Elena fan. That love story was one of the most beautiful ones I had ever seen on screen. I loved it.
It's funny how seeing a love story never gets boring, because it's the dream, isn't it? It's the dream to have a true connection with another human being.
'Casebook' is my attempt at a love story. I had a vision of a difficult love.
Every actor wants to do a love story, and courtesy T-Series, I got to do two back-to-back.
Definitely, the most important part of a love story is the chemistry between the two actors because a love story is about a guy and a girl meeting and falling in love. You don't see love coming across if the chemistry is not there.
I'm writing a new love story, set in eastern North Carolina. Surprise, surprise, huh?
'The Lady' is an incredible love story about how a family was cut off from each other, about sacrifice, about the ability to put the needs of million of people before your own.
The street and me is a love story. 1971 is a great date because, finally, fashion took to the street.
People have told me that they cannot put down 'If I Stay' after reading it, and readers have become very invested in the love story between Adam and Mia.