Quotes of All Topics . Occasions . Authors
I've been asked a lot why didn't 'Ruined' go to Broadway. It was the most successful play that Manhattan Theatre Club has ever had in that particular space, and yet we couldn't find a home on Broadway.
The Tiffany lamp is an American icon bridging the immigrants, settlement houses, and the slums of the Lower East Side and the wealthy industrialists of upper Manhattan, the Gilded Age and its excesses.
I will have nothing to do with a bomb! [Response to being invited (1943) to work with Otto Robert Frisch and some British scientists at Los Alamos during the Manhattan Project to create the atomic bomb.]
The Hudson River lay flat and black like a lost evening glove. The clouds parted overhead as the distant moon threw a single, bright beam over lower Manhattan as though it were looking for its other half.
I'm a very competitive person... I've run 12 marathons! I kayaked around Manhattan 29 miles in October! I ran the Berkshire Hathaway 5K! And I want every part of the business to compete - and play to win.
I find the elitism and blatant provincialism of many (Manhattan-based) New Yorkers unattractive. Just as place can be an identity crutch that helps a person feel individual, place can be a crutch in poetry.
Our job is to represent the truth of human nature, whether you're playing a tender love story that's set in a coffee shop or whether you're in 'The Avengers,' which is set in a Manhattan which is exploding.
Living in areas with a high population density does not need to be synonymous with overcrowding. Manhattan has an extremely dense population and is considered by many to be a highly desirable place to live.
I'm a total fangirl for Nancy Meyers. I love all her movies - 'Something's Gotta Give,' 'Father of the Bride,' 'The Parent Trap,' etc. I also love Woody Allen - 'Annie Hall' and 'Manhattan' are my favorites.
I grew up in a big sky country. Then I lived in Manhattan, where you can only see the sky between buildings, and then I went into a building where you couldn't see the sky at all. I didn't like that so much.
Whenever I'm in Des Moines, I always make a trip to Manhattan Deli for a sandwich. I spent a lot of time there when I was going to college at Drake, so it's usually my one 'go-to' food stop when I'm in town.
'Death at an Early Age' was about racial segregation in Boston. 'Illiterate America' was about grownups who can't read. 'Rachel and Her Children' was about people who were homeless in the middle of Manhattan.
sometimes gossip is by far the most reliable source of information about yourself and all your friends, especially in Manhattan. I always say why trust myself when gossip can tell moi the real truth about moi?
Manhattan, one of the most moneyed spots on the planet, also has one of the greatest concentrations of people in its skyscrapers. It's also, of course, the place where every architect wants to build his tower.
If anything, I learned most from being a huge fan of his and watching movies like Annie Hall and Manhattan over and over again - that influenced the kind of movies that I wanted to make more than anything else.
I got a job writing for a financial technology newsletter in Manhattan. I didn't even understand what I was writing about. The newsletter had, like, 2,000 subscribers, and it was $700 a year for a subscription.
I don't know anything about bankrupting four companies. Here's a guy that inherited $200 million. If he hadn't inherited $200 million, you know where Donald Trump would be right now? Selling watches in Manhattan.
Don't we realize we're a business, we single girls are? Every building that goes up in Manhattan has more than fifty percent efficiency apartments . . . for the one million girls who have very little use for them.
I love my kitchen. For Manhattan, I have a rather decent-size kitchen, and it has an opening that gives out to the dining room, which has a window with a view of the city and in the distance the Statue of Liberty.
I do think we need more cameras. We have to stay ahead of the terrorists, and I do know in New York, the Lower Manhattan Security Initiative, which is based on cameras, the outstanding work that results from that.
Normally, I am a vocal advocate for 'looking both ways' and 'knowing the size of one's own body.' But working, socialising and simply running errands in Manhattan, means I am bound to break my own rules on occasion.
I find television, and particularly live television, very romantic: the idea that there is this small group of people, way up high, in a skyscraper in the middle of Manhattan, beaming this signal out into the night.
It seems that our politicians see the world in black and white, so why not our artists? Did Woody Allen's 'Manhattan' have to be in black and white? No. But is it fantastic that it was? To see New York like that? Yes!
Manhattan's always fascinating, too, just a big, stinky, smelly conglomeration of numbered avenues and streets, but it's just got a vibe that's hard to beat. I shouldn't like it, but I do. I can't put my finger on it.
I try to remember what it was like to be a kid in New York. I lived in different parts of my childhood in Manhattan on the Upper West Side, where 'When You Reach Me' is set, and also in the Midwood section of Brooklyn.
I live in Dublin, God knows why. There are greatly more congenial places I could have settled in - Italy, France, Manhattan - but I like the climate here, and Irish light seems to be essential for me and for my writing.
Those of Manhattan are the brokers on Wall Street and they talk of people who went to the same colleges; those from Queens are margin clerks in the back offices and they speak of friends who live in the same neighborhood.
Trump was able to convey - oddly enough a message from a billionaire who lives in Manhattan - a genuine concern for people who felt kind of left off, who felt offended by all the political correctness they see around them.
Rotgut was, to me, just this way to get into the underground of Manhattan where you have these little pockets a villain could rise from; a rot in the bowels of Manhattan. It led to these stories that were just very creepy.
I grew up in Manhattan. For Manhattanites, Brooklyn was the sticks, a second-rate civilization. My friends and I, we were so snobby. Living in the Bronx or Brooklyn was incredible... for me, that was like a foreign country.
Since I do not believe that there should be different recommendations for people living in the Bronx and people living in Manhattan, I am uncomfortable making different recommendations for my patients in Boston and in Haiti.
I was born in 1943 and raised in the Bronx, in a high rise apartment complex known as Parkchester, the only child of Max, an accountant who worked in the garment district in Manhattan, and Rose, an elementary school teacher.
The first words Rebecca Lobo ever spoke to me when we met in a Manhattan bar in 2001 were, 'Aren't you the guy who just mocked women's basketball in 'Sports Illustrated'?' I blushed, broke out in a flop sweat and said, 'Yes.'
I've lived most of my life in Manhattan, but I lived in Brooklyn for a while as a kid. I went to junior high school there. Girls in Brooklyn have to be tough - I mean real tough - just to get by. It's life in the combat zone.
I took my iPod to the Apple store here in Manhattan and asked them to replace the battery. And they explained to me that Apple does not offer a service to replace the battery in the iPod, and my best bet was to buy a new iPod.
Our cultural capital has changed tremendously on its way into the twenty-first century. Manhattan has been secured and sanitized; it's smoke- and trans-fat-free. In the boroughs, many of the old jungles have been cleared as well.
'Manhattan Love Story' has a very special place in my heart for many reasons. We were very sad to see it go. It brought me to New York, and there's nothing better than getting to go to work and fall for Analeigh Tipton every day.
I quickly discovered that trying to go play golf while living in Manhattan was about as easy as trying to grab a taxi while standing out in front of Saks Fifth Avenue in the freezing rain on the last shopping day before Christmas.
'Blackbird' is the only one I've ever wanted to redo. It just haunted me, this play. There was a sense of unfinished business because at the time we did it at Manhattan Theatre Club, there was real momentum to move it to Broadway.
The World Trade Center site will forever hold a special place in our city, in our hearts. But we would be untrue to the best part of ourselves and who we are as New Yorkers and Americans if we said no to a mosque in lower Manhattan.
My favorite elements of 'Start Talkin'' were those man-on-the-street pieces. I love shooting those. I was born in Manhattan, have lived in or around New York my entire life, and I feel like I'm in my element when doing those pieces.
A lot of the fiction I read growing up was post-war American, and not all of it centers on Manhattan, but around people of the Mad Men generation, people like John Cheever and, in more modern times, Don DeLillo, who I always mention.
During my participation in the Manhattan Project and subsequent research at Los Alamos, encompassing a period of fifteen years, I worked in the company of perhaps the greatest collection of scientific talent the world has ever known.
I don't know if I miss it per se, but I do miss the fact that there just doesn't seem to be any rock 'n' roll out there anyplace. Everything does seem kind of tame. It's even hard in Manhattan to go out and find a good band to go see.
All of a sudden I pulled up short and harked back to Ridley [Scott] holding up the script in Manhattan, at the St. Regis breakfast room, and saying, "It's very visual, isn't it," and realized it was the key to my whole life since then.
These women were taking over these former manufacturing warehouses in SoHo and figuring out a way to be fashionable and viable without money. It's hard to imagine a life like that in Manhattan now - there's something romantic about it.
I sat down and collected all of our eleven sales for the past six months and I added them all together and divided by eleven. I then took that average and presented it as the average price for a Manhattan apartment. The media ate it up.
Apparently Brooklyn needn't always push itself to be something else, something conscious and anxious, something pointed toward Manhattan.... Brooklyn might sometimes also be pleased, as here on Flatbush, to be its grubby, enduring self.
I first met Miles Davis about 1947 and played a few jobs with him and Sonny Rollins at the Audubon Ballroom in Manhattan. During this period, he was coming into his own, and I could see him extending the boundaries of jazz even further.
Mickey Mouse popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner.