It's easy to figure out whether you're getting stale. All you've got to do is look in the mirror and be honest with yourself.

Like all of my fictions, 'Sinner' is a mirror. Look into it and you will find yourself. What you do with what you see is your choice.

Confidence literally starts from yourself. You have to go look in the mirror at yourself. If you don't like what you see, you're going to give off that energy.

You either like or don't like people warts and all. You've got to look yourself in the mirror. I don't like all the aspects of what I do and am, or things I've done, but you've got to live with it.

You think he's going to like you better, but then one day you look in the mirror and realize you've changed yourself - physically and emotionally - into a woman who's totally different from the one he was attracted to the first place.

I can take the steel guitars and fiddles off, we can make it a little more pop, cover ideas that are a little less cowboy. But you got to look at yourself in the mirror and ask, whose flag you are under? For Garth Brooks, I'm steel, fiddles, red, white and blue.

Have you ever noticed when you look in a mirror, unless you're really depressed or something, the person in the mirror generally looks a little more competent, a little more curious, a little more intelligent than you actually feel yourself to be? They often look more interesting and more soulful.

Don't you think it's something strange that you rarely look at yourself in the mirror, except to do things like stand and ponder? I mean, in Shakespeare's day, it was thought that the mirror would reveal something, that it is trying to tell you something - not just to tidy your hair, but something more.

It makes a huge difference in how you feel, the way your costume holds you. When you look at yourself in the mirror, it makes you feel a certain way. Actors like to talk a lot about working from the inside out, but there's a lot to be said also about working from the outside in. It can be extremely helpful.

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