Moving Quotes - Page 225

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You will attract everything that you require. If it’s money you need you will attract it. If it’s people you need you’ll attract it. You’ve got to pay attention to what you’re attracted to, because as you hold images of what you want, you’re going to be attracted to things and they’re going to be attracted to you. But it literally moves into physical reality with and through you. And it does that by law. (Bob Proctor)

You look at Japan and Hayao Miyazaki's films are the biggest films ever made in Japan; domestically there and they play to critical acclaim around the world. He won't put more then 5 or 10 percent computer imagery in his movies. It's disappointing to me. It's a silly choice that some studios made to move out of animation. It's part of the unfortuneate preconception that I think the public has going into see animation.

Turkey has had a customs union with Europe since 1996, and there's free trade in everything other than farm products and services. And Turkey has shown that it can compete. It's good at making cheap goods - household appliances, food, detergents, cheap clothes. And they make a lot of white goods, cheap TVs, washing machines, electric appliances, steel, and, recently, auto parts. And Turks are gradually moving into IT.

One reason there are so many short-lived management fads is that their prescriptions were derived and advocated in precisely this way. So managers read about a fad and try it, find that it doesn't work, abandon the effort, and move on to the next thing. In reality, it is usually the case that the faddish prescription was indeed sound advice in certain circumstances, but actually was poor advice in other circumstances.

The human understanding is of its own nature prone to suppose the existence of more order and regularity in the world than it finds. And though there be many things in nature which are singular and unmatched, yet it devises for them parallels and conjugates and relatives which do not exist. Hence the fiction that all celestial bodies move in perfect circles, spirals and dragons being (except in name) utterly rejected.

Watching the spontaneous acts of kindness, compassion, and generosity, courage, and bravery in the aftermath of the Boston marathon bombings was so deeply moving. It is in our nature to want to help, to serve, to be part of something larger than ourselves. We have a desire to connect with others. We want to make a difference in the world. I would call this a spiritual longing to be whole, interrelated, interconnected.

Every moment in your life is a turning and every one a choosing. Somewhere you made a choice. All followed to this. The accounting is scrupulous. The shape is drawn. No line can be erased. I had no belief in your ability to move a coin to your bidding. How could you? A person's path through the world seldom changes and even more seldom will it change abruptly. And the shape of your path was visible from the beginning.

A myth is a fantasy, a preferred lie, a foundational story, a hypnotic trance, an identity game, a virtual reality, one that can be either inspirational or despairing. It is a story in which I cast myself; it is my inner cinema, the motion picture of my inner reality - one that moves all the time. No diagnosis can fix the myth, no cure can settle it, because our inner life is precisely what, in us, will not lie still.

It's good to be aware that a certain amount of fear is going to accompany every change in your life - a change for the worse or a change for the better. Knowing this can stop you from moving into fear about Change Itself. If you start fearing change generically you could wind up shrinking from ever making any kind of change at all for the rest of your day - even a change that obviously should be made for your own good.

I'd always believed that any song worth singing is worth putting harmony on. When it comes time for the harmonies to come in, I will move to my left because my brother and I always used to use one microphone, and so you had to share the mic. And, even today, I will move over to the left to give the harmony room, knowing in my mind that there's no harmony standing on my right. But it's just old habits are hard to break.

The thing I was most proud of about today's round was that on this course everybody is going to make mistakes, but sometimes it's hard to forget about it and let it go. After I made a double on 1, I was able to be patient and let it go and came back with birdies on 3 and 5. When I bogeyed 6, I was able to let it go and come back with a birdie on 8. I was able to let go of some bad shots and forget about it and move on.

The world looks with some awe upon a man who appears unconcernedly indifferent to home, money, comfort, rank, or even power and fame. The world feels not without a certain apprehension, that here is someone outside its jurisdiction; someone before whom its allurements may be spread in vain; some one strangely enfranchised, untamed, untrammelled by convention, moving independent of the ordinary currents of human action.

The past is an interpretation. The future is on illusion. The world does not move through time as if it were a straight line, proceeding from the past to the future. Instead, time moves through and within us, in endless spirals. Eternity does not mean infinite time, but simply timelessness. If you want to experience eternal illumination, put the past and the future out of your mind and remain within the present moment.

Effortlessness means not doing anything, inactivity - AKARMA. Effort means doing much, activity - KARMA. Both have to be there. Do much, but don`t be a doer - then you achieve both. Move in the world, but don`t be a part of it. Live in the world, but don`t let the world live in you. Then the contradiction has been absorbed. Then you are not rejecting anything, not denying anything. Then the whole God has been accepted.

I'm an American, first and foremost, and I'm very proud - I said, I've said to my beloved friend and colleague John McCain, a friend of 25 years, "John, I love you, but I'm not just going to vote for you on the basis of our affection or friendship." And I've said to Barack Obama, "I admire you. I'll give you all the advice I can. But I'm not going to vote for you just because you're black." We have to move beyond this.

Magic is a combination of art and science. It's an art because of the traditional parts of things, the graceful gestures, the sonorous invocations, the use of colour, sight, sound, all of these things make it very much an art form. Yet it is also a science as well because we expect something to come of what we do. Using and creating these almost dreamlike inner landscapes in which we can live, move, and have our being.

I firmly believe that if you help a woman, then you educate a child, you help the family. Because women are very focused on health care and education and on the family. So if you help a woman, you help the family, you help the village, you help the country. And so empowering women is a very important part of moving, not just women forward, but the economy of the nation forward. Particularly in very substandard nations.

Years! Years, ye shall mix with me! Ye shall grow a part Of the laughing Sea; Of the moaning heart Of the glittered wave Of the sun-gleam's dart In the ocean-grave. Fair, cold, and faithless wert thou, my own! For that I love Thy heart of stone! From the heights above To the depths below, Where dread things move, There is naught can show A life so trustless! Proud be thy crown! Ruthless, like none, save the Sea, alone!

I DON'T CARE!" Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. "I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANYMORE!" "You do care," said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. "You care so much you feel as though you will bleed to death with the pain of it.

Based on first-hand evidence of your own senses - the improved health and later ages at which acquaintances die nowadays as compared with the past; the material goods that we now possess; the speed at which information, entertainment, and we ourselves move freely throughout the world - it seems to me that a person must be literally deaf and blind not to perceive that humanity is in a much better state than ever before.

Crouchers move through a garden at a stoop: naming, gasping, horraying, admiring or coveting plants; Gapers saunter, smiling or sighing at what they find, succumbing to an intangible beatitude that takes them for a brief escape into another dimension. Both sorts of gardener are besotted; both get their hands dirty; think and talk gardening; but on the threshold of another's garden, each use a different set of whiskers.

I don't feel like music is getting more intense; I think generally the channel for deeper harmonic saturation is not just a sine wave - but a really crunched sine wave. The trend in music is towards a harmonic saturation. I wouldn't say I'm reacting against that. It's just a personal choice to move into some weird space. This also allows me breathing room in the future. It just felt like the right thing to step back on.

Faith can cut in so many ways. If you're penitent and not triumphal, it can move us to repentance and accountability and help us reach for something higher than ourselves. That can be a powerful thing, a thing that moves us beyond politics as usual, like Martin Luther King did. But when it's designed to certify our righteousness - that can be a dangerous thing. Then it pushes self criticism aside. There's no reflection.

The kind of organic wave, the way that waves move, and I'm not just talking about feminism, the way that a social movement might rise like a wave. It's harder to build any kind of wave now. Things are important to you and then they recede within a day. That's the only thing that keeps me from believing that there's going to be any one organic big wave; although the Americana (music) thing has been happening for a while.

To higher or lower ends, they [the majority of mankind] move too often with something of a sad countenance, with hurried and ignoble gait, becoming, unconsciously, something like thorns, in their anxiety to bear grapes; it being possible for people, in the pursuit of even great ends, to become themselves thin and impoverished in spirit and temper, thus diminishing the sum of perfection in the world, at its very sources.

I cite a good example, say, of agriculture, .. In agriculture we need to move with speed to bring to full utilization the land that is now in our possession. We need to curb aspects of corruption that are endemic in the economy. We need to be transparent in everything that we do. We need to be consistent in implementing the policies we would have agreed. And not implement policies one day and reverse them the other day.

The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice.

The common meaning of gratitude is to be thankful for benefits received. While this is important, I feel that the energy of gratitude is one of the most powerful attracting forces in the universe. A heart filled with Thanksgiving, even when appearances tell us that we are mired in scarcity, conflict, and affliction, moves us to a higher frequency in consciousness and we soon witness reality shining through the illusion.

I had been at the director's workshop for women at the AFI, which at the time was a great thing to do. I had always meant to direct, and for a variety of reasons that are hard to explain, I never did. I produced many things - there'll be people who tell you I directed through them - and of course I wrote. It took a divorce, a move back to New York and a kind of "now I can do anything" to say, "I really want to do this."

The way in which these two practices contain each other is that it has always been possible to use the one against the other: to use racism-sexism to prevent universalism from moving too far in the direction of egalitarianism; to use universalism to prevent racism-sexism from moving too far in the direction of a caste system that would inhibit the work force mobility so necessary for the capitalist accumulation process.

Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.

I'm connected to the event of 9/11 by my desire to do something to honor the 9/11 survivors and those who didn't survive. Something that moves our society forward, something that engages children in what it means to be a citizen and encourages them to love and be inclusive. Because if we don't live our lives well - if I don't live my life well - it's an affront to all the people who were involved in the tragedy of 9/11.

I had a rope around my waist, and the rope was attached into the helicopter in case I fell off. And the shot was a shot that began with Kim Novak going out of a house and getting into a bus. Then it was supposed to go over the countryside and find a freight train on which Bill Holden was standing. And then after seeing a good look at the freight train, the camera was supposed to move up into the sky for the end credits.

Past persons of Scottishness in contact with mastermind of supernatural persuasion in London, aka Agent Doom.’ Floote moved on to the third bit of paper. “ ‘Lady K says Agent Doom assisted depraved Plan of Action. May have all been his idea.’ Moving on to the last one, he read out, "Summer permits Scots to expose more knee than lady of refinement should have to withstand. Hairmuffs much admired. Yours etc., Puff Bonnet.

Composition is what's similar between being photographer and director. As a photographer, you're sort of doing everything - you're directing the lights and you're framing and you're moving around. The hardest thing to learn as a director is how cameras have to move. You have to have patience, you have to learn how to look through the lens and then you have to learn to combine all of the compartments into one great image.

Yes," she answers and does not move. She might, at this moment, be nothing but a floating intelligence; not even a brain inside a skull, just a presence that perceives, as a ghoast might. Yes, she thinks, this is probably how it must feel to be a ghost. It's a little like reading, isn't it-that same sensation of knowing people, settings, situations, without playing any particular part beyond that of the willing observer.

This excerpt is presented as reproduced by Copernicus in the preface to De Revolutionibus: "Some think that the earth remains at rest. But Philolaus the Pythagorean believes that, like the sun and moon, it revolves around the fire in an oblique circle. Heraclides of Pontus and Ecphantus the Pythagorean make the earth move, not in a progressive motion, but like a wheel in rotation from west to east around its own center."

I have always argued that we can't live by or be made to exist outside of mythology, and that every group and nation has, possibly unacknowledged to themselves, some myths by which they live. It remains important to revisit them, understand them and possibly retell them - or at least own up to them - and then it becomes possible to move something. If it's obscure or invisible to you, you can't budge those understandings.

I drove off, with my friends watching me go, all of them grouped on Lissa's hood. As I pulled onto the road, I glanced into the rearview and saw them: they were waving, hands moving through the air, their voices loud, calling out after me. The square of that mirror was like a frame, holding this picture of them saying good-bye, pushing me forward, before shifting gently out of sight, inch by fluid inch, as I turned away.

I felt I was moving among two groups [literary intellectuals and scientists] comparable in intelligence, identical in race, not grossly different in social origin, earning about the same incomes, who had almost ceased to communicate at all, who in intellectual, moral and psychological climate had so little in common that instead of going from Burlington Hom or South Kensington to Chelsea, one might have crossed an ocean.

I'm the strongest advocate you can imagine for doing things honestly and paying your taxes. Take advantage of every tax break you're legally entitled to. But I follow the letter of the law, because the consequences are severe if you're caught. I was a perpetrator at one time and suffered severe consequences. It is difficult in some places, but if you live in places like California, move somewhere else to save some money.

I encourage all novelists to move to TV right now, that is the way to go. I was living in New York working at a bank as a day job about seven years ago. I was writing novels at night and decided, "Wow, there's so much great TV, and they're telling the complex, interesting, psychologically nuanced stories that, as a novelist, you dream of telling. And it's a healthy, exciting, thriving medium - that's where I need to be."

These days its not just that the line between right and wrong has been made unclear, today Christians are being asked by our culture today to erase the lines and move the fences, and if that were not bad enough, we are being asked to join in the celebration cry by those who have thrown off the restraints religion had imposed upon them. It is not just that they ask we accept, but they now demand of us to celebrate it too.

When a woman makes the choice to marry, to have children; in one way her life begins but in another way it stops. You build a life of details. You become a mother, a wife and you stop and stay steady so that your children can move. And when they leave they take your life of details with them. And then you're expected move again only you don't remember what moves you because no-one has asked in so long. Not even yourself.

I could have waited years, now that I knew the end of the story. I was cold and wet and very happy. I could even look with charity towards the altar and the figure dangling there. She loves us both, I thought, but if there is to be a conflict between an image and a man, I know who will win. I could put my hand on her thigh or my mouth on her breast; he was imprisoned behind the altar and couldn't move to plead his cause.

Politics is work. Hiphop is music. The idea that hiphop, because it makes the body feel good to move to it and it makes the soul feel good to hear out angry young black men, can be transmuted into changing the world is narcotic but nonsensical. Wherever hiphop is ever "going," we can be sure it will not be in a constructive direction, anymore than fashions in the color of cars. And it shouldn't "concern" us in the least.

We have to look at for example the increasing globalization of capital, the whole system of transitional capitalism now which has had an impact on black populations - that has for example eradicated large numbers of jobs that black people traditionally have been able to count upon and created communities where the tax base is lost now as a result of corporations moving to the third world in order to discover cheap labor.

When we travel for research our strategy is to simply move from kitchen to kitchen. It's truly a wonderful way to travel - food shopping, cooking and eating in one home for lunch and then another for dinner. The process of cooking takes us immediately into the rituals and rhythms of daily life and also places us firmly in the position of learners. We were meet with incredible generosity by all of the families we ate with.

The correct method for tracking the stock market is to use semilogarithmic chart paper, since the market's history is sensibly related only on a percentage basis. The investor is concerned with percentage gain or loss, not the number of points traveled in a market average. Arithmetic scale is quite acceptable for tracking hourly waves. Channeling techniques work acceptably well on arithmetic scale with shorter term moves.

Going from memoir to fiction was fantastic. I had been afraid to move away from memoir; I'd written some novel drafts, but they weren't well received by my agent at the time, and it had been drilled into me that "memoir outsells fiction two to one" (not sure if that's true anymore, or if it ever was), so I felt like the only smart thing to do, professionally, was to keep mining my life for painful moments to recapitulate.

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