Moving Quotes - Page 223

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Loneliness is the inability to share your story, your Unique Self story. For most people, the move beyond loneliness requires us to share our story with a significant other. For the spiritual elite, the receiving of our own story - and the knowing that it is an integral part of the larger story of All-That-Is - is enough. But for most human beings, loneliness is transcended through contact with another person.

For every individual is a unique manifestation of the Whole, as every branch is a particular outreaching of the tree. To manifest individuality, every branch must have a sensitive connection with the tree, just as our independently moving and differentiated fingers must have a sensitive connection with the whole body. The point, which can hardly be repeated too often, is that differentiation is not separation.

I like the little chess match of how people move through space. I'm not comparing myself to Michelangelo with this analogy, but he said when he sculpts it's like finding the sculpture within. It feels that way when you are with actors, too. There's a natural way to do this with a natural language that flows and feels like real people talking. And you've just got to find it. So I enjoy that part of the process.

There's a tap on the door then. We all exchange looks, Tommy Falk's as uncertain as the rest of ours. No one moves, so I finally wipe my hands off on my pants, go to the door, and open it a crack. Sean stands on the other side, one hand in his trouser pocket, the other holding a loaf of bread. I wasn't prepared for it to be Sean, so my stomach does a neat little trick that feels like either hunger or escaping.

Especially now, the immigrant problem is very dramatic around the world. Because we don't know what to do with them. They're in economic crisis, and there are more and more. There will be more and more. We speak about globalization of economy, but it's also globalization for immigration. Millions of people, they're willing to have a better life. A better life, they cannot have it where they live, so they move.

There are a lot of new sounds I've gone for, which I may not have been ready to go for in the past, especially moving away from just rapping. I really tried to push my songwriting side on this one. I think that, for better or worse, people have definitely been able to tell. Changing style is always gonna be a love/hate thing for people, but I love it all, and I can't please everyone so that's all that matters.

A policeman in plain clothes is a man; in his uniform he is ten. Clothes and title are the most potent thing, the most formidable influence, in the earth. They move the human race to willing and spontaneous respect for the judge, the general, the admiral, the bishop, the ambassador, the frivolous earl, the idiot duke, the sultan, the king, the emperor. No great title is efficient without clothes to support it.

It feels a little silly to annotate a game in which I didn't make a single move on my own, just following my preparation all the way. [...] A pretty finale. I was obviously hoping for the beauty prize sacrificing both my rooks and all, but OK, Im [sic] afraid requirements are one makes a move of his own for that it seems. Something I could avoid doing in the last five rounds in Dresden. Silly game, this chess.

Overcomers have a 'finishing' anointing. They don't merely start things. They keep on moving forward until they complete the task. Many people love to start new things. They like to be creative. They enjoy thinking of new projects and dreaming about new adventures. Often, these people actually start some of the new things they are planning for the future. The problem is that they seldom finish what they start.

It is just so satisfying to create work that is beyond the framework of language. I think for me that when I make art, I allow myself the opportunity to think with my hands as well. The thing about writing is that you're constantly grappling with every word, because it is removed from the consideration of words in many ways, it can just allow you to move through the art. I discover things in the act of making.

I've wondered, though, if one of the reasons we fail to acknowledge the brilliance of life is because we don't want the responsibility inherent in the acknowledgment. We don't want to be characters in a story because characters have to move and breathe and face conflict with courage. And if life isn't remarkable, then we don't have to do any of that; we can be unwilling victims instead of grateful participants.

When you stay present with your children, that’s where abundance is. And when you stay out of their business, that’s where everything you deserve in life is. When you’re in presence, there’s no story, and you are abundance. And you come to trust that space so often that you just eventually hang out as that, because there is nothing that can move you out of it, not even a perceived child or a perceived anything.

I have been in relationships where a man has disrespected me, and I don't need to be friends with that man anymore. I don't want to be the one going, 'I'm cool, because I'm friends with all my exes.' There's a reason why you're called an ex. I crossed you off my list. Moving on. You cross a line, you need to know that you're going to walk this earth knowing that there's an individual who has no respect for you.

When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn't want to give up being the DP, and really wanted to do both. And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.

There's a difference between just gaining access to a commodity as opposed to a spirit that allows us to live a life of love and justice, that when crisis and catastrophe hits you, that the biggest mansion in the world is not going to help you. If you don't have anybody who loves you, if you don't have any God who cares for you, that you're not going to have what it takes to move to the next stage in your life.

There are innumerable writing problems in an extended work. One book took a little more than six years. You, the writer, change in six years. The life around you changes. Your family changes. They grow up. They move away. The world is changing. You're also learning more about the subject. By the time you're writing the last chapters of the book, you know much more than you did when you started at the beginning.

We're obviously at the edge of something quite new in humanity's experience. That is this globalization process which isn't just economic or social, but involves the interpenetration of cultures, people moving to different places several times in their lifetime, traveling for business or pleasure, and marrying people of very different cultural backgrounds, all of which was almost impossible a hundred years ago.

I always want to do the best that I can with the opportunities that God has given me. The only way that you can possibly do that is to give yourself a chance to go as high as you possibly can. If you don't have the confidence in yourself and you don't have the desire to compete and move ahead, than you start to get stagnant....If I fall a little bit short, then I'm still farther than if I hadn't reached at all.

I began feeling the way I imagine an actor or athlete must feel when, after years of commitment to a particular dream...he realizes that he's gone just about as far as talent or fortune will take him. The dream will not happen, and he now faces the choice of accepting this fact like a grownup and moving on to more sensible pursuits, or refusing the truth and ending up bitter, quarrelsome, and slightly pathetic.

After moving to Los Angeles in the early '90s, I started looking into "music for picture" more seriously and in broader scope. My collaboration as a programmer and arranger with Graeme Revell exposed me for the first time to the full spectrum of film music, including the hectic demands of orchestral scoring and the power politics surrounding the finalization of any score for a major motion picture in Hollywood.

I was okay with singing. I always sneak a song into everything I do. Dancing, a little awkward. Little embarrassed about that. I don't move well. But I was with a frog, so it doesn't matter. I'll do anything with a frog, that's my motto. He's great with tap-dancing or flap-dancing on my head. So no one's going to be looking at me when we're doing that dance. They're going to be saying, 'There's a frog dancing'.

One of the characteristics of North American culture is that you can always start again. You can always move forward, cross a border of a state or a city or a county, and move West, most of the time West. You leave behind guilt, past traditions, memories. You are as if born again, in the sense of the snake: You leave your skin behind and you begin again. For most people in the world, that is totally impossible.

Living Holy Week following Jesus means learning how to come out of ourselves to reach out to others, to go to the outskirts of existence, to be the first to move towards our brothers and sisters, especially those who are most distant, those who are forgotten, those who are most in need of understanding, consolation and help. There is so much need to bring the living presence of Jesus, merciful and full of love!

They didn't want Donald Trump to win. They didn't think he was gonna win. They never thought they would be in this position. They may not even like being in this position because they don't want this kind of pressure on 'em. They don't want to have to move his agenda. The Republicans in Washington are identical with the Democrats when it comes to the big issue, and that's immigration. Both parties want amnesty.

It should be borne in mind that the target is always trying to shift responsibility to get out of being the target. There is a constant squirming and moving and strategy . . . on the part of the designated target. The forces for change must keep this in mind and pin that target down securely. If an organization permits responsibility to be diffused and distributed in a number of areas, attack becomes impossible.

You have to have the kind of personality where you're resilient and you can get up and keep moving and learn what there is. What I tell my employees is, 'I want you to make mistakes. If you're not making mistakes, you're not trying hard enough. But, when we make a mistake, let's all study it. Let's all learn from it. After that, we want to make different mistakes. We don't want to keep making the same mistakes.'

I'm not the kind of guy who walks around with a notebook writing lyrics. For me, melody and song structure come first and foremost. Unless the melody gets stuck in my head, I'll move on. Once I have the musical idea pretty firm, I just try to write words that are incredibly honest and relate to my life on that given night. I'll sit with the music on my headphones and pen and paper all night long until it's done.

To the extent to which the pull that moves me really is irresistible, like an invincibly strong addiction, the normal procedures of evaluation, deliberation, choice, decision, etc. that constitute the substance of our political life are not operating. The same is true of overwhelming aversion. The person being tortured who simply wants it to stop, period, is also not a good model for an agent acting politically.

I think all of us struggle with how to keep relationship alive. And yet it can't be static either. It's never going to be how it was when you first met because you're not in that place anymore; you're not necessarily the same people. So, that's the struggle - you're trying to make the relationship move forward with the rest of your life and make it special and meaningful. And I think it's incredibly challenging.

It's not natural to have to suffer when we work. We're made to be productive, and yet the world we live in, there's a whole bunch of suffering. And what they need to understand as 10-year-olds, so that when they're 15 and slightly less protected, and when they're 20 and they're moving into a truly semi-independent state, they need to have experienced that memory of persevering and having gotten through hardship.

In order to get past disagreements, you just can't have one person with power decide. In other words, so just because I'm a boss, it would be terrible if I then said, "Okay, we're gonna go do this." That's why, after that thoughtful disagreement, there has to be a process of an idea meritocracy. That means okay, now you have to vote, not that the decision resides with power. And then you vote and move beyond it.

I follow many tragedies around the world. At one point I [will] feel like I've accumulated an enormous amount of information, a critical mass amount of information, and I feel like acting - reacting. My manifesto has always been the same: I cannot act in the world before understanding the world. I will not move a finger. I will not come up with any ideas - nothing - until I actually understand what is happening.

Why Do We Procrastinate? P - postponing life R - resisting change O - overly cautious C - contemplating course of action R - reasoning and justifying A - afraid of success S - summoning up some courage T - trouble moving forward I - inability to see the outcome N - not able to trust in your abilities to make decisions A - attempting to control the situation T - time to reflect on your motives E - erodes progress

You've got to have a vision and an intention and that will guide what you do. I call it devotion. Ask yourself, "Is this not moving me toward where we need to be?" I believe that's helpful because a vision pulls you forward and it keeps you focused. A vision for the day, for the week, for the month and a lifelong vision - whatever works for you. And then you govern your activities and your behaviors accordingly.

We have to move away from the concept of screening in cinemas. This can be achieved with the new technologies. I enjoy my films and the fact that I can include you in them as well. Cinema is only a small part of a much greater phenomenon. We transcend the barriers of culture. DVDs' image quality and longevity provide us with new prospects. They are a powerful medium. I think they were invented especially for me.

I think what's made electronic music so fascinating is that it came up through the underground and always moved and pivoted so quickly that you could never keep a handle on it. That continues to happen. Sure, the stuff on the very top moves slower and is marketed for Spotify. But there are still going to be undercurrents that flow freely and move around, simply because there's too much of a base with this music.

For how imperiously, how coolly, in disregard of all one’s feelings, does the hard, cold, uninteresting course of daily realities move on! Still we must eat, and drink, and sleep, and wake again, - still bargain, buy, sell, ask and answer questions, - pursue, in short, a thousand shadows, though all interest in them be over; the cold, mechanical habit of living remaining, after all vital interest in it has fled.

I am not a courageous person by nature. I have simply discovered that, at certain key moments in this life, you must find courage in yourself, in order to move forward and live. It is like a muscle and it must be exercised, first a little, and then more and more. All the really exciting things possible during the course of a lifetime require a little more courage than we currently have. A deep breath and a leap.

And one of the things I find most moving is the way people with infirmities manage to embrace Life, and from the cool flowers by the wayside reach conclusions about the vast splendour of its great gardens. They can, if their souls' strings are finely tuned, arrive with much less effort at the feeling of eternity; for everything we do, they may dream. And precisely where our deeds end, theirs begin to bear fruit.

Time is different for a tree than for a man. Sun and soil and water, these are the things a weirwood understands, not days and years and centuries. For men, time is a river. We are trapped in its flow, hurtling from past to present, always in the same direction. The lives of trees are different. They root and grow and die in one place, and that river does not move them. The oak is the acorn, the acorn is the oak.

You do realize you just insulted me, right?" "How so?" "You implied that I can't protect her or my people." I looked at him. "That's not at all what I meant." "Apologize and I'll let it go." I kept my hands firmly on the iron rail before me. Grabbing the weight bar and walloping the Beast Lord upside the head wouldn't be the best diplomatic move. "I'm sorry, Your Majesty." There. I was civil. It almost killed me.

Berlin seems like a place of healing to me though: you have both the Holocaust Memorial and Hiroshima Strasse side-by-side there. You have the whole last century libraried and you can see exactly what we did. Now there's lots of artists and musicians moving there because they can't afford the rent in London and New York, and they're having children and making it a gentle place. It seems to be a place of hope now.

The thing about physicists is that they tend to think that everything is physics. I don't. That's not what music is to me. You can explain aspects of it in physical terms, including the physics of anatomy: how our bodies move, the torsional moment of inertia, the way you move your body to a beat, the inherent periodicities of the heartbeat, the gait. That's physics, too, I guess - maybe they'd call it biophysics.

One of the most thoughtless statements, parroted ad nauseam ever since rational concern for our environment exploded into an emotional syndrome, calls Man the only animal that soils its own nest. Every animal soils its nest with the products of its metabolism if unable to move away. Space technology gives us for the first time the freedom to leave our nest, at least for certain functions, in order not to soil it.

For many years I was trying to find answers only through books but then I realized that basically, life is about experience and the thing that you have to do is experience life instead of only reading about it. Reading is very important, but it's not enough. After reading, you have to take some decisions in your hands and move forward and be the human being that you are, and then going and meeting people and work.

The trees change their voices in autumn as well as their shapes. No longer do they whisper to one another in muffled tones as they did in summer; they talk in a different leaf-language now. The wind moves through the boughs like fingers drawn across the strings of a harp filling the air with the harsh dry sound of sapless leaves. It is the main theme of the autumn music, this murmuring counterpoint of dead leaves.

Moreover, I would like to say that the sort of polar inertia we witnessed in the Kosovo War, the polar inertia involving 'automated war' and 'war-at-a-distance' is also terribly weak in the face of terrorism. For instance, in such situations, any individual who decides to place or throw a bomb can simply walk away. He or she has the freedom to move. This also applies to militant political groups and their actions.

He tilts his forehead down to rest against mine and pulls me closer. His skin, his whole being radiates heat from being so near the fire, and I close my eyes, soaking in his warmth. I breathe in the smell of snow-dampened leather and smoke and apples, the smell of all those wintry days we shared before the Games. I don't try to move away. Why should I anyway? His voice drops to a whisper. "I love you." That's why.

Intrinsic value can be defined simply: It is the discounted value of the cash that can be taken out of a business during its remaining life. The calculation of intrinsic value, though, is not so simple. As our definition suggests, intrinsic value is an estimate rather than a precise figure, and it is additionally an estimate that must be changed if interest rates move or forecasts of future cash flows are revised.

I don't think I would live outside of the Northwest. I think the quality of life in Portland is really good. People move from intense, high-powered jobs, and move to Portland, work half as much and live twice as good. They can afford bigger houses, or they can actually afford to buy a house, they can work the minimal amount and still get by. I think there's a really strong sense of community there. It's beautiful.

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