Quotes of All Topics . Occasions . Authors
The courts are run on COMMERCIAL CONTRACT LAW and that is has NOTHING to do with any IN-LAW procedures whatsoever. So the nature of the game is to OBTAIN a CONTRACT with your OPPONENT (Adversary) so that the court can acknowledge and RATIFY the contract and SETTLE and CLOSE the case and move on and if you understand that EVERYTHING in there is happening by way of CONTRACTS instead of trying to get the truth out then MAYBE you'll get the truth to prevail by following the CORRECT procedure to get them to acknowledge the truth by CONTRACTUAL CONSENT.
There are times when you felt especially important to another person, or cared about or loved or accepted. Well, loving relationships aren't something you can have like a precious little jewel you put in a box and then put on your shelf. It's something you walk towards. And there's always difficulties; there's always pain in relationships. But you can keep walking towards that beacon in the distance. That process, that journey, is called life. And if you're moving towards the things that you value, life is more vital, flowing; it's more empowering.
The reality is the most important thing that can be done are these permanent changes like to the tax code, reduction of government spending. These are the things that pop up in economy and move it in the right direction, start to make it an economy that is moving because of the money in the private economy. When you think about it, when the Fed is lowering an interest rate, what it's doing is it's creating more liquidity. It's putting more money into the economy. The same thing happens when you reduce the tax except if happens from physical policy.
Happily for me, ninety-nine percent of all human life is spent simply repeating the same old actions, speaking the same tired clichés, moving like a zombie through the same steps of the dance we plodded through yesterday and the day before and the day before. It seems horribly dull and pointless-but it really makes a great deal of sense. After all, if you only have to follow the same path every day, you don't need to think at all. Considering how good humans are at any mental process more complicated than chewing, isn't that the best for everybody?
Inspiration is the most valuable commodity for an artist; it is for me anyway. I can't move forward in any way if I don't feel a strong spark of excitement or creativity. Sometimes it is very difficult to get things flowing. It's important to be in a peaceful state of mind, and then I invite the spirits to come into the studio. I don't stare into a blank canvas or paper. I look through my various collections of books, toys, statues, photographs and other things, and something will trigger an idea. My studio is packed full of things that inspire me.
it's so easy to get lost inside a problem that seems so big at the time it's like a river a that's so wide it swallows you whole while your sittin round thinkin 'bout what you can't change and worrying about all the wrong things times flying by moving so fast you better use it all cause you can't get it back sometimes that mountain you've been climbing is just a grain of sand and what you've been out there searching for forever is in your hands ooooo when you figure out love is all that matters after all it sure makes everything else seem so small.
A hundred years from now, people will look back on us and laugh. They'll say, 'You know what people used to believe? They believed in photons and electrons. Can you imagine anything so silly?' They'll have a good laugh, because by then there will be newer better fantasies... And meanwhile, you feel the way the boat moves? That's the sea. That's real. You smell the salt in the air? You feel the sunlight on your skin? That's all real. Life is wonderful. It's a gift to be alive, to see the sun and breathe the air. And there isn't really anything else.
At times it may seem worse - harder, at least - to live through the despair of this loss without the temporary comfort of our addictive behaviour. We cannot drown our sorrows. We must face the fact that we don’t know, really, where we are, how we got here, how long the pain will last, or how to move past it. That uncertainty may be the most painful part of not knowing a God: no one is there to reassure us that a God will take the pain and confusion away. We simply don’t know. And we have no way to numb ourselves or to forget the condition we’re in.
One thing I'd do was put a great writer's book beside the typewriter and... type out a beautiful and moving paragraph... and see those sentences rising up... and... think, 'Someday maybe I can write like that....' It was like a dream of possibilities for my own self. And maybe I began to know that there was no other way for the sentence... to... arouse the same feeling. The someone writing whose words were rising from the typewriter became like a mentor for me.... You shouldn't do it more than a few times because you must get on with your own work.
I would say that among my many huge emotional miscalculations was my taking a film career for granted. It is the most awesome privilege to be able to use one's imagination and wit, physicality and musicality, conscious brain and unconscious instinct in the service of a work that has a chance to move and excite and amuse and delight people all over the world, including long after we're dead. What a noble calling! And I felt it was just there for me as a kind of given, some sort of inherited birthright-when in reality it's the most magnificent luxury.
The thing about acting is even if you get technically more skilled at what you do, every time you begin a film or a play you're terrified. You don't know if you're going to pull it off. Every film and every story has its own set of challenges. I've never felt like, oh yeah, that's it, nailed it! You can never sit and rest. That's why it's such an exciting job. It's beginning again every time you begin again. New story, new character, new place, new time, new director. It's like moving to a different planet and trying to figure out how to live there.
I have a song deep in my heart, And only I can hear it. If I close my eyes and sit very still ...It is so easy to listen to my song. When my eyes are open and I am so Busy and moving and busy, If I take time and listen very hard, I can still hear my Heartsong. It makes me feel happy. Happier than ever. Happier than everywhere And everything and everyone In the whole wide world. Happy like thinking about Going to Heaven when I die. My Heartsong sounds like this: I love you! I love you! How happy you can be! How happy you can make this whole World be.
Ever since I've become a filmmaker, I'm traveling the world a lot. I feel like I'm a citizen of the world, yet there's no single place that I can put my roots down and call home. I don't own anything. I'm not a homeowner. I've always rented and never stayed in one place for long. Almost every time I rent a place, I have some sort of water leakage or flooding. Whenever that happens, I just move somewhere else. Even when I moved to Paris, my apartment started leaking after a month. Maybe the leaking is just part of my life, doomed to follow me around.
When the feminist movement was at its zenith in the late 60's and early 70's, there was a lot of moving away from the idea of the person. It was: let's talk about the ideas behind the work, and the people matter less. It was kind of a gimmicky thing, but lots of feminist women were doing it. Many of us took the names of our female ancestors - bell hooks is my maternal great grandmother - to honor them and debunk the notion that we were these unique, exceptional women. We wanted to say, actually, we were the products of the women who'd gone before us.
Separate yourself from your ideas and your work and see them as something separate from yourself, you’ll feel you truly have the right to be wrong. If an idea fails, why not let it be the idea’s fault instead of your own? Allow your ideas to fail without turning them into personal defeat. When you fail you discover your boundaries. You map out the edges of your capabilities. And this allows you to eventually move beyond them. Being wrong eventually leads to being right. And even where it doesn’t, it’s still a more interesting path than being nothing.
I've been moving a little to the music while I worked ...and then I realize I am actually dancing. It feels wonderful, though I can feel how stiff my muscles are, how rigidly I've been holding myself...Mostly I've been moving cautiously, numbly, steeled because I know, at any moment, I may be ambushed by overwhelming grief. You never know when it's coming, the word or gesture or bit of memory that dissolved you entirely...It happens every day at first, then not for a day or two, then there's a week when grief washes in every morning, every afternoon.
From the moment the organizer enters a community he lives, dreams... only one thing and that is to build the mass power base of what he calls the army. Until he has developed that mass power base, he confronts no major issues.... Until he has those means and power instruments, his tactics are very different from power tactics. Therefore, every move revolves around one central point: how many recruits will this bring into the organization, whether by means of local organizations, churches, service groups, labor Unions, corner gangs, or as individuals.
People are storytelling creatures. We like stories that go somewhere, and therefore we like trends - because trends are things that either get better or get worse, so we can either rejoice or lament. But we mistakenly depict many things as trends moving in some direction. We take the "full house" of variation in a system and try to represent it as a single number, when in fact what we should be doing is studying the variation as it expands and contracts. If you look at the history of the variation in all its complexity, then you see there's no trend.
The Barbarian Way was, in some sense, trying to create a volatile fuel to get people to step out and act. It's pretty hard to get a whole group of people moving together as individuals who are stepping into a more mystical, faith-oriented, dynamic kind of experience with Christ. So, I think Barbarian Way was my attempt to say, "Look, underneath what looks like invention, innovation and creativity is really a core mysticism that hears from God, and what is fueling this is something really ancient." That's what was really the core of The Barbarian Way.
Everything has to be understood in opposition to something else. For some dang reason, the ego prefers to make one side better than the other, so we choose. And we decide males are better than females, America is better than Canada, Democrats are better than Republicans. And for most people, once this decision is made, it is amazing the amount of blindness they become capable of. They really don't see what's right in front of them. Once you see this, it's an amazing breakthrough, and that is the starting place for moving away from dualistic thinking.
Already, new forms of short-term and long-term rental housing are popping up in some metro areas. You can take on a house or apartment for a few months or even a year or two in developments that are striving to provide critical elements of community - schools, healthcare, social and cultural institutions - even for people who are living there only temporarily. People invested in a home, mortgage, or community are less likely to move to more economically vibrant locales. That kind of entrenchment is going to be an impediment to the coming spatial fix.
Time is the most important factor in determining market movements and by studying past price records you will be able to prove to yourself history does repeat and by knowing the past you can tell the future. There is a definite relation between price and time. By studying time cycles and time periods you will learn why market tops and bottoms are found at certain times, and why resistance levels are so strong at certain times, and prices hold around them. The most money is made when fast moves and extreme fluctuations occur at the end of major cycles.
Don't miss out on the love of a good women,son. No matter what that old man of yours tells you,love is real.I'd have never had the success in my life without the women right there.She's been my backbone.She's been my reason for everything I've ever done.One day your drive to make a name for yourself will begin to drift away. It won't be that important anymore.But when you're doing it for someone else, someone you would move heaven and earth for then you never lose the desire to succeed.I can't imagine this world without her in it.I don't ever want to.
A million years ago, when doing research about the world of municipal government, one thing that struck me is how often people's job titles changed - from one department to another, from the public to the private sector and back again. People move around a lot, everyone has her eye on some other, slightly better situation in some other corner of city hall. Plus governments are constantly shuffling and reorganizing and shuttering or condensing departments - they are often byzantine hodge-podges of fractured org charts lying atop a bed of shifting sand.
Sometimes I'd see my father, walking past my building on his way to another nowhere. I could have given him a key, offered a piece of my floor. A futon. A bed. But I never did. If I let him inside I would become him, the line between us would blur, my own slow-motion car wreck would speed up. The slogan on the side of a moving company truck read TOGETHER WE ARE GOING PLACES--modified by a vandal or a disgruntled employee to read TOGETHER WE ARE GOING DOWN. If I went to the drowning man the drowning man would pull me under. I couldn't be his life raft.
Intuitionists think that there are cases in which, say, some identity statement between real numbers is neither true nor false, even though we know that it cannot possibly be false. That is: We know that it cannot not be that a = b, say, but we cannot conclude that a = b. We can't, in general, move from not-not-p to p in intuitionistic logic. , I suggest that the believer in vague objects should say something similar. It can never be true that it is vague whether A is B. But that does not imply that there is always a fact of the matter whether A is B.
In that memorable year, 1822: Oersted, a Danish physicist, held in his hands a piece of copper wire, joined by its extremities to the two poles of a Volta pile. On his table was a magnetized needle on its pivot, and he suddenly saw (by chance you will say, but chance only favours the mind which is prepared) the needle move and take up a position quite different from the one assigned to it by terrestrial magnetism. A wire carrying an electric current deviates a magnetized needle from its position. That, gentlemen, was the birth of the modern telegraph.
I feel like that [the role in Star Trek] is a prime example of, yeah, I got that role and it was awesome, because it changed a lot for me professionally, but then creatively, it became a whole other thing, with J.J. [Abrams] and Chris [Pine] and the people I got to know. Now I just feel like it's our jobs to be open and to keep moving stuff forward. I don't know what that means. This is the first time in a long time that I have no idea what's happening next. As scary as that is, and as anxiety-provoking as that can still be, it's also really exciting.
This is a valley of ashes--a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak, and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud, which screens their obscure operations from your sight.
When there is no thought. no desire, no ambition, in that state of no-mind truth descends in you - or ascends in you. As far as the dimension of truth is concerned both are the same, because in the world of the innermost subjectivity height and depth mean the same. It is one dimension: the vertical dimension. Mind moves horizontally, no-mind exists vertically. The moment the mind ceases to function - that's what meditation is all about: cessation of the mind, total cessation of the mind - your consciousness becomes vertical; depth and height are yours.
My job, as an actor, is to entertain people. My contribution to society is to be a respite from everyday life. People go home and watch television or they go to the movies, and they get to escape their reality. But if I can do entertainment that also maybe can educate people, educate myself, move people's hearts and minds, in some way, and bring light to some injustice, that's when entertainment is at its best. And if somebody wants to get more involved in a socially active way, that's when you've done the thing that I've always wanted to be a part of.
Pain! Deep, tearing, throbbing, needle-sharp, hammer-blunt pain – ripping through his body and through his mind, twisting deep in his guts and slicing at his skin with razors and broken glass. Oskan wanted to scream, but his vocal cords had burned away. He was desperate for water and he could hear it dripping all around him, but his charred tongue found nothing in his mouth but blisters and scorched flesh. For hours he lay on the ropes of the low bed, unable to move, the pressure of the hemp on his destroyed skin sending new agonies deep into his body.
One of my central philosophies is to be creatively driven so I have to be extraordinarily creative in the way I get things done and I have to be really flexible. Striving for the best creativity can be a really moving target if you're trying to budget anything because if you come up with a better idea for something and it's going to make the movie stronger then you have to do it. And that's what I do. The difficulty is that you have to use more judgement as a producer then you might in other places. I have to make unbelievably great creative decisions.
What is such a resource worth? Anything it costs. If we never hike it or step into its shade, if we only drive by occasionally and see the textures of green mountainside change under wind and sun, or the fog move soft feathers down the gulches, or the last sunset on the continent redden the sky beyond the ridge, we have our money's worth. We have been too efficient at destruction; we have left our souls too little space to breathe in. Every green natural place we save saves a fragment of our sanity and gives us a little more hope that we have a future.
If you are asking for a big thing - something about marriage, moving, or health, for example - that's when you need the angels the most, but paradoxically that's also when it is the most difficult for you to hear them. When you get stressed and uptight, your communication energies shut down. So, what I like to do is ask the angels for a sign that I'm getting the message right. The prayer I use is, "Angels, let me know whether or not this is true divine guidance. Please give me a clear sign in the physical world that I can easily notice and understand."
Are there bears in these mountains?" he asked. His companion nodded. "Of course. But it's a bit early in the year for them to be moving around. Why?" Halt let go a long breath. "Just a vague hope, really. There's a chance that when the Temujai here you crashing around in the trees, they might think you're a bear." Erak smiled, with his mouth only. His eyes were as cold as the snow. "You're a very amusing fellow," he told Halt. "I'd like to brain you with my ax one of these days." "If you could manage to do it quietly, I'd almost welcome it," Halt said.
(I)f France's righteous bloviating against war makes them your Dashboard Saint of International Integrity, it's either because you are sand-poundingly ignorant of how the world works or it's because you think France's self-interest is more important than America's. If the former applies to you, read a book. If it's the latter, maybe you should move there along with Alec Baldwin, Robert Altman, and the rest of the crowd who promised to leave a long time ago. But whatever you do, don't call France's position principled, because that just insults us both.
Let me end with an explanation of why I believe the move into space to be a human imperative. It seems to me obvious in too many ways to need listing that we cannot much longer depend upon our planet's relatively fragile ecosystem to handle the realities of the human tomorrow. Unless we turn human growth and energy toward the challenges and promises of space, our only other choice may be the awful risk, currently demonstrable, of stumbling into a cycle of fratricide and regression which could end all chances of our evolving further or of even surviving.
There was one element of my childhood that was really a positive asset for me. By moving a lot, I learned to assimilate into whatever new surroundings I had and to become very comfortable with people quickly. I think that was one of the strongest contributing factors to my becoming an actor, because I constantly had to readjust, even reinvent. But at the same time, it also became very easy for me not to become attached to people, places, or things. I learned to enjoy people and places for the time I had, for the moment, to be in the moment, and move on.
The Master Speed No speed of wind or water rushing by but you have speed far greater. You can climb back up a stream of radiance to the sky, and back through history up the stream of time. And you were given this swiftness, not for haste nor chiefly that you may go where you will, but in the rush of everything to waste, that you may have the power of standing still-- off any still or moving thing you say. Two such as you with such a master speed From one another once you are agreed that life is only life forevermore together wing to wing and oar to oar.
I'm sometimes asked why it is that for 30 years we seem to have trouble in the United States enforcing the rules against illegal immigration, and I'll tell you what the answer is. The answer is that when the television cameras turn off and the spotlight moves to something else, there are a host of interest groups and advocacy groups who work very, very hard to make it difficult to enforce these rules. I'm not commenting adversely on their motivation, but I can tell you the effect of all of this is to wear down the ability of an agency to enforce the law.
The film's title You Can't Be Neutral on a Moving Train. comes from something I used to say in teaching my students "This is not going to be a neutral class." The world is already moving in certain directions and wars are going on and children are going hungry. Terrible things are happening. And so to be neutral in a situation like this is to collaborate with whatever is going on. And I don't want to collaborate with the world as it is. I want to intrude myself. I want to participate in changing the direction of things. So that's the origin of the title.
If churches saw their mission in the same way, there is no telling what might happen. What if people were invited to come tell what they already know of God instead of to learn what they are supposed to believe? What if they were blessed for what they are doing in the world instead of chastened for not doing more at church? What if church felt more like a way station than a destination? What if the church’s job were to move people out the door instead of trying to keep them in, by convincing them that God needed them more in the world than in the church?
It is the mark of great art that its appeal is universal and eternal.............. Great art remains stable and unobscure because the feelings that it awakens are independent of time and place, because its kingdom is not of this world. To those who have and hold a sense of the significance of form what does it matter whether the forms that move them were created in Paris the day before yesterday or in Babylon fifty centuries ago? The forms of art are inexhaustible; but all lead by the same road of aesthetic emotion to the same world of aesthetic ecstasy.
There are many things worth telling that are not quite narrative. And eternity itself possesses no beginning, middle or end. Fossils, arrowheads, castle ruins, empty crosses: from the Parthenon to the Bo Tree to a grown man's or woman's old stuffed bear, what moves us about many objects is not what remains but what has vanished. There comes a time, thanks to rivers, when a few beautiful old teeth are all that remain of the two-hundred-foot spires of life we call trees. There comes a river, whose current is time, that does a similar sculpting in the mind.
About 10 minutes [into the dinner] my sister texted me and said, "Maria, I just wanted to let you know that you're on TV live. You're front and center." I thought, 'Oh God, I'm right behind Donald Trump and in the camera shot. After that I stopped moving. I just sat there. It was funny. I was delighted that people noticed my white gloves. It was a white tie dinner, for the dais you had to be in white tie. If I can't channel my best Sophia Loren glamour for a white tie affair, when can I? I thought it was an excellent opportunity to wear the white gloves.
This is basically the last resort. I've been painted into a corner, and now I've sort of got to lay it all out in order for things to be straightened up. I've tried to move on with my life and my career for the last two years and do my own thing, and 'American Idol' and FOX, they've just been making it really tough for me to do that. So in order for me to get through all the red tape and just allow people to just get at my talent, I've got to set the record straight. And you can't set half the record straight; when you tell it, you've got to tell it all.
The two revolutions, I mean the annual revolutions of the declination and of the centre of the Earth, are not completely equal; that is the return of the declination to its original value is slightly ahead of the period of the centre. Hence it necessarily follows that the equinoxes and solstices seem to anticipate their timing, not because the sphere of the fixed stars moves to the east, but rather the equatorial circle moves to the west, being at an angle to the plane of the ecliptic in proportion to the declination of the axis of the terrestrial globe.
Iran is an ancient land, home to a proud culture with a rich heritage of learning and progress. The future of Iran will be decided by the people of Iran. Right now, the Iranian people are struggling with difficult questions about how to build a modern 21st century society that is at once Muslim, prosperous, and free. There is a long history of friendship between the American people and the people of Iran. As Iran's people move towards a future defined by greater freedom, greater tolerance, they will have no better friend than the United States of America.
I noticed you the first week. Not just because of how pretty you are, though of course, that played into it. It was the way you lean onto your elbows when you 're listening in class, when something catches your interest. And when you laugh, it's never to get attention, it's just-laughter. The way you obssevively tuck your hair behind your ear on the left side, but let the right side fall down like a screen. And when you 're bored, you tap your foot soundlessly and move your fingers on the desktop like you 're playing an instrument. I wanted to sketch you.
