Quotes of All Topics . Occasions . Authors
I also love lifestyles of the rich and famous and guess what? It's not unusual for me to sit in bed with my laptop and glass of wine, clicking through real estate slide shows on the New York Times website; looking at ungodly expensive homes I could not ever possibly afford.
If you're the type of person who has to fulfill your dreams, you've gotta be resourceful to make sure you can do it. I came out to California when I was 21, thinking my New York credentials would take me all the way. I came back home a year later all dejected and a failure.
The most significant bands I played in when I first got to New York were Bobby Watson's band, Roy Hargrove's first band, Benny Golson's band, Benny Green's trio, and probably the most significant out of all of those, for me personally, was playing in Freddie Hubbard's band.
The implausible, well-nigh-miraculous functioning anarchy that we know as New York is adorned with every excellence of Western art. It is a city of manifold suggestions, which ministers to every ambition, engenders a thousand talents, nurtures ingenuity and experimentation.
Think of Florence, Paris, London, New York. Nobody visiting them for the first time is a stranger because he's already visited them in paintings, novels, history books and films. But if a city hasn't been used by an artist, not even the inhabitants live there imaginatively.
Most of my life, I thought that I would end up a novelist. But then, in New York City, after college, I started a company with a college friend where we made documentary video for museums. In that capacity, I shot, directed, edited and began to learn the vocabulary of film.
If only men were like New York taxi-cabs and had a light that they can switch on when they're interested and off when they're not available. Then you'd know exactly where you were and you wouldn't have to worry about getting it wrong and being horribly embarrassed. --- Lucy
Today I arrived by train in New York City, which I'd never seen before, walked through the grandeur of Grand Central Terminal, stepped outside, got my first look at the city and instantly fell in love with it. Silently, inside myself, I yelled: I should have been born here!
In Chicago it's really a case of the play's the thing - people are just so happy to be acting, you know? We were all actors - not like in New York or Los Angeles, where everyone says they are actors but they are actually waiting tables and hustling for spots in commercials.
They're lots of good Americans here in New York who have common sense and who believe in free markets and free people and limited government under our Constitution. Those are the principles I've always stood for. I know they're right, and that's what I'm going to stand for.
Take a moment to reflect upon the existence of the musical The Book of Mormon. Now imagine the security precautions that would be required to stage a similar production about Islam. The project is unimaginable—not only in Beirut, Baghdad, or Jerusalem, but in New York City.
When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little.
My parents were born and brought up in New York City. My father was trained as an electrical engineer, and my mother was an elementary school teacher. They were the children of Jewish immigrants who had come to the United States from England and Lithuania in the late 1800s.
I remember, my mom, she's lived in Spain for about thirty years, and we were playing the Royal Albert Hall, and she was with some friends from New York. Morrissey came out with the sign 'The Queen is Dead,' and my mom's friends are like, 'Oh my God.' They took it literally.
New York is the opposite of East Germany, the crown of individuality. That's why I can work well here and find out what I personally think of the pieces I'm learning. I can lay aside all the baggage of German education. In any case, whatever I do, I can't lose it altogether.
Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are. That's an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that.
He'd once told me that the art of getting ahead in New York was based on learning how to express dissatisfaction in an interesting way. The air was full of rage and complaint. People had no tolerance for your particular hardship unless you knew how to entertain them with it.
In New York City, it's popular. I used to think to myself, 'Man, there's a lot of gay people out here.' And it had me comfortable: it was like, I can be myself! I used to still try to hide it, until it was really overwhelming - there were just too much girls attracted to me!
I was born in St. Augustine, Florida. I lived there till I was about 13, and then my family moved to Connecticut. I finished school there, and then I went to college in Philadelphia and came to New York in '87. I wasn't finished with school - I left school to go on the road.
If there were, say, only 10 percent of the hotels that exist now, there would be all these apartments for people who live in New York, as opposed to people visiting New York. And then all this junk in the theater, we would no longer need the kind of stuff that tourists like.
I went to UCLA for a year and a quarter. There were too many students at UCLA interested in what I was interested in, and they couldn't accommodate all of us. I wasn't allowed to take voice or dance, only theater and acting. So I saved my money and, at 19, moved to New York.
Most of the writers in TV are from L.A. or New York, and those are places where people are cynical and snarky. And they fly from L.A. to New York in an airplane over this vast, expansive land where people aren't snarky; they're a lot more like the 'Parks and Rec' characters.
I would give the greatest sunset in the world for one sight of New York's skyline. Particularly when one can't see the details. Just the shapes. The shapes and the thought that made them. The sky over New York and the will of man made visible. What other religion do we need?
I still do all my developing and printing in my darkroom. Being in New York, you get tremendous exposure to great arts. In my student years, I saw exhibitions of August Sander and Diane Arbus. I still go back to their pictures. I don't really go for contemporary photo shows.
There is a point where litigious becomes frivolous. And when you file frivolous lawsuits you can be hit by sanctions. I don't see the basis for suing "The New York Times." Ironically, it was "The New York Times" that was the plaintiff in "The New York Times" versus Sullivan.
The Patriotic Millionaires campaign, pulled together quickly by the Agenda Project in New York City, just happens to appear on the same day as a new study from the Center for Responsive Politics revealing that half of the members of the House and the Senate are millionaires.
A fertilizer bomb that kills hundreds in Oklahoma. Fuel-laden civil jets that kill 4000 in New York. A sanctions policy that kills one and a half million in Iraq. A trade policy that immiserates continents. You can make a bomb out of anything. The ones on paper hurt the most.
He adored New York City. He idolized it all out of proportion... no, make that: he - he romanticized it all out of proportion. Yes. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.
I really believe that you grow up a certain way in New York. There's a New York morality, a sense of loyalty. You know how to win and lose. There's a thousand kids outside, you know who to push and who not to push. There's a sixth sense you develop just because it's New York.
Because I direct films, I have to live in a major English-speaking production center. That narrows it down to three places: Los Angeles, New York and London. I like New York, but it's inferior to London as a production center. Hollywood is best, but I don't like living there.
The artist's role is to do what is honest for them. So if you're in New York and everyone is looking at the floor, you can look up. It's not your role to follow the others. It's your role to go to your centre and then reflect that, not just to be a mirror to what's happening.
I had just arrived in New York from California. I was nineteen years old and excited beyond belief. I was an art student and an acting student and behaved as most young actors did - meaning that there was no such thing as a good actor, 'cause you yourself hadn't shown up yet.
You don't really have to go anywhere in particular in New York City to have a good time. In every part of town, there's always something going on. It helps to know people there, too, because everything changes so fast, and they will be able to point out what's hot this month.
Osama bin Laden, the Saudi-born revolutionary who is believed by most Arab and Iranian observers to be the inspiration of the attacks in New York and Washington, is the best known of the Islamic militants to have emerged in the past 20 years and the least difficult to fathom.
Some years ago, not long after I moved to Los Angeles from New York, I attended a television industry party. When a man asked my profession, I told him that I was a writer. He sipped his drink. "Half-hour or hour?" he inquired. There was a long silence. "Lifelong," I replied.
When I was forty, I was getting divorced, living in a low-class, dirty hotel in New York. My mother was dying of cancer. I owed $20,000. That was about the lowest. I came back to show business, and I couldn't get a job. I was turned down by every small-time agent in New York.
Public school teachers in Long Island, New York, saved my life in the '70s. They were involved and invested and helpful. One took me into her family and loved me back to life. She taught me that love is not formed and families are not formed by blood. That love makes a family.
I can use my credit card to send money to the Ku Klux Klan, to antiabortion fanatics, or to anti-homosexual bigots, but I can't use it to send money to WikiLeaks. The New York Times published the same documents. Should we tell Visa and MasterCard to stop payments to the Times?
In spite of the opinions of certain narrow-minded people who would shut up the human race upon this globe, we shall one day travel to the Moon, the planets, and the stars with the same facility, rapidity and certainty as we now make the ocean voyage from Liverpool to New York.
I thought I was going to be a theater actor. I moved to New York after college and did some plays and worked a lot. Once the realities of living as a theatrical actor hit me, I realized I wanted to start making a little bit of money and not have to bartend and work in theater.
We started Airbnb because, like many across the U.S. and in New York, we were struggling to pay our rent and decided to open up our living room to fellow artists coming to town for a design conference. Sharing our apartment allowed us to stay in our home and start our company.
For a black person who's Senegalese, growing up in France, or a New York Jamaican, that's a completely different relationship with being black and how you might be accepted in that culture or that world. Everyone's experience is different. Especially black women and black men.
A New York audience generally likes decorative paintings, and decorative paintings go with the couch. If you change the couch, you change the painting. And when you're coming up, and the paintings aren't first-class decoration, you're at a disadvantage for publicity and sales.
In another project I worked on just a few years ago, a staging of Peter and the Wolf, which I translated into Yiddish and sang on a stage in New York City. Thank God very few people knew I was doing it! But the kids in the audience loved it - even though it was all in Yiddish.
A lot of writers choose to live in New York, partly because of the literary culture here, and partly because Brooklyn's a pretty nice place to live. And a lot of writers who might not geographically reside in New York still point their ambitions towards New York in some sense.
I don't like the idea that one hotel could be better than another. In any city, I try to find a hotel that has the identity of that place - Claridge's in London, the Danieli or Cipriani in Venice. In New York, I stay at the Mercer Hotel; it is so much in the character of SoHo.
I did a movie called 'Clueless' when I was first starting out. And with that paycheck, I went and bought a car, which I had no use for, because I lived in New York City, where you can take a train for a dollar anywhere. But instead, I bought a $20,000 car with a $12,000 check.
I don't ask for much. I don't ask to be rich, and I don't ask to be famous, and I don't ask to play center field for the New York Yankees. I just want to get married and have a wife, and a house, and I want to have a kid, and I want to go see him be a tooth in the school play!
Cut off as I am, it is inevitable that I should sometimes feel like a shadow walking in a shadowy world. When this happens I ask to be taken to New York City. Always I return home weary but I have the comforting certainty that mankind is real flesh and I myself am not a dream.
I don't know Hollywood very well. I've never lived in Los Angeles or New York. But what I can see in Paris, where I live, is that actresses like Catherine Deneuve, Isabelle Huppert, Charlotte Rampling, still get the chance to play strong, sexy roles even though they're not 20.