Quotes of All Topics . Occasions . Authors
I enjoyed living in New York City, I liked the premise of the show [Saturday Night Live], I liked working with a different host every week and different musicians. I always thought, "This is great. I never expected to get this in the first place, so I'm just happy being here."
I have a strong army I keep with me and we don't go out there looking for problems. A lot of people have this perception... but I don't have a superiority complex about me because I'm from New York or because I'm Peruvian/Black. I think some people get caught up in that stuff.
Mumbai is home, so there's no comparison. But then again, New York's a lot like Mumbai, which is why I choose to live there. It's fast, crowded (in a good way), the people are friendly and it's full of color and race, like Mumbai. Unfortunately, the traffic's also just as bad.
I fell into writing, I suppose, being one of those awful children who wrote verses. I went to a convent in New York-the Blessed Sacrament... I was fired from there, finally, for a lot of things, among them my insistence that the Immaculate Conception was spontaneous combustion.
I saw that Donald Trump is selling his penthouse suite at the Trump Park Avenue building here in New York City for $21 million. When asked why he's selling it now, Trump said 'Hey, Americans seem to be buying everything else I'm selling, so why not strike while the iron's hot.'
You'd think New York people was all wise; but no, they can't get a chance to learn. Every thing's too compressed. Even the hayseeds are bailed hayseeds. But what else can you expect from a town that's shut off from the world by the ocean on one side and New Jersey on the other?
If I were a place, the area of South Bank, in London. Between the Hayward Gallery, National Theatre and all other activities, I'm never bored. I would also say New York for the breathtaking skyline formed by the buildings and the fast pace of the city, whatever the time of day.
[Producers] took me to Chicago at 18 to star in a show that ran for almost a year. And that's when my parents said, "Okay, I guess you can quit Fordham." Of course, when that show closed, as you can imagine, I came to New York and starved for years, but it's never an easy road.
I became a larger than life figure for one reason only. When you're quoted in the 'Wall Street Journal,' the 'New York Times,' constantly as the expert in the business people assume you're a lot bigger than you are. And then I had to run like hell to catch up with my own image.
I think we should be prepared, given environmental and political change for large-scale migration. If sea levels rise and 200 million people in Bangladesh and 300 million people in Indonesia need to move, and the entire Chinese seaboard, New York City - that's going to be huge.
I personally would rather raise my child in New York. It seems like it would be easier to make sure she or he gets a whole bunch of experience and understanding of the world. But, people in general think it's easier to raise a kid when you don't have so much stuff in your face.
Remember that before 'Roe v. Wade' was decided, there were four states that allowed abortion in the first trimester if that's what the woman sought: New York, Hawaii, California, Alaska. Other states were shifting. And people were fighting over this issue in state legislatures.
I wore an Urban Outfitters dress on my wedding day. It was one I had in the back of my wardrobe. It was white. We went to City Hall here in New York. I wore it with blue velvet boots my husband bought for me. I loved it. It was my favorite thing. It was chilled and spontaneous.
Those 4 guys in the late 60's who attacked a jewel merchant on New York's West 46th St. on the sidewalk, so they could steal his jewel-filled station wagon, which they abandoned 2 blocks later because none of them could drive a stick shift. Where would I be without such people?
New York is more exciting, I guess, than even Paris or London. New York's the center of something; I don't know what, really - the center of a lot of things. With all its problems and chaos and craziness, it's still a great place to live. I can't see myself living anywhere else.
I'm a little hibernating animal. Anonymity is one of my favorite things. I mean, that's why I moved to New York when I was like 18, because there, there are just so many people that there's no one and you're just lost. You're completely invisible and I find that very liberating.
I had a map on my wall that had a circle around Lubbock and then giant arrows pointing toward New York City and Los Angeles. Written across both arrows were the words 'Toward Civilization.' Of course, by the time I got to New York, I realized there really isn't any civilization.
I love New York, and I'm drawn to a certain intensity of life, but I've just never felt like I want to escape from the Midwest. A writer lives a great deal in his own head, and so one intuitively finds places where your head is more clear. New York for me is one of those places.
My favorite Galaxie 500 album is the first one, 'Today,' recorded in three days at Noise New York and produced by Kramer. It contains my favorite Galaxie 500 songs: 'Temperature's Rising,' 'Tugboat,' and our interpretation of Jonathan Richman's 'Don't Let Our Youth Go to Waste.'
Chicago is constantly auditioning for the world, determined that one day, on the streets of Barcelona, in Berlin's cabarets, in the coffee shops of Istanbul, people will know and love us in our multidimensional glory, dream of us the way they dream of San Francisco and New York.
For the three years I lived in New York leading up to moving out to Los Angeles for 'Mad Men,' I was an office temp at Ernst & Young in Times Square. That's about as desk-jobby as it can get. There was a lot of, 'Go two floors up and make a copy of this and then bring it to me.'
I remember getting out of grad school and coming to New York and not wanting to get a teaching job because I wanted to work on my own, to develop my own ideas. There isn't that time now. Artists are exhibiting while they are still in grad school. There isn't that safety cushion.
Traveling around, it can get very stressful sometimes, and I found yoga, thank God, like a couple of years ago. I went to my first yoga class, and I got hooked on it, and I go almost every day when I'm in New York. I find that it really balances me. And also, morning meditation.
I can't with any conscience argue for New York with anyone. It's like Calcutta. But I love the city in an emotional, irrational way, like loving your mother or your father even though they're a drunk or a thief. I've loved the city my whole life - to me, it's like a great woman.
Being in L.A. has definitely given me the opportunity to experience how my music sounds in real life because I can drive around and listen to the mixes, which I couldnt do in New York. I get to feel how a song works in combination with a sunset and a drive through the mountains.
I had a teacher, he was 86 years old and his name was Luigi in New York City, and he said, 'Never stop moving. You get to reinvent yourself.' So you have to find ways to reinventing yourself. Especially today, because it's a whole different market - social media is so important.
I'd been acting and doing stand-up in New York about eight years, getting rejected, and I finally got the opportunity to do stand-up on Letterman, which holds even more importance for me. With comedians, that's definitely the pinnacle, but being from Indiana, it was a big to-do.
We are all Julian Assange. Serious reporters discuss classified information every day - go to any Washington or New York dinner party where real journalists are present, and you will hear discussion of leaked or classified information. That is journalists' job in a free society.
Toronto I've worked in so many times so you kind of just know every store, every hotel, every - it's really close to New York so it's awesome for my children so if I have to go home for two days it doesn't take very much time. Except for Air Canada. Air Canada is the worst part.
I moved to New York on October 21, 2004, and it was the day that the Chelsea Grill, a restaurant in Hell's Kitchen on 9th Avenue between 46th and 47th Street, opened. I had never waited a table in my life, but I walked in and lied to the manager in a very J. Pierrepont Finch way.
You get a lawyer whether you're in a military tribunal or whether you're in a federal court, number one. The attorney general decided that the court with the biggest - with the greatest venue, with the best jurisdiction was the New York court. That was the right decision to make.
Most of the writers in TV are from L.A. or New York, and those are places where people are cynical and snarky. And they fly from L.A. to New York in an airplane over this vast, expansive land where people aren't snarky; they're a lot more like the Parks and Recreation characters.
I remember my own life as a small boy, son of Jewish immigrants, in a janitor's flat on Orchard and Stanton streets on the Lower East Side of New York City. My father made pants and doubled as janitor of a tenement - before he made janitoring at $30 a month, plus rooms, a career.
I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.
If I had done 'Go, New York, Go' for the Spurs, it might not have worked. It really taught me a lot about demographics and tastes and styles. I never went to business school, so that whole experience was my crash course in marketing, contracts, negotiations, and product launches.
A study conducted by the State University of New York at Buffalo Medical School suggested that in times of stress a dog is likely to be more help in calming you down than a spouse or partner. Most dog owners can guess the reason why: dogs never judge us and never compete with us.
I used to be a wonderful auditioner. When I was living in New York, I'd audition every day. And I like to audition. But then it got to a point where I didn't like it anymore. So once it got to there and I also knew more about the business and I thought, "I can't do this anymore."
The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young - I think I'm 28 years old in that - and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.
What I love most about New York is that I can walk in the street and nobody is looking at me as if I'm different. In my country and in Italy, you have to choose sides. I was a famous journalist and I was also an immigrant and ultimately I never stopped feeling like I was a guest.
Your look changes depending on your confidence, and then your beauty changes. When I first came to New York, all the people were saying, 'You look so Asian because you have a different eye shape.' They didn't really understand because they didn't really see that many Asian models.
Being in New York, and meeting really amazing, talented, eccentric, and bold people, and just feeling really excited about life, got me really revved up and I just felt like everything was at my fingertips - that I could try anything. I really felt invincible. It was such a shift.
Unfortunately there are still people in other areas who regard New York City not as part of the United States, but as a sort of excrescence fastened to our Eastern shore and peopled by the less venturesome waves of foreigners who failed to go West to the genuine American frontier.
As a kid, so many films made me want to travel... the New York of 'Ghostbusters', the Shanghai that 'Indiana Jones' swung a few punches in. However, if I had to name one film that inspires travel, it would have to be 'E.T.' - especially if I could do it by flying BMX as he did...!
NATO could be obsolete, because - and I was very strong on this, and it was actually covered very accurately in the New York Times, which is unusual for the New York Times, to be honest - but I said, they do not focus on terror. And I was very strong. And I said it numerous times.
New York, it was an adult portion. It was an adult dose. So it took a couple of trips to get into it. You just go in the first time and you get your ass kicked and you take off. As soon as it heals up, you come back and you try it again. Eventually, you fall right in love with it.
If they attack, we shall fight to the end. If the rockets had remained, we would have used them all and directed them against the very heart of the United States, including New York, in our defense against aggression. But we haven't got them, so we shall fight with what we've got.
Growing up in New York is like living in a horror museum because there are so many strange people walking the streets and riding the subways. You learn to develop a tough front if you live here, just in case you get into any kind of trouble and you need to talk your way out of it.
What's the difference in opening from scratch in Philly or opening from scratch in New York? The old out-of-town tryout circuit - taking the show pre-Broadway to cities like Boston, New Haven, Philadelphia, Washington - has sort of been replaced with the amount of workshops we do.
I used to think [Shoji] Hamada never drew, until there was a book by Bernard [Leach] published about his work [Hamada: Potter, Tokyo; New York: Harper & Row, 1975] and at the rear of the book were a number of wonderful little sketches, but they were not drawings like Bernard made.
It's over. The franchise is dead. The press killed it. Your magazine f**king killed it. New York Magazine. It's like all the critics got together and said, 'This franchise must die.' Because they all had the exact same review. It's like they didn't see the movie. Got any more gum?