Quotes of All Topics . Occasions . Authors
'Look at Me' started with Rockford, Illinois and New York and the question of how much image culture was changing our inner lives. That's an abstract idea; you don't think that's going to be a rocking work of fiction, but it seemed to fuse in a way that was interesting.
The commentary track became a lot like the movie and there are some funny, long, awkward pauses that you can tell we're just trying to find stuff to say. None of us had gotten to really talk about the movie until that moment and they were in New York and we were in L.A.
Basically I wake up in the morning and I think everything's going to be great. I'm really kind of optimistic, and I look forward to a new day. I pick up 'The New York Times,' and I look at the front page and realize that once again I'm wrong. I start to fixate on stuff.
There have been two [career highlights]. Waking up in New York to hear I'd been nominated for Best Actor for a Tony Award on Broadway, for An Ideal Husband. The other one was waking up the morning after the opening night of A Man For All Seasons and reading the reviews.
All people talk of money sometimes, everywhere. But not for all people, everywhere, is money the addiction, the obsession, the stimulant, that it seems to be in New York. It is a large part of the clamor, and it is the voice - quite literally - of the man in the street.
President-elect Trump needs to keep in mind that the media - they're never going to like him, especially after WikiLeaks exposed that the press was openly colluding with the Clinton campaign, like CNBC and MSNBC and CNN and The New York Times and the whole rest of them.
I think there are four or five interesting pockets where a lot of cool technology companies are getting started. Chicago is one of them. New York is certainly another. Silicon Valley really dominates. And you're seeing some stuff out of Boston and Seattle and down South.
I had a pretty poor self-image for a long time. I broke into acting as a model in New York. I was never anything like a "supermodel," but I made a living at it for a couple years. The thing was, I was convinced that I was tricking everyone into thinking I was attractive.
When I walk around New York now, there are so many ghosts. I find it very uncomfortable. There were many hard years, and I never really achieved any kind of comfortable financial success, so I just associate it with struggle. When I had a chance to get out, I was elated.
Not a lot of attention has been paid to the Asian tiger mosquito, which is another species which we believe can also transmit Zika virus. It has a much broader range. It's found all the way north into coastal areas of Connecticut, Long Island and the New York metro area.
I went to New York for Fashion Week and girls showed up waiting to see me. It's funny because there's a group of girls who I actually recognize because they always show up. It's nice and I'm like, 'Hi girls! I recognize your faces!' It's just like a feel-good experience.
I'm an east coaster, you know, I'm brought up in Toronto where it's very much like, kind of a miniature New York in that there's a subway and you're surrounded by people a lot and, you know, you bump into people and you have interactions and you communicate and la la la.
Museums that aren't perfect are the ones that I love. Museums that aren't overdesigned. I always like to visit the strange, odd museums. In New York, the Frick is absolutely my favorite, favorite place because I like to think that it was someone's home not that long ago.
This is a comment on fear. Today it's like 'They're going to bomb the New York subway and there's the avian flu and 50 million of us are going to die.' We wanted to make fun of that fear-based culture we've been plunged into. And Halloweens the perfect metaphor for fear.
I grew up on the crime stuff. Spillane, Chandler, Jim Thompson, and noir movies like Fuller, Orson Welles, Fritz Lang. When I first showed up in New York to write comics back in the late 1970s, I came with a bunch of crime stories but everybody just wanted men in tights.
I went to New York for work. I was at baggage claim, and I had my headphones on, and I was waiting for my bag to come out. I feel a presence approach me, and without even knowing, I had to side step and take my headphones off, and there's, like, four people looking at me.
Since Deacon Hollingshead's arrival in town last July the Dominion had been hard at work, cleansing New York City of moral corruption. "Corruption" is a popular word with the enthusiasts of the Dominion, usually uttered as a prelude to the knife, the docket, or the noose.
Well, first of all, I grew up in New York City, going to first a public school, then a private school, and when I got to the private school in Manhattan, I learned of what we called 'The Promised Land,' which are the Hamptons. I've always had an affinity for the Hamptons.
Music was in the air when I was growing up. My siblings Katy, Dave and Phil were musical; my dad worked in inner-city New York where a musical revolution was taking place - folk music, rock n' roll, gospel music. My sister taught me to sing. My brothers taught me to play.
On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.
If one's object is ascetic, it is far better to stay in London or Paris or New York; there is practically no extreme of heat or cold, physical risk, loneliness, hunger or thirst that cannot, with a little ingenuity, be conveniently achieved in the centres of civilization.
The loneliest ebb of my life came on that Christmas eve, only one day after my arrival in New York. The abyss of loneliness. I ate a solitary dinner in a small cafe, and the very food tasted bitter with my unshed tears. One doesn't dare cry in America. It is unmanly here.
I don't like to see things on purpose. I like them to soak in. A friend . . . asked me to go to the top of the Empire State Building once, and I told him that he shouldn't treat New York as a sight-it's feeling, an emotional experience. And the same with every place else.
I'm an east coaster, you know, I'm brought up in Toronto where it's very much, like, kind of a miniature New York in that there's a subway and you're surrounded by people a lot and, you know, you bump into people and you have interactions and you communicate and la la la.
New York is part of the natural world. I love the city, I love the country, and for the same reasons. The city is part of the country. When I had an apartment on East Forty-Eighth Street, my backyard during the migratory season yielded more birds than I ever saw in Maine.
I used to write a monthly column for the 'New York Times' syndicate. But I stopped because I found it really hard to have one extreme opinion a month. I don't know how these columnists have two or three ideas a week; I was having difficulty having 12 things to say a year.
I was watching TV and saw the 'Emeril' show, and it spoke to me. I went out and started researching the culinary world and chefs that I knew nothing about. Then I moved to New York and went to culinary school, and everything just fit like a glove. It's been on ever since.
My mother worked for more than a decade before marrying. She went to New York City to get a master's degree. And she continued to work as a teacher and a principal until she was forced to retire.Both she and my father instilled in my sister and me a deep love of learning.
New York as an industry is the best city for real estate. You're in a very transparent market. If you need to liquidate, you make three phone calls and you could sell something, even in the worst market. It is also less forgiving; if you make a mistake you can lose money.
In some states, the attorney general is appointed, but in New York state it's an independently elected position. The New York attorney general has an obligation to the people first, to her conscience and to the rule of law, not to the governor, and not to the legislature.
The most important thing is to find the balance between city and nature. I have that 'hippie quality' - my husband is a super-hippie Los Angeles boy - so we'll have to make time to go to Puerto Rico, and upstate New York, and be sure we get to do outdoorsy stuff like that.
I never felt at home. I stuck outIn New York City, especially in Greenwich Village, down among the cranks and the misfits and the one-lungers and the has-beens and the might've beens and the would-bes and the never-wills and the God-knows-whats, I have always felt at home.
I'm really clumsy, so I trip and fall a lot. And every time I perform in New York my pants split onstage. That's happened four or five times. Every time, I pull on my mom's jeans as fast as I can, so there we are, standing backstage without our pants on. It's like a curse.
My first show at MoMA in New York was pictures of new developments along the eastern edge of the Rocky Mountains. They were housing developments that were brutal in many ways, that cared almost not a thing for the human beings inside. They were just designed to make money.
When I came to New York and I opened the window of the thirty-fifth-floor apartment, there's light pollution and fog, and I couldn't see my star. So I drew it on my wrist with a pen, but it kept washing away. Then I went to a tattoo parlor on Second Avenue and had it done.
I live in New York City, where, if you're in a movie at a popular independent theater, you think you're king of the world, because you're in a bubble. So there's no way for me to properly conceive of the attention that the movie gets in a way that doesn't make me confused.
I was never that kid who grew up in New York and was always at the arthouse watching important films. I was the kid who grew up in the Midwest where there weren't any art films, and I watched TV. And that was really the medium that affected me and that I fell in love with.
There's nothing more fun than seeing the things that you dreamed about when you were a kid come true. I'm headlining an iconic theater in New York City during the New York Comedy Festival. When you're starting off as a comedian, you don't think that's ever going to happen.
Yes, I got my first Bolex camera a few weeks after being dropped in New York by the United Nations Refugee Organization. That was on October 29th, 1949. With my brother Adolfas, we wanted to make a film about displaced persons, how one feels being uprooted from one's home.
Essentially, the [New York] Philharmonic is just like any other orchestra-they all have the spirit of kids, and if you scratch away a little of the fatigue and cynicism, out comes a 17-year-old music student again, full of wonder, exuberance and a tremendous love of music.
There's a freedom there and an understanding of my career and the things I've done. I'm seen here as primarily a comic actor, which is OK, but I can go to New York and I do something that's very emotional. It would be lovely at some point to do something like that on film.
Facebook is uniquely positioned to answer questions that people have, like, what sushi restaurants have my friends gone to in New York lately and liked? These are queries you could potentially do with Facebook that you couldn't do with anything else, we just have to do it.
No city owns me, you know what I'm saying? I'm from New York, but no city owns me. Nobody can bottle up my sound and box me in. Yes, I am a rapper, but am I a New York rapper? No. I am from New York, I love New York to death, but I will not conform myself to one place, no.
I was a hostess in a restaurant in New York when I was 21, and I was too good of an employee. I was putting most of my energy into that instead of acting. But my father told my sister and me to look at whatever needed to be done and do that job well, no matter what it was.
Based on the number that they found, The New York Times reported that Hillary [Clinton] had basically clinched the primary 'cause you added the superdelegates to the number of delegates you'd already gotten. But this was on the eve of the California and New Jersey primary.
My whole childhood was filled with classical music and going to concerts of the New York Philharmonic and other New York ensembles and organizations, but interestingly, I didn't become conscious of wanting to be a musician until I was about 11. I was a rather late starter.
Money is another pressure. I'm not complaining, I'm just saying that there's a certain luxury in having no money. I spent ten years in New York not having it, not worrying about it. Suddenly you have it, then you worry, where is it going? Am I doing the right thing with it?
In '83 I started travelling round Europe with my slide show. It wasn't until I moved to Europe and got accepted in a big way in Berlin in the '90s that I got acceptance by the big art world in New York. I didn't really get to be known, or in the market, til '93 in New York.
Take a moment to reflect upon the existence of the musical The Book of Mormon. Now imagine the security precautions that would be required to stage a similar production about Islam. The project is unimaginable—not only in Beirut, Baghdad, or Jerusalem, but in New York City.
I feel like your city - with hip hop in particular, because we're always beating our chest and shouting where we're from - your city is just as influential as your parents. Even the grimy, hardcore gangster rap from New York - KRS-One and Wu Tang, the stuff acknowledges it.