Quotes of All Topics . Occasions . Authors
for every person who's stepped out of line and lived to regret it, there are two people who stayed in line because they got their values mixed and lost their nerve, and who have lived to regret it still more. You don't hear about those people because they're still in line where they don't show.
I went out a couple of times with Pierce. He's totally recognizable, and he makes no effort to tone it down. Some people were glancing over at us in the restaurant, and he just went over and introduced himself. And it does work. It dissipates all the attention. Me? I just crawl under the table.
When people ask me how I develop recipes, I have to respond: "travelling, eating, watching, experimenting, and constantly asking myself: 'Do I want to eat this dish again?'" Will I yearn for it some evening when I'm hungry? Will I remember it in six months' time? In a year? Five years from now?
When you're an actor, people talk a lot about how, at some point, you really have to take control of your career and what you want to do and create your own content. But for me it came from a really natural place of wanting to feel like what you're putting in the world has some meaning for you.
But we're looking at 500 households - that's a lot of people. And while Southland Hills and West Towson would be first in line when it comes to memberships, the reality is that less than half of the households would want to join, and that would make room for households from other neighborhoods.
Talent is to actors what luck is to card players. Its not really anything; its just a fictitious word that people have created and labeled things. Talent is like, you know, I never really believed in talent, I believed in drive and determination and preparation, but talent is sort of like luck.
I want to wake up every day and feel that I'm training harder than my competitors, that I'm dieting harder, that I'm recovering better. That's what gives me confidence when I'm lining up on the blocks. I've never gone out to prove people wrong. I just want to be the best that I can possibly be.
I think it's a waste of time to worry about the motives of why people are supportive of things. I think we should look at the thing itself. And if they're supportive of something that's sexist or racist, then it's a bad thing, but it's not because they're supportive of it that it's a bad thing.
If we are not serious about facts and what's true and what's not. And particularly in an age of social media where so many people are getting their information in sound bites and snippets off their phones, if we can't discriminate between serious arguments and propaganda, then we have problems.
Trust is enormously powerful in a corporation. People won't do their best unless they believe they'll be treated fairly. The only way I know how to create that kind of trust is by laying out your values and then walking the talk. You've got to do what you say you'll do, consistently, over time.
An Associated Press report called the President's antics 'Bible-thumping politics.' Clinton's message was decidedly religious and partisan, as was Governor's Cuomo's remarks as he 'also cited religious themes and maxims.' Why didn't the press, the ACLU, and People for the American Way cry foul?
When people say to me: "Oh don't worry, if one door closes another one opens..." If one door closes for me, go through the window - I'm not interested in waiting around for people to give me opportunities. I try and make things happen and if I am given opportunities I take them and work harder.
You have only 30 seconds in a TV commercial. If you grab attention in the first frame with a visual surprise, you stand a better chance of holding the viewer. People screen out a lot of commercials because they open with something dull. When you advertise fire-extinguishers, open with the fire.
I am straight forward; I am not manipulative; I am not two-faced. And I think that that has served me well in all of my roles, particularly as a diplomat, because people knew if I said something, I meant it. If I said no, I meant no, and if I said we could make this work, we would make it work.
The primary motivation in the world of television is fear. People are scared to death. Ambition and enthusiasm and interest and the desire to excel are secondary. Because fear is an enormous motivating force, many in the medium are afraid to make decisions, take chances, do anything innovative.
People in suburbia see trees differently than foresters do. They cherish every one. It is useless to speak of the probability that a certain tree will die when the tree is in someone's backyard . . . . You are talking about a personal asset, a friend, a monument, not about board feet of lumber.
I came up with the term 'mindfreak' because I didn't like the word 'magician.' I felt like I wanted to coin a term that would be basically the reaction to my art. It would be a mindfreak and so that's why I came up with that. But, many people say I'm really a student of humanity and psychology.
Many people have tried to define science fiction. I like to call it the literature of exploration and change. While other genres obsess upon so-called eternal verities, SF deals with the possibility that our children may have different problems. They may, indeed, be different than we have been.
You see, years ago I was just an ordinary bee minding my own business, smelling flowers all day, and occasionally picking up part-time work in people's bonnets. Then one day I realized that I'd never amount to anything without an education and, being naturally adept at spelling, I decided that—
Liverpool really ever since I can remember, but anyway in the '50s and '60s was always a place where people were potentially in show business, knew someone who was, would like to be, had been but were now doing something else and there was a general recreational feeling in the air at all times.
Once when I told sex workers about my own sex work, it ended up building inappropriate trust with some people. But there have been events now - like covering the protests against Backpage at the Village Voice - where I've talked to sex workers who don't necessarily know that I've done sex work.
People were always sorry. Sorry they had done what they had done, sorry they were doing what they were doing, sorry they were going to do what they were going to do; but they still did whatever it is. The sorrow never stopped them; it just made them feel better. And so the sorrow never stopped.
You have tens, hundreds of thousands of people in government, and just as many among contractors, who feel totally comfortable writing at the top of the document "internal use only," "official use only," and a million other synonyms, all of which amount to "none of your business" to the public.
Back in the old days, everyone was shocked if a band had a sponsor for their tour. Now, Bob Dylan can do a commercial for Victoria's Secret and people don't really blink; the Beatles' songs are in all sorts of commercials these days and it doesn't seem to offend anybody. The times are changing.
I feel like I make a soundtrack for the come up, and I feel like there's so many people that's trying to figure out how to chase their dreams, or that are in the process of chasing their dreams, so they connect with that. And then being a singer, you don't really get to touch on nothing either.
In wrestling, people just throw each other around, possibly actually bleed, and are still friends in the locker room afterwards. But there's a real glee - a feeling goes up in the arena, especially on non-TV days. If it's just people in a room and somebody starts to bleed, that's very exciting.
I've always done music to push people to get them to get uncomfortable in their seat so they could wrestle with things. Not to become pew potatoes, just simply sitting there, growing fat with knowledge and not applying it. It's a mixed tape that's really aimed and geared toward hip hop culture.
Sometimes people confuse contrivance and authenticity, and sometimes I think authenticity can get in the way of a good excuse to do something theatrical. I just don't like wasting opportunity - if you're going to do a photo session, if you're going to walk on stage, why not make it interesting?
Most people early achieve and later intensify a tendency to process new and disconfirming information so that any original conclusion remains intact. They become people of whom Philip Wylie observed: "You couldn't 't squeeze a dime between what they already know and what they will never learn."
A political system seeking to function amongst ignorant, illiterate and barbaric people could have marvelous principles but could only succeed in being ignorant, illiterate and barbaric unless one addressed the people one by one and cured the ignorance, illiteracy and barbarism of each citizen.
When you start to think of the arts as not this thing that is going to get you somewhere in terms of becoming an artist or becoming famous or whatever it is that people do, but rather a way of making being in the world not just bearable, but fascinating, then it starts to get interesting again.
Why I've never been that fond of politics and only got into it recently kicking and screaming, because I don't think politicians are going to reverse the trajectory of this country. I think it's going to depend on the American people understanding what is fair and what makes their lives better.
I like stand-up. But I'd also like a family and house and a yard. I want to work with a lot of people, have colleagues; and on good film sets, there's people there that work with the same people for years and years. I love that collaborative spirit in that medium. Comedy is a lot more solitary.
There is first of all the problem of the opening, namely, how to get us from where we are, which is, as yet, nowhere, to the far bank. It is a simple bridging problem, a problem of knocking together a bridge. People solve such problems every day. They solve them, and having solved them push on.
People are considered pure of heart when they do not approach power and pomp; but those who can be near without being affected are the purest of all. People are considered high-minded when they do not know how to plot and contrive; but those who know how yet do not do so are the highest of all.
You're always going to have dangerous, disaffected people in any society, and some will be violent. Increasing prosperity and reducing inequality won't solve that completely. But having big, positive dreams and a society that makes it possible to achieve those dreams is what we must strive for.
The main three components are the blues, improvisation - which is some kind of element that people are trying to make it up - and swing, which means even though they're making up music, they're trying to make it up together. It feels great, like you're having a great conversation with somebody.
You can have all the gun control laws in the country, but if you don't enforce them, people are going to find a way to protect themselves. We need to recognize that bad people are doing bad things with these weapons. It's not the law-abiding citizens, it's not the person who uses it as a hobby.
If you give the same 200 frames to 200 different people, they'll all probably pick a different frame. The key is editing. Be intuitive enough to be shooting at the right moment, and when you're seeing the action happening just as you want it, shoot. And in the edit you have to go with your gut.
People ask how I can be a conservative and still want higher taxes. It makes my head spin, and I guess it shows how old I am. But I thought that conservatives were supposed to like balanced budgets. I thought it was the conservative position to not leave heavy indebtedness to our grandchildren.
Every time I meet people working in radio, I'm a little embarrassed. It's all pre-programmed, rigidly formatted stuff. Time and time again, when I talk to jocks, they say how jealous they are of the freedom we have on WKRP. I sometimes have to explain to them that it's not a real radio station.
Some people have described Daoism as pantheist, and although there's something in me that resists this designation, I can see that Daoism is consistent with pantheism. If there is any way in which pantheism makes sense and is not redundant, then it is the way (or 'the Way') presented in Daoism.
You know, many people have said that I'm on the edge and I'm maverick for some of the big operations that I've done. I'm not at all. I pray; I ask God to give me wisdom, 'Should I do it?', guidance in terms of how to do it, who to consult with. All those kind of things are incredibly important.
Everywhere I go, I see very much the same thing. I see the same compassion for people who live half a world away. I see the same concern about events beyond these borders. And, increasingly, I see the same conviction that we can and we must join together to stop the scourge of AIDS and poverty.
People who are wrong during particularly important moments inevitably spend the rest of their lives trying to explain how their wrongness was paradoxically correct, or-at the very least-why their wrongness "felt right at the time," which is very, very different from being authentically correct.
A lot hinges on the fact that, in most circumstances, people are not allowed to hit you with a mallet. They put up all kinds of visible and invisible signs that say, 'Do not do this' in the hope that it'll work, but if it doesn't, then they shrug, because there is, really, no real mallet at all.
Michael Buble is seriously my favorite entertainer. Have you ever seen the guy in concert? He's hilarious. Women love him. Guys want to meet him. He has everything that I wish I could do onstage. And I'm guessin' he's a good-lookin' guy - although he's not one of 'People' magazine's sexiest men.
Young people are having a hard time with what's reality and what's fantasy these days...We created discussion. It wasn't to create controversy for sale's sake, but rather it was my obligation to use the medium for discussion. Nobody's discussing the grown-up topics; they are faking and fronting.
I'm sure a handful of people can relate to that experience of having some kind of romantic encounter - the event of love - which they just can't shake. They take it with them, despite their own desire, and it continually haunts them, and there's nothing to be done about it. That's a true rarity.
The best way to guarantee a steady stream of new ideas is to make sure that each person in your organization is as different as possible from the others. Under these conditions, and only these conditions, will people maintain varied perspectives and demonstrate their knowledge in different ways.