Quotes of All Topics . Occasions . Authors
Just like I'm the king on the microphone, so is Dr. J and Moses Malone I like slam dunks, take me to the hoop my favorite play is the alley-oop I like the pick-and-roll, I like the give-and-go Cause it's basketball, uh, Mister Kurtis Blow.
At home I mostly stick to online Scrabble, or chess or Risk - games I find far less addictive than the spectacular games created for consoles these days. But, whenever I get the chance I head over to my friend Kyri’s house to play his PS3.
There are a lot of conservative people, a lot of moderate people, Republicans, Democrats, in Hollywood. It is just that the conservative people by the nature of the word itself play closer to the vest. They do not go around hot dogging it.
To sing a song is quite different than to write a poem. I'm not and never will be a novelist, but to write a novel is not the same thing as writing a play. There is a difference in form, but essentially what you're after is the same thing.
And I think that when I play these villains, maybe what is different is that the audience sees me play these and they know that that's Chris and he's having fun and he knows that and he knows that and you know that and everybody knows that.
That movie [Jawbreaker] was so much fun to shoot. We were all in our mid-20s at the time, playing high school students. Which was the point. It was the point of the film to hire older actors to play high school students. But we had a blast.
It was R.E.M. who showed other Eighties bands how to get away with ignoring the rules - they lived in some weird town nobody never heard of, they didn't play power chords, they probably couldn't even spell 'spandex.' All they had was songs.
I definitely try to play a common man in my roles so people can identify with my characters, but the truth of the matter is that it doesn't really matter what I do or my lines are, I'm still Zach Braff, and people know I'm better than them.
I found solitary confinement the most forbidding aspect of prison life. There is no end and no beginning; there is only one's mind, which can begin to play tricks. Was that a dream or did it really happen? One begins to question everything.
I'm a huge Peter Mayer fan, but only when I don't feel like killing him for being so good. I love Peter's work, though it irritates me that he plays so much better than I do. If I rocked half as hard as Peter does, I'd own the world by now.
There's good action stars. I'm a bad-guy action star. What disappoints me is when you all of a sudden you get a good action star and then he wants to play a comedy with kids, you know? That upsets me, and that's not being true to your fans.
You're going from audition to audition, changing in the backseat, and all that fun stuff that's great to do at one time in your life. That's when the 49-cent taco, as disgusting as it is, really plays into your day. It really helps you out.
The indie world changed when the economy went south. I was frustrated with doing something, then waiting for it to come out, and sometimes it never did, or would just play in New York for 50 people. So I really wanted to try something else.
Children don't just play any more - they're far too busy learning to fence and taking extra French classes. In the end, you're actually doing more damage to your children by trying to hot-house them. It's far better to remain a calm parent.
An uninhibited, Chuck Berry devotee but experimented with and broke a lot of ground on feedback techniques and solid variations in tonal and dissonant utilizations. I'm one of the best guitarists in the world, and I play with great emotion.
You try to get the feel of any role, but it's much more difficult in the case of Christ because everyone has their own personal image of Him. It's a role you take on, knowing that no matter how you play it, you are going to disappoint many.
She [Hillary Clinton] put her emails on a secret server to cover up her pay-for-play scandals in the State Department. Nothing threatens the integrity of our democracy more than when government officials put their public office up for sale.
I know part of what turns me on so hard, makes me so violent with lust, is that he's dangerous. I fell for the bad guy. I'm crazy about the one who's trouble. The alpha that doesn't play well with others and doesn't take orders from anyone.
Strictures, reproaches, and intemperate speeches from the Senator of Louisiana are really the wailings of an apostle of despair; he has lost control of himself, he is trying to play billiards with elliptical billiard balls and a spiral cue.
In my day we simply didn't believe that it was possible to play as well as these young fellows do. We thought that strength denied touch and that you could not consistently hit the ball both long and straight. It's been proven that you can.
Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.
When I play myself, I want to be a slightly better person. It just agrees. Everything I play about myself is kind of true, but it's amplified. We all edit, don't we? If you're self-aware, you stop yourself - you know how to behave properly.
People forget that I'm a human being, just because I play a sport that everybody loves. We're human. We're not invincible. We share the same feelings and emotions that people on the outside feel. I don't think people really understand that.
I like to do new things, so I always take on roles that I feel will keep me on my toes. I never want to pigeon myself, so I always like to surprise myself. I believe in versatility and so I would play anything as long as it was a challenge.
I would never play an extra year for money. I play the game because I love it. I just so happen to get paid. If I don't feel I still enjoy the game, I can care less what a year is worth. I'm not going to play the game just because of money.
When a private citizen is robbed, a worthy man is deprived of the fruits of his industry and thrift; when the government is robbed, the worst that happens is that certain rogues and loafers have less money to play with than they had before.
I'm kind of shocked any time somebody hires me and even more shocked any time somebody hires me to play a character like Lex Luthor, which I only knew from the public consciousness of him being a bald, brooding villain who is older than me.
We're [with Robbie Robertson ] jazz musicians. The context may be rock 'n' roll but it's still jazz. It's jazz and that means improvization...you play a tune the way it feels and you play it differently every time. It can never be the same.
There was a period in my late 30s where work slowed down for me, as it does for a lot of women. You're no longer the young, cute thing anymore and maybe you're not quite old enough to play (what others think of) in terms of women in charge.
In my own personal life, God plays a great role in the risk, because I pray before I go into the operating room for every case, and I ask him to give me wisdom, to help me to know what to do - and not only for operating, but for everything.
I got addicted to Tetris, playing it in my basement, I was missing all these airplane flights over it. After the fourth one that I missed, I realized I needed to get rid of this thing - so ever since then, I don't play video games any more.
A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.
This was basically the first time I got to act in action scenes, with things blowing up all around me. It sounds corny, but I think every actor would like to - at least once in his or her career - play the person who saves the entire world.
I guess if they ever do a remake of 'Sophie's Choice,' I could play the Meryl Streep part. I've got to work on my Polish accent. Maybe I'll be the definitive King Lear one day. You know, if they ever feel that King Lear should be more Jewy.
Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.
Everything is perfect. Everything is fine. The rules of life are made up. The rules only exist in your mind. Of course there may be courtesies And closures and laws to abide, But the zeal with which you play Relies on where YOU draw the line
I like to play unpredictable characters, and I like to be unpredictable in what movie I'll do. I want to skip to work. I don't want to repeat anything. What the future holds, I don't know, but that's what I like. I'll take any risk there is.
You invest into the future, and that's how young people become human in best sense of it - through the great experience of listening a Müller symphony or to see a great play by Tennessee Williams, experience something in a ballet, in a film.
Footwork is definitely key for a linebacker. We make our money playing laterally. You've got to be able to move side to side and play sideline to sideline. So doing quick feet drills like ladders and keeping your footwork right is important.
Where you see immigration competition play out most clearly is among high school dropouts. I'd say there's clearly immigrant competition among the least-skilled workers, but natives are a shrinking share while immigrants are a growing share.
I was crying when I was editing [Beacher] but I stopped all the screenings years ago because I had a headache but then I had seen it again... Well I always cry at the same place, when they play that song "Wind Beneath My Wings". It gets you.
As a kid I'd play with homemade recipes, like putting pineapple on my face to exfoliate my skin and doing facial steams with lavender or peppermint oils. I just loved doing stuff like that. It's what motivated me to launch my skin care line.
One particular night I was at the theater. I was not scouting for a project, but I was touched by this play by Évelyne de la Chenelière. I was touched by the character. I thought it was a rich character that could be rich enough for a movie.
I never learned how to make music, play an instrument, then a lot of people told me things like "you will never succeed" and "it's just a dream" - anyway it made me much trouble, but in a way it made me work hard to become more than a dream.
I was terrible in my first play. After that experience, I had to face that I wasnt good enough to play with the big boys. I had to go away and learn, so I worked in regional theater for three years. I even understudied at the Kennedy Center.
I've always made a point of playing parts where weight has nothing to do with it, and not just weight but looks. It's about being funny and being interesting, and I think there are a lot more interesting things to play than being overweight.
I love Los Angeles, and it's been very good to me, but if everyone is running around telling the stories, who's living them? You don't play characters that are celebrities - you play guys who know what to do when their septic tank's blocked.
If you take a violin, you can make it sound 50 different ways. Not just pizzicato and played by the bow, but ponticello, and harmonics, and tremolos. If you take an oboe and play it, there's about one way you can make it sound: like an oboe.
I don't take trouble at all to conform a screenplay to my iconography. I don't say, "We can't do that - the audience wouldn't accept it." I try to take the limitations of what is required to play a leading character and then screw with them.
They do not air 'GH' in Holland, so I don't get recognized. But the Dutch are wonderfully unimpressed with celebrity, so even if the show did play over there it probably wouldn't affect things much. It's a wonderful life and I am so blessed.