Quotes of All Topics . Occasions . Authors
I was in a play directed by my father, and I was doing a fight scene, and the choreography went haywire, and I flew backward over a chair and ripped my thumb all the way to my wrist and had to have surgery to sew up all the tendons in there.
How long do small girls play with their dolls? As long as they are not married and do not live with their husbands. After marriage they put the dolls away in a box. What further need is there of worshipping the image after the vision of God?
And I saw the sax line-up that he had behind him and I thought, I'm going to learn the saxophone. When I grow up, I'm going to play in his band. So I sort of persuaded my dad to get me a kind of a plastic saxophone on the hire purchase plan.
The easiest thing in the world is to succeed. You can't help it if you follow the rules and play the game the best way you know how according to yourself, instead of according to the one next to you, or above you, or somewhere away from you.
We have a demon, we have an angel inside, within our souls, and you just play with it, and sometimes the evil part of you wins the battle, in a very important decision, or in a bedtime, with your lover. Sometimes you win, sometimes you lose.
It's important to pull tons of pieces! If you have lots of options to choose from, you can play around and see that things that you wouldn't originally have expected to work together actually do! That applies to both clothing and decorating.
Improvisation is risky. I like that. Another practical reason for that is that you have to go out and play every day on a tour. I couldn't do it if I thought I was going to do the same songs every day in the same order, like a full-on robot.
Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.
To me it is harder to play a real person, but when you do it and you feel good about it and the person feels good about it, I think that's doubly rewarding. So the challenge is greater, the risk is greater, but the reward is greater as well.
Do we play Chicago again? I going to hit Othella Harrington right in the mouth. If he didn't have his clumsy ass on the floor, I wouldn't have fell. How he got on the ground, I don't know. He's clumsy. Quote me on that. I'm going to get him.
I'm interested in the moments where the audience is restless. I'm interested in the moments where they lean in and become incredibly engaged: the laughter, the silence. All of that is part of how I think about shaping and rewriting the play.
I enjoyed living in Chicago and doing plays for little or no money. I never actually thought that I would leave Chicago, originally. I wasn't one of those people that had a plan to pack up the van and drive out to Hollywood. I didn't want to.
I enjoy that atmosphere, because you play golf all the time but you don't get to play in front of this many people and feel the energy of the crowd.You hit a bad shot, they boo; you hit a good shot, they cheer you. It's awesome. So I love it.
In terms of playing, of course, Europe is definitely more finesse than playing in the WNBA. I think they're more skilled in terms of the overall ability. And here in the States, in the WNBA, we just kind of play off athleticism and just play.
Even within single sentences, there are sudden changes of register. And when the travellers go to Venice, they see a play by Voltaire! This is a novel [Candid] which has narratives within narratives, such as when Cunégonde recounts her story.
I do think we need to allow for there to be room for subversive and ironic speech. We need to be able to put out plays in which we make fun of ourselves or in which we interrogate the words that injure us. And maybe give them another meaning.
I actually believe 'Sustainability ', as a concept, is one of the arteries leading to the heart of so many of our cultural transitions at play today. And it's this concept which leads me to bottled water, and its multibillion dollar industry.
When you get the role, it's 'cause you know exactly how to play it, and they know that the way you're playing it is exactly what they want. I never go with a role and say that I need to change anything about it. Otherwise, I wouldn't take it.
You can sing only what you are. You can paint only what you are. You must be what your experiences, your environment, and your heredity have made you. For better or for worse, you must play your own little instrument in the orchestra of life.
People want to relate to that. That's a healthy place to be. Even movies do this: War movies or light-hearted comedies, they all have their different time. And this is the time, fortunately, for straight plays... Are you going to come see it?
I would never do a printed memoir. I've been asked to publish a memoir from years by different publishers and literary agents. I think it wouldn't be great for me because all I'd really want to talk about it music and I'd rather just play it.
[Sweets Edison] was one of the greatest stylists in Jazz of all time. And on top of that, when you listen to him, you say 'yes, that's Sweets' and you automatically smile. This is really unique. He changed the way how to play this instrument.
The Angels shows are really intense. We play for a couple hours at a time. They're very theatrical and full of audience interaction and emotion. I've seen a lot of people crying and stuff. It's a little bit like church, but it's very secular.
I usually never stay at the board after a game. Especially against Spassky. I made a dumb suggestion and he refuted it instantly! I know I'm going to have to play him some day and it was really stupid to look like such a jerk in front of him.
Something as important and central and encompassing as empathy can't be all bad. I think empathy plays a role in intimate relationships, where you might want your partner not just to care about you or understand you but to feel what you feel.
To a female superhero her sexiness is not the most important thing about her, it's her mind, her spirit, and when I look at that character that to me is an example of characters that I like to play and I think it does a great thing for women.
I definitely divide my life into decades. Almost every ten years, something in my work life has changed. My twenties were my journalistic phase, then there was my screenwriting phase, then I became a director, then I started doing some plays.
On the security front, the United States must continue to play a leadership role. There simply is not another country in the world that commands the respect or has the capabilities that we do, and we must not shrink from our responsibilities.
I know without our fans and the devotion of our fans we wouldn't be here. I don't mean to put them down, but I'm just stating a fact that it is hard to play to people that see you all the time and it takes a lot of fun out of it in some ways.
It's a luxury to play. I get to play basketball for a living. I'm a lucky guy and I'm thankful for everything I have and what I get to do. I realize how many people would give their left foot to just play one game in the NBA. This is the NBA!
The music you make is shaped by what you play it on ... if you feel that you're not getting enough out of a song, change the instrument - go from an acoustic to an electric or vice versa, or try an open tuning ... do something to shake it up.
I don't really like movies that are all one or the other. It's really about the play between both of them. Now that I've said that, there's actually lots of movies that I like that are one or the other but it's just not for me as a filmmaker.
Once a month I play with a chamber music quartet. I play almost no solo music anymore because I so enjoy the interaction. The members of my quartet have become some of my best friends and so I really enjoy it now in ways that I didn't before.
I think that there's a lot more freedom in the low budget, the independent films where, unfortunately, you don't have the money, necessarily, to get the orchestras in there to play a lot of stuff. But, you have a lot more freedom, very often.
Moods are in the mind and do not matter. Go within, go beyond. Cease being fascinated by the content of your consciousness. When you reach the deep layers of your true being, you will find that the mind's surface-play affects you very little.
I was never supposed to play in college, let alone the NBA, so I always feel like I have something to prove. No one ever expected me to be here, so that feeling of being an underdog is ingrained in me. It's a natural part of my consciousness.
You have to close quickly, you have to eliminate time and space and you have to try to deny them the puck. When you're playing with it, it forces them out of their rhythm and forces them to play defense, which they obviously don't want to do.
Success in business does not depend upon genius. Any young man of ordinary intelligence who is normally sound and not afraid to work should succeed in spite of obstacles and handicaps if he plays the game fairly and keeps everlastingly at it.
I haven't purposefully set out to play heroes. I'm interested in playing the character who finds himself in extraordinary circumstances. But he's really either just saving himself or acting in the service of something that's important to him.
Pessimist by policy, optimist by temperament- it is possible to be both. How? By never taking an unnecessary chance and by minimizing the risks you can't avoid. This permits you to play out the game untroubled by the certainty of the outcome.
It's like you asked me about the depression thing: you grope towards an understanding of whatever it is your going through, and it's not personal, there are forces in play around you, and you seek to understand them and that way you can go on
Improvisation is really not so much remembering things. And this is what I do when I play. I forget things. When I go on the stage, I want my mind to be a blank, so that I can - things can come into me without my knowing where they came from.
I like doing live things and plays. You can perfect the laugh or extend the laugh, you can get them on a roll. Versus improv, which I hate. Put it all together. They're more vignettes. Improv makes me slightly anxious because I feel for them.
If you play basketball, you get into the zone. You can't miss. That's the expansive mindset we're all seeking. But that only comes when the mind is quiet and separate from the noise. And the greatest tool to eliminate the noise is meditation.
I'm a Texas guy, and the good and bad of that is that I'm always, first and foremost, loyal. If it weren't for 'Supernatural,' I wouldn't have a lot of the blessings that I have today, so I'm going to play it out. I'm going to give it my all.
First if all, never play macho man in the market. Second, never overtrade. My major problem was not the number of points I lost on the trade, but that I was trading far too many contracts relative to the equity in the accounts that I handled.
Travelling is very difficult, you have to go to places with different climates and time zones. Travelling like that every single day through the year is definitely not healthy, but that's something I have to sacrifice if I want to play music.
I would play in any number shirt for Newcastle United, but the No 9 at Newcastle is something very special and I've always wanted to wear it. I mentioned it to the manager, he mentioned it to Les and Les has been very kind and given it to me.
For me the music community was always like a model for what could be. The way people would play together, just harmony and being - old guys and young guys, black guys and white guys. It was setting an example for what the rest of us could be.
I went to a boarding school when I was 13, and it was a very arty school, so there was an opportunity for a lot more. I joined a band and so on. We would do concerts at school, and I would play cover tunes and thought, 'This is really great.'