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Jeremy, Perry, Andre, Steve and Reggie, Grant, You guys make me so much better without you even knowing man. 'Cause I know I set the example for y'all. I know there's days where I have my bad days, And I say some words I'm not supposed to say sometimes, But when I need an extra push, You guys are there man. And I appreciate that. I appreciate that because I'm not always the best leader, I'm not always the best player, I don't always shoot the best in the games, But, Our little handshakes that we do before the game, That gets me going.
I was scared every time I put on a uniform and stepped on the field. I’m scared every day I go into the studio and I come on stage because I fear that I will not live up to what is expected. I fear that somebody who spent a lot of money to come into our studio, to come to New York and they’ll walk away and go, ‘I could have stayed at home.’ I feared that as a player a fan would come to the stands and I wouldn’t perform well. Just the way I’m built. I’m more scared of failure than I am excited about the accolades that come with success.
I'm not a player, I'm an alien. I wasn't actually there. I was in another galaxy with my galactic friends. My focus is on winning championships. I don't focus on anything else. Aliens only want to win championships. That's it. Injuries is not a focus. Trade talk is not a focus. Nothing is a focus. Gluten-free pasta is not a focus, which I would rather have gluten-free pasta. Hey, if I have to have regular pasta. ... It is what it is. I'm still going to try to win a championship. Nothing will distract me from my focus, my galactic mind.
Paul Scholes was the jewel in the crown, the first name on the teamsheet and unquestionably one of the finest England players of the age. He flourished at once in the international arena, which didn't surprise me given his fabulous all-round attributes. He had almost everything - talent, intelligence, courage. His only blemish, which he never really shook off, was his tackling. There was always the chance of that red mist coming down. Overall, though, Paul was a wonderful player and he's a lovely lad, a credit to his club and to himself.
Because [Russel Westbrook] is so rare and impacts the game in so many different ways, you see the usage and the amount of time he's playing and say, 'is this sustainable?' I look at it the other way. Are we playing the right way, are we playing together as a team, and what are his minutes like? This is not a guy that's playing 42 minutes a night. When he goes out there he's going to play to who he is, and I think he also understands that in order for our team to be the best we can be he's got to incorporate and help everybody grow as players.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
Old golfers don't win (it's not an absolute, it's a general rule). Why? The older golfer can hit the ball as far as the young one. He chips and putts equally well. And will probably have a better knowledge of the course. So why does he take the extra stroke that denies him victory? Experience. He knows the downside, what happens if it goes wrong, which makes him more cautious. The young player is either ignorant or reckless to caution. That is his edge. It is the same with all of us. Knowledge makes us play safe. The secret is to stay childish.
We don't believe it's possible to protect digital content. What's new is this amazingly efficient distribution system for stolen property called the Internet-- and no one's gonna shut down the Internet. And it only takes one stolen copy to be on the Internet. And the way we expressed it to them is: Pick one lock--open every door. It only takes one person to pick a lock. Worst case: Somebody just takes the analog outputs of their CD player and rerecords it-- puts it on the Internet. You'll never stop that. So what you have to do is compete with it.
I trust microphones, speakers and recordings less and less, and no longer buy into the idea that I can recreate at home, or in my earphones, the experience of hearing live acoustic instruments. The orchestra is already a set of speakers that react differently to each player, each room and each concert - it's that high level of uncertainly and unrepeatability that I like. The music is just soaked into the walls of a room straight from the instruments - and it's a one-off deal. The alternative - left speaker, right speaker - is kind of a compromise.
I'm process-orientated, and people say that about the details. But I love the players. My No. 1 job is to make them better men. My No. 2 job is to make them better at hockey, and I never confuse that. The best people I've ever been around in my life never let me get away with anything - ever. You can have all the details in the world, but if you can't communicate with people and find a way to help them help themselves, you have no chance in this league. To me, that's what the profession is about: getting guys to believe in themselves and each other.
You can't think and play. If you think about what you're playing the playing becomes stilted. You have to just focus on the music I feel, concenctrate on the music, focus on what you're playing and let the playing come out. Once you start thinking about doing this or doing that, it's not good. What you are doing is like a language. You have a whole collection of musical ideas and thoughts that you've accumulated through your musical history plus all the musical history of the whole world and it's all in your subconscious and you draw upon it when you play
(I)t is highly questionable whether when 'Europe speaks with one voice', as we are so often told it is doing, anyone is really listening. Europe's reputation as a serious player in international affairs is unenviable. It is a feeble giant who desperate attempts to be taken seriously are largely risible. It has a weak currency and a sluggish inflexible economy, still much reliant on hidden protectionism. It has a shrinking, ageing, population and, with the exception of Britain, rather unimpressive armed forces and, not excepting Britain, muddled diplomacy.
Titled players appeared to be trotting out game after game in which the same old hoary opening sequences, memorized out to fifteen, twenty, or even more moves, were repeated endlessly. True novelties were becoming scarcer, and sometimes these 'opening' novelties didn't appear until well into the middlegame. (A master-level friend once proudly showed me a novelty he'd discovered at move twenty-seven of a very well-trodden chess opening, and it's said that even as far back as the 1950's Mikhail Botvinnik had some openings memorised past the thirtieth move).
Continual improvement involves an appreciation that there is always a better way to do things irrespective of how much you have achieved or how comfortable you might be with where you currently are in life. As a young international rugby player I learnt a valuable lesson about sacrifice. The bottom line was the phrase 'long after the price is forgotten the quality remains'. Undertaking JOLT Challenge involves sacrifice but it is well worth it as you explore creative and innovative ways of challenging yourself for constant improvement in many areas of life.
What keeps you motivated? The challenge of putting all the elements of a team together and seeing how you do and what you become is the thing that I still enjoy. I also enjoy the associations and relationships with the players and other coaches - to be in the arena, so to speak. I still enjoy that. I'm also at the point, though, that if we're not doing well - it's tough enough as it is - that I'm not going to be hanging on just to be hanging on. Because it's not anything I need from an ego standpoint or anything else. I just thoroughly enjoy what I'm doing.
I was a really good youth boxer, and I enjoyed the sport very much. Once I actually started to play the trumpet, it is very similar to boxing. Most of the great trumpet players boxed: Miles Davis was a boxer, Wallace Roney is a boxer, Terrence Blanchard is a boxer. In a boxing ring, no one can help you. It's just you and the other guy, and your job is to get him out of there, to outscore him in the best sense of it. When you learn to box, the first thing they teach you is to protect yourself at all times, and some people also learn that they like being hit.
Do anything you wanna do—but from [the heart]. Music is a thing from the heart, from the soul, just like anything else you do, man. And you can be the best, you can be what you wanna be. That’s right! You can do what you wanna do. I believe—I’m a blues player. I never been a millionaire, but let me tell you something—I think I am. Cause I got this. I’ve got what it take. And I don’t care if you don’t believe me, man, but I know you do. Because this is what it’s all about. Anything you do, if you wanna do it and you love it, you rich. You a millionaire, man.
I believe that box lacrosse gives young people many more opportunities to excel in our game. If I had my choice, I would have every player under the age of twelve play box lacrosse exclusively or at least a majority of the time. The number of touches of the ball and the ability to develop better stick skills in a game of box lacrosse, far surpasses what happens to young people on a 110 x 60 yard field. Learning how to pass and catch in traffic, understanding how to shoot, and developing a sense of physicality are all positive traits developed by the box game.
No one seeing a beautifully elaborated lyre with its harmonious, orderly arrangement, and hearing the lyre's music will fail to form a notion of its craftsman-player, to recur to him in thought though ignorant of him by sight. In this way the creative power, which moves and safeguards its objects, is clear to us, though it be not grasped by the understanding. Anyone who refuses to progress this far in following instinctive proofs must be wanting in judgment. But still, whatever we imagined or figured to ourselves or reason delineated is not the reality of God.
Cats have a sort of game they play when they meet. A player alternates between watching the strange cat and ignoring her, grooming or examining everything around herself - a dead leaf, a cloud - with complete absorption. It is almost accidental how the two cats approach, a sidelong step and then the sitting again. This often ends in a flurry of spitting and slashing claws, too fast to see clearly, and then one or the other (or both) of the cats leap out of range. The game can have one exchange or many - and is not so different from the first meetings of women.
In tight economic times, with libraries sliding farther and farther down the list of priorities, we risk the loss of their ideals, intelligence, and knowledge, not to mention their commitment to access for all—librarians consider free access to information the foundation of democracy, and they’re right. Librarians are essential players in the information revolution because they level that field. They enable those without money or education to read and learn the same things as the billionaire and the Ph.D…In tough times, a librarian is a terrible thing to waste.
I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't. And clearly the ones who wrote music were more superior human beings in his mind. So he kind of nudged me and sort of prodded me into it. I picked it up slowly. Then I learned more about chords and harmony and I just kept adding to that. One of the great things about having good players in your band is that you just ask them questions. You can pick up some good information that way.
In Utero is a testament to the artistic vision of Kurt Cobain. It's kind of a weird record, and it's strangely beautiful at the same time. And if you look at Kurt's paintings and his drawings - he even did a sculpture for me - it's a rising, tortured-spirit person. It's kind of weird. It's done well, but it's like what Dave was saying about having your own sound. Kurt was a great songwriter. He knew he had a good ear for a hook [and was] a great singer, great guitar player, and In Utero is a good representation of what he liked in art and how he expressed himself.
The emerging picture from such studies is that ten thousand hours of practice is required to achieve the level of mastery associated with being a world-class expert - in anything. In study after study, of composers, basketball players, fiction writers, ice skaters, concert pianists, chess players, master criminals, and what have you, this number comes up again and again…no one has yet found a case in which true world-class expertise was accomplished in less time. It seems that it takes the brain this long to assimilate all that it needs to know to achieve true mastery.
Domestic violence is a societal problem, not just the NFL's. A lot of the guys felt misunderstood - just because one guy did something to his partner didn't mean they were all like that. We need to help our guys not just be better players, but better people, and to do that, we need to put more into helping them understand difficult relationship situations or miscommunication, rather than addressing only the punishment. The guys felt comfortable talking to me about stuff. They knew I have a doctorate in psychology, so they'd find me and say, "Can I borrow you for a sec"?
When you sit with people you love, if you say something stupid, they call you on it - because they're honest with you and they're making you better. That's what we're as couches going to have here with our players. We're going to have an honest respect for one another, to make everyone maximize the potential they have. I expect the players to listen to me, and I'm going to listen to them. We've got to make each other better, and it's the way to create safety, because the players know you've got their backs. When you tell a player what you want, he will try to please you.
When I came to the States, I still wanted to be an electric guitar player. But moved to Santa Fe in '86. And just decided that nylon string guitar is really what I wanted to do... And that really change my life totally as well... And Santa Fe is one of those really unusual places that is such an interesting mix of culture. There is a lot of from restaurants to music... I remember one of the first groups I saw playing there in the back of a restaurant, was a banjo player, a classical violinist, and a flamenco guitarist. And I thought to myself, "What? You know, this is great."
Early in my career when we went to golf tournaments and charity dinners I noticed businessmen and executives would give the players their cards. Well, they're giving you their cards for a reason. I said to my wife, 'All the guys get these cards and then when they get to the parking lot they rip them up or throw them away. It's really weird.' My wife .. said maybe you should just sign a picture and mail it to them. You know, 'Great playing golf with you,' or whatever. So, I did and lo and behold some of those guys I sent pictures to way back then are now CEOs at big companies.
As a young rookie NFL player, you go to the rookie symposium and the one thing they tell you is, "You guys know what the NFL stands for?" Everybody looks around like, "National Football League...?" The guy's like, "Nope - Not For Long." They tell you right there to get prepared for your second life. You take that in, and I've always been one to prepare early, to see ahead and anticipate and believe in great things happening, and they do. I'd already known that concept and appreciated that concept, but for me, I was always going to be here for a while. I just believed in that.
In 2008, when I was wrapped up a very toxic relationship, I lived out of my car for about four months to get away. And what I learned about myself in the process is that sometimes a safety net isn't really that safe; it's what keeps you from flying. That year I went from playing football to being a football player. Football wasn't paying my bills, but people didn't really know how bad it was. That was the one place in the world that when everything else was chaos, I could be great. I think we all have that place where we experience greatness. Football definitely saved my life.
The plea agreement negotiated by Janet Reno's Justice Department with Nora, Gene and Trisha Lum is a hoax. It allows two key players in the campaign finance scandal to plead to lesser offenses and effectively concludes a serious investigation that, if taken to a conclusion, could have seriously affected the Clinton Administration's claim that it committed no illegalities in the campaign finance scandal. Nora Lum was a close confidant of Ron Brown and remains close to John Huang. Trisha Lum, her daughter, worked for Brown at the Commerce Department and worked on trade missions.
Reminiscing No one knows ... until you live it, to be there, to tee it up each week, to get yourself ready, the players and whatever else.... I think its a very, very difficult, tough and demanding job. And to be able to, particularly, stay at the level of expertise that we have over the years. Along with the fact that we have made football a presence at BYU. I think those are the things that are about as satisfying as anything that has happened. Then, of course, the players.... I think the thing that will be the most difficult is leaving the relationships and the involvement.
Eventually as a teenager, I was pulled up on stage by James Brown's saxophone player, Maceo Parker, during one of his concerts and scatted on his stage for 20 minutes. After I was done, Maceo's bass player got down on one knee as if he were proposing, took a string off of his bass guitar and coiled it up around my ring finger. He hushed the crowd and said into the microphone, "Wendy, from this day forward you are married to music. You have a gift from God. You must devote your life to using this gift or else you will deprive the world of something so special." I got the chills.
Or I could see Fish, Just a button up, Like a Mayor, Like a President, Just demands so much from his teammates, Has played with so many great players, But still respects everybody. He's 38 years old, And he has nothing else to prove, And I said, "Fish you wanna come get some shots up with me?" And first thing he says is "Yes." He always wants to learn. Even though he's done so much in this league, Played with so many great players, He always wants to learn, And that motivated me To know that it's never a point Where you can stop getting better. And he's a guy that made me realize that.
If you increase the number of rockets you build and you buy, then it's the scale of the economy, the price is going to come down. It may not come down in order of magnitude, but if several commercial ventures start being successful and there becomes a bigger market for these rockets, the price will naturally come down a bit. That's why I think Excalibur Almaz, we're a little bit unique in that we don't look at our so-called competition with disdain, we want them to succeed and it needs to have more than one player. Even if we are successful, we couldn't handle the entire market ourselves.
I feel like a new person. I learned how to deal with people when I wasn't a football player. I always wondered how they'd react to me, if they'd respect me. I found out I have other attributes that I like-and that others like. The injury made me a lot more mature. I have a better grasp of reality in life. I'm more patient and giving. I'm a lot closer to my family and more team oriented. I'm so much stronger emotionally. I have proven to myself that I can overcome the most dreaded injury in football. It's almost like dying and realizing life has been given back to me. I can't wait to play.
Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!
You never have enough competition at any position, ... Several of the players listed at right wing have played center in the NHL, like Trevor Linden. Some can play both wings. I've been skating on a line with the Sedin twins. They are a lot more skilled than some people give them credit. Look at their point totals and they are right up there in their point-per-minute averages. My job will be to complement them and try to get our line to provide secondary scoring behind the big line of Naslund, Bertuzzi and Morrison. Those guys look good and I expect they'll be the top line in the NHL again.
My vision of being a professional, as opposed to being a football player before, has completely changed. Being a pro is doing everything right all the time. It sounds cliche, but if you apply that to strength training, if you apply that to a lot of body work, if you apply that to making good decisions, all the work I did on myself and all the time I spent with therapists and doctors and family, that was my mantra: "Do it right all the time." It started to build momentum, and it started to build up steam. Once I got the opportunity to come back and play, I just kept using that and it helped.
When I'm recording, which is synonymous with writing, I'll play things over and over again until it sounds like I've got the right guitar part. Whereas I think, as the much younger player I tended to do things much more consciously. I didn't wait for the moment where inspiration might strike. That's what I do now. I wait for it to naturally start to replay itself in my mind. As I say, I don't force it. So I like to think of myself as a receiver. I'm a telephone line to who knows where, but until I hear it through that receiver, I don't usually do it. It's got to start writing itself somehow.
If a betting game among a certain number of participants I played long enough, eventually one player will have all the money. If there is any skill involved, it will accelerate the process of concentrating all the stakes in a few hands. Something like this happens in the market. There is a persistent overall tendency for equity to flow from the many to the few. In the long run, the majority loses. The implication for the trader is that to win you have to act like the minority. If you bring normal human habits and tendencies to trading, you'll gravitate toward the majority and inevitably lose.
People have their own interests and they want to play a certain kind of music. People want to play in orchestras. They want to play on Broadway. Those that want to play traditional jazz and have no interests in the ideas of improvisation. So in spit of the fact that there are fifty violin players, you might only narrow it down to ten and within those ten, there might only be three who have the right kind of background and credentials to deal with what you need to deal with. Everybody's got their own special thing that they are after and a lot of times you don't have time to be training people.
But something magical happened to me when I went to Reardan. Overnight I became a good player. I suppose it had something to do with confidence. I mean, I'd always been the lowest Indian on the reservation totem pole - I wasn't expected to be good so I wasn't. But in Reardan, my coach and the other players wanted me to be good. They needed me to be good. They expected me to be good. And so I became good. I wanted to live up to the expectations. I guess that's what it comes down to. The power of expectations. And as they expected more of me, I expected more of myself, and it just grew and grew.
