Quotes of All Topics . Occasions . Authors
It's not easy, being the best at what he does but still having the humility and desire to be close to those around him. In private, Messi is a great leader, a great captain. Usually the best in any area see things differently but in this case Leo is still an ordinary person and that makes our relationship work. He's the leader of ARG, he has helped us to reach two finals in one year. I have great respect for Messi the person and player.
Yes, NFL players deserve to be paid well. Unfortunately, economic realities are forcing everyone to make tough choices and the NFL is no different. These are not easy negotiations, but the outcome can be positive. If both sides give a little, everyone, including fans, will get a lot and the game will improve through innovation. Even in difficult economic times, a new CBA presents us with the opportunity to secure the future of our game.
That's another great thing about Think Like a Man picture. The cast is predominantly African-American, but color is never really an issue in the film. It's rarely brought up since, at the end of the day, these guys are going through universal relationship issues that anybody can relate to. So, while the characters like "The non-committer," "The Player," and "The Dreamer" might be recognizable as common stereotypes, color isn't involved.
The trumpet player, Ronnie Hughes, has still got his chops today but for some strange reason the culture doesn't call him because he's 83-years-old. And these people are in their 70s and 80s and 90s and came with such verve every day and would still be shooting these 10 and 12 hour days. So, that in itself made this an extraordinarily special occasion for all of us. It wasn't a job for the crew after a few days, it took on another tone.
My first big mistake was made when, in a moment of weakness, I consented to learn the game; for a man who can frankly say "I do not play bridge" is allowed to go over in the corner and run the pianola by himself, while the poor neophyte, no matter how much he may protest that he isn't "at all a good player, in fact I'm perfectly rotten," is never believed, but dragged into a game where it is discovered, too late, that he spoke the truth.
He has an awareness of what's happening around him on the edge of the box which is better than most players. As a kid he always had a knack of arriving in the penalty area just at the right time, but he's proving just as effective from outside the box because he's using his experience in the right way. It doesn't matter who I am thinking about bringing into my midfield, Paul Scholes will be included, as he would in any side in the world.
The Wyoming game in 1974, my third year as head coach. My first year, we were 7-4; the second year, we went 5-6; the third year started out 0-3-1. Some of the players got together and had a team meeting to get a few things straightened out. Starting with the Wyoming game, we won 6 straight games and won our first conference championship, the second in BYU's history. We went to the Fiesta Bowl, the first of many bowl games for the Cougars.
It occurred to me, then, how nearly real life resembles the first rehearsal of a play. We are all of us stumbling through it, doing our best to say the proper lines and make the proper moves, but not quite comfortable yet in the parts we've been given. Still, like players who trust that -despite all evidence to the contrary- the whole mess will make sense eventually, we keep on going, hoping that somehow things will work out for the best.
When I used to be a contract player in 1954 at Universal, I wasn't getting good roles. I was getting one-liners, and then I'd be gone. But I'd hang around; I'd watch guys. And when I had days off, which was most days, I'd go down and watch other sets while they were shooting. Watch Joan Crawford or whomever. Just watch how they worked and how the director handled them. I didn't know anything about making movies, and there's a lot to learn.
A good way to work on alternate picking is to choose three or four notes, and work on those. Too often, players who are trying to improve their right hand dexterity get hung up by playing too many notes with the left hand.I hear a lot of players running whole scales from the sixth string to the first , and playing them really sloppy.Keeping it very basic-and using only a few notes-and playing slowly with perfect rhythm is a task in itself.
John McEnroe...was arguably the best serve-and-volley man of all time, but then McEnroe was an exception to pretty much every predictive norm there was. At his peak (say 1980 to 1984), he was the greatest tennis player who ever lived-the most talented, the most beautiful, the most tormented: a genius. For me, watching McEnroe don a blue polyester blazer and do stiff lame truistic color commentary for TV is like watching Faulkner do a Gap ad.
I attempt to create a world that hypnotizes me as I make it. I hope others can get lost in it in the same way, but to be honest, I don't care that much. It isn't like a basketball player is out on the court hoping that people like the game of basketball as the game goes on. If people don't see it, they don't see it. It is a fragile thing and most people recognize that and respect it. Even if for whatever reason, they don't like the painting.
Synthetic Worlds is a surprisingly profound book about the social, political, and economic issues arising from the emergence of vast multiplayer games on the Internet. What Castronova has realized is that these games, where players contribute considerable labor in exchange for things they value, are not merely like real economies, they are real economies, displaying inflation, fraud, Chinese sweatshops, and some surprising in-game innovations.
Every defensive end who is going to be picked in the first round is going to be a good pick for whoever they're chosen by, but if I had to tell you what sets me apart, that would be my desire and determination to get better. I know what I need to work on, I know my weaknesses, but I have that work ethic to improve every day. I have that want to be the best player at my position, and I have the belief in myself that one day that will come true.
The ability to walk in someone else's shoes, or in my case, play down in someone else's cleats is one of the very best things you can do. There's nobody in this world who doesn't have that voice in their head. Sometimes it's the best voice in the world, and it pumps you up, but sometimes the voice is down. I wanted my players to be able to hear my voice in their head instead of someone else's because I knew that was a narrative I could control.
You see, in sports you have so many things that aren't expected. There's so much uncertainty. So when players find themselves in a situation where management has a great deal of integrity and they can depend on my word or anybody else's word in the organization, they feel secure. And if the players feel secure, they don't want to leave here. And if they don't want to leave here, they're going to do everything they can on the court to stay here.
I was an ambassador for Betway during the Rugby World Cup and at the moment I'm working as an ambassador for Artemis Investment Management. I also organised the first Rugby Aid in 2015. We had celebrities playing rugby against former England team players and raised a ton of money for Rugby For Heroes [a charity for former servicemen and women]. Only one celeb got crunched quite badly - Jaime Laing from Made in Chelsea ended up with cracked ribs.
Actually it was easier than you'd think. We were the guys who had the opportunity to play for something. Only 26 players on the eight teams had that chance. We would wake up in the morning and have a reason to train. We are able to have four weeks to play at this level. Since the first day our policy was not to talk about the labor situation. Our goal was to win. We'll enjoy it for one night. Then the reality of the owners locking us out sets in.
What happened is I was going to college in 1950. L. A. City College. A guy I knew was going to an acting class on Thursday nights. He started telling me about all the good-lookin' chicks and said, "Why don't you go with me?" So I probably had some motivation beyond thoughts of being an actor. And sure enough, he was right. There were a lot of girls and not many guys. I said, "Yeah, they need me here." I wound up at Universal as a contract player.
We'll get a chance to go through this [Apple versus Microsoft debate] again in phones and music players. There's no chance that the iPhone is going to get any significant market share. No chance. It's a $500 subsidized item. They may make a lot of money. But if you actually take a look at the 1.3 billion phones that get sold, I'd prefer to have our software in 60% or 70% or 80% of them, than I would to have 2% or 3%, which is what Apple might get.
No great player blundered oftener than I done. I was champion of the world for twenty-eight years because I was twenty years ahead of my time. I played on certain principles, which neither Zukertort nor anyone else of his time understood. The players of today, such as Lasker, Tarrasch, Pillsbury, Schlechter and others have adopted my principles, and as is only natural, they have improved upon what I began, and that is the whole secret of the matter.
Playboys' was an authentic junkie record. Art Pepper was just out of jail, Chet was arrested a week after the session, and piano player Carl Perkins would die two years later. When the record was recorded I was behind bars myself. In 1955 I was caught with narcotics and had to serve almost five years. Luckily, I was allowed to keep my saxophone in the cell, and I composed a lot during the time. They had to come fetch the music for Playboys from jail.
Above all else, [Benny Goodman] was a great player, one of the greatest American music has produced. He brought his absolute talent and his invincible love of music to the fore every time he played. There are many other things connected to society and ethnicity that are often mentioned in a discussion of Benny Goodman but all of them are connected to his overwhelming affection for the art of the music and the fairness it should be allowed to express.
Both Arthur Ashe and Billie Jean King used these phrases ("playing out of one's mind," or "over one's head") to describe their performances while winning tghe finals at Wimbledon in 1975. . . . The player loses himself in the action, continually breaki g the false limits placed on is potential. Awareness becomes acutely heightened, while analysis, anxiety and self-conscious thought are compoletly forgotten. Enjoyment is at a peak - pure and unspoiled.
What I found interesting about Slava Fetisov was that he went through three different generations of Soviet hockey. In the late 70's, he experienced the Miracle on Ice, and then in the 80's became with his teammates the Russian Five, the most dominant team in the history of hockey, and then helped bring down the hockey system when the Soviet Union collapsed and became one of the first players to play in the NHL, and then ultimately came back to Russia.
You'd better get onto MI6. They'll be in charge of security at the airport." "Of course." Sir Graham moved toward the door. He stopped and turned around. "And what happens if you're wrong?" he inquired. "What happens if these soccer players do somehow get killed?" Kellner shrugged. "At least we'll know what we're dealing with," he said. "And they lost every single one of their games while they were in Nigeria. I'm sure we can put together another team.
Give all the credit in the world to Angelique Kerber - great, great talent. She's been in the top 10 for the last four years, and she's one of those players that just really had a difficult time, when the chips were on the table, to kind of bring them over. And this time, she did it. I'm really happy for her because these chances don't come for these other players. Serena Williams has got 21 grand slam champions. Angelique Kerber was in her first final.
An alloy of innocence and arrogance, young (Ted) Williams came to Boston when it had four morning and four evening local newspapers engaged in perpetual circulation wars. He became grist for their mills, and his wars with the sportswriters brought out the worst in him, and cost him. He won two Most Valuable Player Awards and finished second four times. Several of those times he would have won had he not had such poisonous relations with the voting press.
The literary game is the abyss of human society itself: interactive, playful and tragic. We can't live alone. For me, Robinson [Crusoe] is either a false myth or else he represents the denial of human society. We can't play by ourselves. In literature, it's even more complicated, because one has to play with an indeterminate number of players simultaneously and every game is different. The other player can abandon your game at any time...to go play chess.
At eight o'clock the curtain goes up and that's it, you're out there with yourself, the audience, the other players. There's no "take two" business. You're on. The great thing is the rehearsals, too. When you're bouncing around on film sets and TV sets you don't really get the opportunity to - generally speaking - rehearse much. With theater you're kind of four-to-five weeks locked down in the room with the guys figuring stuff out. It's back to play school.
I wanted to see if I could create something that is emotional between people. Existing games are about killing each other or killing something together. The idea of social emotion means people need to share feelings. At that moment, the players are in sync. The problem [with many games] is there's no chance to share emotion. Most of them are busy, [there are] explosions everywhere. So we got rid of all the background noise and we had to get rid of the guns.
You can talk about strategy all you want, but what really matters is resilience. On the last nine holes of the Masters or the Open, there's going to come at least one point when you want to throw yourself in the nearest trash can and disappear. You know you can't hide. It's like you're walking down the fairway naked. The gallery knows what you've done, every other player knows and worst of all, you know. That's when you find out if you're a real competitor.
We measure areas of performance that are often ignored: jumping in pursuit of every rebound even if you don't get it, swatting at every pass, diving for loose balls, letting someone smash into you in order to draw the foul. These 'effort' statistics are also stored on computer. Effort is what ultimately separates journeyman players from impact players. Knowing how well a player executes all these little things is the key to unlocking career-best performances.
The great thing about [Michael] Jordan was that he made them want it just like he wanted it. And a lot of times like a lot of the basketball players, not to be getting on basketball, but, with a lot of the basketball players you might have one superstar on the team, and they're not willing to play up to par with the way he is, so they don't make it. But then you have some celebrities on the basketball team, and they don't know how to get along with each other!
I want to be top scorer in the Premier League, top scorer at the World Cup and, within five years, I want to be among the best strikers in the world. Trust me, it will happen. I look around at other players, I see my own ability and I can't see anything that tells me it won't happen, I'm sure people will think 'What is he talking about?' But as I have done before, and as I will do again, I will sit at the other end and laugh at those people when it is all done.
We have entered a new and different world-richly interconnected and radically multicentric-in which the traditional holders of power have to move over and make room for new stakeholders, new players, and new leaders of many kinds. Nobody in Charge, drawing on the learnings of a wise and widely experienced public executive, offers some priceless insights into how things have changed, where they are now, and where we may be going next in this bewildering terrain.
Russell... I love you. I thank you so much man. You made me better. You know, Your work ethic. I always wanted to compete with you. I always wanted to pull up into the parking lot of the practice facility, And if you beat me there, I was always upset. I always wanted to outwork you. And you set the bar. You set the tone. And thank you so much man. Thank you. You had a big piece of this MVP trophy. You're an MVP caliber player It's a blessing to play with you man.
To play chess on a truly high level requires a constant stream of exact, informed decisions, made in real time and under pressure from your opponent. What's more, it requires a synthesis of some very different virtues, all of which are necessary to good decisions: calculatioñ, creativity and a desire for results. If you ask a Grandmaster, an artist and a computer scientist what makes a good chess player, you'll get a glimpse of these different strengths in action.
The most important thing for me when I wrote [Origins] was that at the end even if Morrigan loved the player, she had this thing that she believed in, that was so important that she would do it regardless of the player. And I think that a lot of players expected that she would bend herself to do whatever they wanted because they've done the romance, gotten her approval up, and of course she would just sort of follow their destiny. But Morrigan has her own destiny.
Confine yourself to observing and you always miss the point of your life. The object can be stated this way: Live the best life you can. Life is a game whose rules you learn if you leap into it and play it to the hilt. Otherwise, you are caught off balance, continually surprised by the shifting play. Non-players often whine and complain that luck always passes them by. They refuse to see that they can create some of their own luck. Darwi Odrade - Chapterhouse: Dune
One curve I'll always remember was when I was pitching for Pittsburgh. Terry Kennedy was a young player with St. Louis. I threw him an 0-2 curve and it snapped. Terry's reaction was to swing straight down, like he was chopping the plate with an axe. It was the last out of the inning. After I ran off the mound, I looked over at the St. Louis dugout. There were players rolling around on the floor, laughing. Poor Terry. I'll have to admit that was a hell of a curveball.
I feel confident that we will have a beginning, middle and end, in this season, and it was wise of NBC to then call it what it really is, which is a mini-series. "24" is a really good example, in that there was a definitive beginning, middle and end for the first season. They had a slightly different format than we have, but the second season just retained Jack Bauer and a few other players, with the same basic format and idea, but it was a completely different show.
I remember every player-every single one-who wore the Tennessee orange, a shade that our rivals hate, a bold, aggravating color that you can usually find on a roadside crew, "or in a correctional institution," as my friend Wendy Larry jokes. But to us the color is a flag of pride, because it identifies us as Lady Vols and therefore as women of an unmistakable type. Fighters. I remember how many of them fought for a better life for themselves. I just met them halfway.
I love the introduction of international managers and players into the Premier League. However Manchester United's principles through their history had always been: they will appoint a British manager, there will always promote youth, they will always play a certain style of football, they will always look to entertain. So to me the idea of appointing a British manager, David Moyes, appointing somebody who deserved that opportunity to step up, was the right principle.
I think the part that people get confused is that when you come in National Football League at a young age, they tell you to try to look for other things to do, and be ready for everything else in your life just in case. But as soon as you have a bunch of success, they think that's the only thing you can do, that you can only be a football player. I think God has gifted me with so many other things other than just football, and that's what I want to bring to the world.
People said that video games were bad because they made you numb to death, made you register entrails splattering across a screen as a sign of success. In that moment, Val thought that the real problem with games was that the player was suppossed to try everything. If there was a cave, you went in it. If there was a mysterious stranger, you talked to him. If there was a map, you followed it. But in games, you had a hundred million billion lives and Val only had this one.
I'm not sure Mario is going to get accolafes he deserves, especially from outside the game. But from within, the players, the people who follow closely, realize exactly what he's broughtto the table, exactly what he has done. People tend to forget... hockey was dying in Pittsburgh before he got there. I played there. It was almost dead. I'm sorry, but the NHL would not have a franchise in Pittsburgh today had Mario not come along. Think about it, no hockey in Pittsburgh.
Basically, you're still sitting there using just the muscles of your hand, really. Of one hand, actually. It's another example of the transfer of literacy to making music because the assumption is that everything important is happening in your head; the muscles are there simply to serve the head. But that isn't how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They're using their whole body to make music, in fact.
A very strong player can manage and can just know how to manage a thousand positions. I get it; it's a very arbitrary number. So then you have the world champion who could do more. But, again, any increase in numbers creates, sort of, a new level of playing. And then you go to the very top, and the difference is so minimal, but it does exist. So even a few players who never became world champion, like Vassily Ivanchuk, for instance, I think they belong to the same category.
Will any club dominate again? Are any club set up to dominate again? When you look at the clubs that have dominated they've usually got a core five, six or seven players who can stay there for 10 to 15 years. There is a continuity with the management. I'm not quite sure at the moment that I'm seeing the decision making at any of the top clubs to be able to suggest that domination is actually achievable again. Maybe in the future, but I'm not quite sure it'll happen very soon.