Quotes of All Topics . Occasions . Authors
Don't terrorize. Organize. Don't burn. Give kids a chance to learn . . . The real answer to race problems in this country is education. Not burning and killing. Be ready. Be qualified. Own something. Be somebody. That's Black Power.
Kids who are in school just visit life sometimes, and then they have to stop to do homework or go to sleep early or get to school on time. They're constantly reminded they are preparing 'for real life,' while being isolated from it.
There is a need for expertise, for real expertise. I'm not doing much to help that cause, but I think we can find the healthy balance between intellectualism and anti-intellectualism. Jocks and nerds may come together, I believe it.
It is the trained, living human soul, cultivated and strengthened by long study and thought, that breathes the real breath of life into boys and girls and makes them human, whether they be black or white, Greek, Russian or American.
Basically you come up with the fictional idea and you start writing that story, but then in order to write it and to make it seem real, you sometimes put your own memories in. Even if it's a character that's very different from you.
At thirty I lived in a world where death wasn't immediately real; it was always something "out there." My deeply held illusions of immortality - a product of my very conservative religious upbringing - were still pretty much intact.
Not only is bowhunting fun and a real challenge, but it's good for you. The exercise in the fresh air, the chance to get away from everyday pressures and problems, a return to the basic relationships between man and his environment.
Science will...produce the data..., but never the full meaning. For perceiving real significance, we shall need...most of all the brains of poets, [and] also those of artists, musicians, philosophers, historians, writers in general.
[While] my life started taking on all the problems of addiction. So that took me off into an area where relationships were absolutely impossible to handle on any real level. . . . Even communicating with other people was impossible.
My fiance and I had a few problems working through some of the things that he saw me say and do on the 'Surreal Life.' Considering the company that I was in, Ron Jeremy and Trishelle from 'The Real World,' I think I was pretty tame.
Your image as a model is your currency. That's the only thing you've got. No one cares what you look like in real life. Nobody is going to say the make up guy was terrible. They will say, you look awful and let's not book her again.
I write about what I know and what I've experienced. That's the only way it can be real to me. I love songwriting. There is something so satisfying in coming up with an idea and turning it into a song that means something to people.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
It's kind of a unique concept, but it's totally real, isn't it? ... I mean, these paramedics put themselves in incredibly stressful situations, are killing themselves to save our lives and they're not really regarded or appreciated.
No one of the characters in my novels has originated, so far as I know, in real life. If anything, the contrary was the case: persons playing a part in my life--the first twenty years of it--had about them something semi-fictitious.
My objection to supernatural beliefs is precisely that they miserably fail to do justice to the sublime grandeur of the real world. They represent a narrowing-down from reality, an impoverishment of what the real world has to offer.
You don't expect everyone out there watching to believe that this cartoon is real, that this drawing has really come to life. But on some level, you do. You try to cast a spell. You want the world to feel real. It's a nerdy pursuit.
I think that public grieving is a good thing. People need to be grieved; loss needs to be acknowledged publicly, because it helps to confer a sense of reality on the loss but also because it makes it known that this was a real life.
There's lots of incredible roles out there that I'd love to tackle, but there's a select group of actors I find myself gravitating towards, like Philip Seymour Hoffman or Sean Penn or Daniel Day-Lewis - real transformational actors.
Nothing can be more real, or concern us more, than our own sentiments of pleasure and uneasiness; and if these be favourable to virtue and unfavourable to vice, no more can be requisite to the regulation of our conduct and behavior.
I guess from my perspective, puppy love is more of an emotional crush or a platonic affection. So my best advice would probably be to be the big dog. If you want something real and lasting, slow down and look more for grown-up love.
The real estate agent had to go door-to-door in the apartment building we wanted to rent, asking if it was OK for this interracial family - my mom is white and I was a 1-year-old half-African kid - to live in the apartment building.
The truth is I love being alive. And I love feeling free. So if I can't have those things then I feel like a caged animal and I'd rather not be in a cage. I'd rather be dead. And it's real simple. And I think it's not that uncommon.
You know I've been in these tabloids for years now. And at some point you just become a Zen master of it all. Most of these stories, you get probably 2 percent real fruit juice and the rest is just garbage with no nutritional value.
For me, my lack of patience in real life - I have always had very little patience. It's been very much my downfall in life. But having a child puts it in perspective. Very quickly you're like, "Oh, I need to learn what patience is."
I return to problems i can't solve, not because i am an idiot, but because the real problems can't be solved. The universe is expanding. The more we see, the more we discover there is to see. Always a new beginning, a different end.
I know that people who have been closely involved with my work for many years are terrified of having to answer to someone else, someone who is not me, and that it won't be me to help them in their problems. This is my real problem.
It took us two years to get our first real gig. That was a big dream. We ended up booking a lot of our own gigs and putting on a lot of our own shows. We were trying to get our actual music across, trying to make a connection there.
The timing of comedy is so difficult. You've got to leave room for a laugh, you don't want to kill the laugh, but on film, you can't just suddenly stop for a laugh and then carry on. So, I think it's a real art form, comedy on film.
I was interested in the kicks and the punches. I felt like I could utilize that in my real life, and not just in fake land. I've always done yoga for my breathing, and hiking for my mind, but I was also exercising, at the same time.
The most distinguishing element of my novels is that I try as hard as I can - within the context of a popular commercial thriller - to make them feel authentic. Drawing on real locations and real events is part of that authenticity.
I had tried to go to college, and I didn't really fit in. I went to a real narrow-minded school where people gave me a lot of trouble, and I was hounded off the campus - I just looked different and acted different, so I left school.
I used to be a real prince charming if I went on a date with a girl. But then I'd get to where I was likely to have a stroke from the stress of keeping up my act. I've since learned the key to a good date is to pay attention on her.
I wrote my first real murder story as a journalist for the Daytona Beach News Journal in 1980. It was about a body found in the woods. Later, the murder was linked to a serial killer who was later caught and executed for his crimes.
I remembered that the real world was wide, and that a varied field of hopes and fears, of sensations and excitments, awaited those who had the courage to go forth into it's expanse, to seek real knowledge of life amidst it's perils.
It seemed to travel with her, to sweep her aloft in the power of song, so that she was moving in glory among the stars, and for a moment she, too, felt that the words Darkness and Light had no meaning, and only this melody was real.
I like to have a spray bottle filled with apple juice to spray onto my meat. Whether it's pork, chicken, or beef, it adds flavor. Also, it helps keep your meat a real golden mahogany-looking color and prevents it from turning black.
I believe every act of violence is also a message that needs to be understood. Violence should not be answered just by greater violence but by real understanding. We must ask: 'Where is the violence coming from? What is its meaning?
Idiots are not responsible for what they do. The real guilt falls on rational people who sit on their hands while morons run wild. You can opt out if you want to. Play it safe. But if you do, don't complain when the roof comes down.
... the death of the spirit which threatens every man unless he is conscious of the danger and has a real purpose which can keep it alive and enable it to thrust its way through the choking weeds and thorns to the air and to the sun
I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?
I want to be a force for real good. In other words. I know that there are bad forces, forces that bring suffering to others and misery to the world, but I want to be the opposite force. I want to be the force which is truly for good.
I am almost a real girl the entire drive home. I went to a diner. I drank hot chocolate and ate french fries. Talked to a guy for a while. Laughed a couple of times. A little like ice-skating for the first time, wobbly, but I did it.
Money is becoming increasingly plastic and digital. If there is a major disaster, let's say an asteroid strike, we'll go back to trading meats and furs. We won't need an abstraction, a dollar bill, but real tangible goods to survive.
I lied about serving in Vietnam, and I'm sorry. I did not mean to take away from the actions and the sacrifices of the ones who did really serve there... I did steal valor. That was very wrong of me. There is no real excuse for that.
I always think there's our age in ID terms but then there's our real age because for me the real age is not the age on your ID. That's just a date when you were born. The real age, the real ID is your body, your brain, your attitude.
I just love real characters; they're not pretentious, and every emotion is on the surface, they're regular working people. Their likes, their dislikes, their loves, their hates, their passions; they're all right there on the surface.
Aesthetics has become too important to be left to the aesthetes. To succeed, hard-nosed engineers, real estate developers, and MBAs must take aesthetic communication, and aesthetic pleasure, seriously. We, their customers, demand it.
In real life, bad things happen and they're not funny, and then bad things happen and they can be funny. When you're unhappy you don't go an entire time without laughing. You don't go your whole life without laughing. It's just life.
Noise has taken the place of punk rock. People who play noise have no real aspirations to being part of the mainstream culture. Punk has been co-opted, and this subterranean noise music and the avant-garde folk scene have replaced it