The person is a mystery. What I'm playing is the person so I really get to tell you and show you and communicate to you who I think the real person is and that real person is me. The most important thing is to play the human being you are creating, which is my job.

I must admit that the existence of Disneyland (which I know is real) proves that we are not living in Judaea in 50 AD. . . . Saint Paul would never go near Disneyland. Only children, tourists, and visiting Soviet high officials ever go to Disneyland. Saints do not.

There are nuclear weapons in China, Iran, Korea and Pakistan. It wouldn't take much to send a couple of warheads off on this planet somewhere that would cause a lot of environmental damage, then if you have got someone who wants to retaliate you have real problems.

There are three kinds of friends in the world. An ordinary person sees only who you are; for that you don't need a friend. Then there's a friend who sees in you what you can be. And then there's the real holy Friend, and the presence of this Friend you are already.

I've always been in school plays and performing monologues and taking drama. Now I'm in acting clas-ses. I do it the real way. I want to be a working actor. I would love that. I just like being on a series and having a script, and I want that to be my nine-to-five.

The less you feel and the more firmly you believe, the more praiseworthy is your faith and the more it will be esteemed and appreciated; for real faith is much more than a mere opinion of man. In it we have true knowledge: in truth, we lack nothing save true faith.

I try to imagine keeping something like that a secret for my whole life. It would be like always wearing a mask over your face, which everyone believed was the real you. You would be the only person who knew it wasn't--and who knew that you could never take it off.

These 'free' applications ask for permission to read your emails, your text messages, listen to your phone calls, record video from your phone. Why else would someone spend millions developing an application which they then give away? Kind-hearted, maybe? Get real.

I was writing very early, like I was involved in our high school literary magazine, which was called 'Pariah.' The football team was the Bears, and the literary magazine was 'Pariah.' It was great. It was definitely a real sub-culture. But I wrote stories for them.

We call that person who has lost his father, an orphan; and a widower that man who has lost his wife. But that man who has known the immense unhappiness of losing a friend, by what name do we call him? Here every language is silent and holds its peace in impotence.

Really, Sage? A date?” I sighed. “Yes, Adrian. A date.” “A real date. Not, like, doing homework together,” he added. “I mean like where you go out to a movie or something. And a movie that’s not part of a school assignment. Or about something boring.” “A real date.

I loved Hank Kingsley. He was very real to me. There was just something about that character. I really believed him. I didn't think he was a buffoon. I understood the inner workings of him, so I sort of felt sorry for him, the poor guy. He was very important to me.

Sometimes one touches on a very painful spot where one is almost too shy to look into it, but somehow one still has to go through it. And by going into it, one finally achieves a real command of oneself. One gains a thorough knowledge of oneself for the first time.

Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself.

A lot of times when you keep it real with somebody, you can't expect them to keep it real with you. In this industry people just want to be famous and they forget how to keep it real and they forget to give credit to the people who helped them get to where they at.

Until now I believed that the nation that has done most to sabotage a new climate change agreement was the United States. I was wrong. The real villain is Canada. Unless we can stop it, the harm done by Canada in December 2009 will outweigh a century of good works.

For me becoming a filmmaker was about taking back my voice - crafting stories that would move away from the problematic narratives that the studio system would put out about Latinos. I think this is why people like my films. They're refreshing. They feel more real.

...to be a poet, requires a mythology of the self. The self described is the poet self, to which the daily self (and others) are often ruthlessly sacrificed. The poet self is the real self, the other one is the carrier; and when the poet self dies, the person dies.

What's compelling about the story and what's very honest about the story is that it's very real and it's happening. There are 200,000 women in active duty, and over 40% of them are moms. This experience is shared by thousands of women, and no one is right or wrong.

It was just cool to see my friends so inspired, and I'm by no means the biggest rapper in the world, but I'm on my way up. I feel like I'm going to keep going and delivering good music every time. It was cool to show people that it's real to do what you want to do.

The library was like a second home. Or maybe more like a real home, more than the place I lived in. By going every day I got to know all the lady librarians who worked there. They knew my name and always said hi. I was painfully shy, though, and could barely reply.

The big lesson of Reagan is: To think that he was some sort of simple figurehead and didn't do the thinking and simply read a script in front of him woefully underestimates him. Ronald Reagan was an extremely intelligent person with a real V8 engine under his hood.

I have arrived more definitely than any other painter during his lifetime; honours shower upon me from every side; artists pay me compliments on my work; there are many people to whom my position must seem enviable ... But I don't seem to have a single real friend!

There's a difference between hot women and beautiful women. Hot women are everywhere; they abound. They are beautified, not beautiful. Beautiful women, on the other hand, are rare and a real mystery. Hotness speaks to our impulses. Beauty speaks to our imagination.

In a lifestyle where there are no boundaries, it becomes a challenge to find one's true self. If everything comes easily, there is no way to establish worth. And if nothing has real value, then there is no way to gauge satisfaction or accomplishment or contentment.

A filmmaker has to have great vision in order to tell a compelling story that is both distinctive and stylistic. I remember playing all movies in my head hundreds of times before they were ever made. You have to see it in your imagination. It has to be real to you.

Of course, the whole Andy Kaufman angle was classic. I'm real proud of that. I mean that is something people are still talking about 20 years later, making movies about and that sort of thing. I mean not a day goes by that someone doesn't mention Andy Kaufman to me

They say you never know who's the real hero and who's the real coward until you're looking death in the face. I've always been afraid of plenty of things, but fear isn't what makes you a coward. It's how depraved your heart becomes when fear gets pumped through it.

People around me die. They drop like flies. I've gone through life leaving a trail of dead bodies behind me. My mother is dead, my guardian is dead, my aunt is dead—because I killed her, and when my real father finds me, he'll move heaven and earth to make me dead.

Life in a small town is like an intricately plotted novel, and even though I had read every book in the public library by the time I was fourteen, I found the real people around me saying and doing far more interesting things than did the imaginary book characters.

I'm not the kind of writer that can wake up and say, "Okay, I'm gonna write a song today," and have that song be the kind I would want to record. The songs of mine that I end up liking are songs that come from real experience. They're like chapter titles in my life.

Some philosophers think that the idea of a consequentialist virtue theory is strange, but the real strength of consequentialism is that it can emulate the requirements of other moral theories when it is the case that acting on those theories would improve the world.

The story of the Baudelaires takes place in a very real world, where some people are laughed at just because they have something wrong with them, and where children can find themselves all alone in the world, struggling to understand the mystery that surrounds them.

The hard work, you discover over the years, is in learning to discern between correct and incorrect anxiety, between the anxiety that's trying to warn you about a real danger and the anxiety that's nothing more than a lying, sadistic, unrepentant bully in your head.

The real weakness of England lies, not in incomplete armaments or unfortified coasts, not in the poverty that creeps through sunless lanes, or the drunkenness that brawls in loathsome courts, but simply in the fact that her ideals are emotional and not intellectual.

I'm a novelist, and idle speculation is what novelists do. How odd to spend one's life trying to pretend that non-existent people are real: though no odder, I suppose, than what government bureaucrats do, which is trying to pretend that real people are non-existent.

You can't get at the thing itself, the real nature of the sitter, by stripping away the surface. You can only get beyond the surface by working with the surface. All that you can do is manipulate that surface - gesture, costume, expression - radically and correctly.

You create a world away from home and make new rooms for yourself. But when you arrive back home in your old rooms, the world you've made for yourself ceases to be real. Everything seems to crumble. Anyone who's been sent away to boarding school can understand that.

[Rosa Louise] Parks used to say, "Everybody looks at me because I sat down once in Montgomery, but the real hero is a woman named Septima Clark."She created the Citizenship Schools [where civil-rights activists taught basic literacy and political education classes].

For personal reasons, I do not browse the web from my computer. (I also have not net connection much of the time.) To look at page I send mail to a demon which runs wget and mails the page back to me. It is very efficient use of my time, but it is slow in real time.

With 'Hip-Hop Saved My Life,' I attempted to make 'Kick, Push,' but for rappers. To give a real basic play-by-play of the life of a rapper before he makes it - if he ever makes it, because you can get stuck in that and be trying to make it for the rest of your life.

The decision to leave [the church] is you're giving up everything you've worked for your whole life. I feel that people need to understand this has been my whole life. As time goes on, you start to lose touch with the real world. The mindset becomes us against them.

For years and years you enter into samadhi every day in order to attain liberation. Eternity fashions a new self which you find yourself with when you come out of samadhi. Each time you come out a little less, you might say, or your real self comes out a little more

I think it's critically important that the people who have been most harmed by mass incarceration, by mass deportation, by neoliberalism, by all of it, not only have a voice in crafting these platforms but emerge and are supported as real leaders in these movements.

I think that there is a real beauty to the live aspect of the theater, and the working with a director for a month on a script in the isolation of a room and really deeply delving into who are these people, what is the story we're telling, how do we want to tell it?

I remember having to hit a mark and having no idea how to do it, real childlike stuff, because Carnegie Mellon didn't do an extensive job preparing us for film and television. It was very much a theater program. That was my first job. It was cool. I was glad it was.

There's only one requirement of any of us, and that is to be courageous. Because courage, as you might know, defines all other human behavior. And, I believe - because I've done a little of this myself - pretending to be courageous is just as good as the real thing.

I like to write about people who are real and likeable. I like to write about people who tell their stories in that close and intimate voice we use with best friends. I love the closeness and honesty and vulnerability that come from characters who can talk that way.

Your school may have done away with winners and losers, but life HAS NOT. In some schools they have abolished failing grades and they'll give you as MANY TIMES as you want to get the right answer. This doesn't bear the slightest resemblance to ANYTHING in real life.

I think I have quite traditional views on original sin, grace, and the real but difficult nature of we humans being able to learn something true about being human that we didn't know before. And yet the consequences of this traditional view are really quite radical.

Share This Page