Quotes of All Topics . Occasions . Authors
I started my own record label.
I made this record without a record label.
I just have so much love for my record label.
I don't get involved in record label politics.
I did my first album with my own record label.
I certainly don't want to be a record label guy.
I bring in the record label who distributes the music.
After we wrote The Wreckoning, our record label did listen.
I feel like some artists need a record label, and some don't.
Ever since I was a little kid, I wanted to start a record label.
When you're 17 and a record label says, 'Hey, do pop,' you listen.
We have meetings with our record label to tell them how to market us.
I miss how a record label can help spread the word that you have something out.
My favorite record label of all time is Motown. That era of music was my favorite.
Singing is my favorite thing to do. One day, I hope to get signed to a record label.
My record label is treating me like I'm a new artist, which is exciting after all this time.
I'm developing artists for my new record label, my son's band, Intangible, being one of them.
The record label used to try and make us do stuff, like dance, and we'd say, nah, not doing that.
I've made sure that in any situation and with any record label, I'm allowed to write my own music.
You can now be a master of your own destiny. I'm not sure why you would sign up with a record label.
If a new artist comes, and he doesn't have a good record label to invest in him, then there is no point.
I want to have a publishing company and a record label, and I want to manage five artists... eventually.
At 18, I finally came into a relationship with a record label. My family got back on its feet. I was happy.
John Peel made his reputation with his radio show and his record label, Dandelion, by championing the underdog.
I was signed to a record label at the same time as my friend Elliot Murphy, who makes great records to this day.
Leaving your old record label doesn't have to be a stall in your career. It's like new life being breathed into it.
I've never conformed to what my record label has said and, yes, that has meant that it's been a long journey for me.
You can be more creative when you're not feeling like a slave. When you're on a record label, they have you like that.
I wanted to play in bands and get signed by a record label and tour the world and stuff, but that never really worked out.
We were all friends who formed a band. We weren't auditioned or put together by a record label, management company or TV show.
I've started my own record label - Jeepney Music - and I want to put out my own stuff and also stuff by other Filipino artists.
Back in the day, if someone at the record label didn't care or like your music, it never got to the public. It just got shelved.
I'd done recordings, little demos, since I was in college, which I used to get gigs. But I never thought I'd have a record label.
We believe that the Internet is the live concert promoters best friend although it might have crippled the record label business.
I'm from Israel, so America has no limits. I started a record label, and then I started managing other artists, like Liza Minelli.
Heath Ledger was supposed to put our album on what would have been a new record label. I still feel a little dead after losing him.
All of my songwriting success happened within a four month time span, and my record label deal happened within the next three months.
I figured it out at a young age: I could meet as many young people online and try to form my own family or my own record label group.
When I got my first email from a record label, I decided I didn't want to go in with just one song, so I sat down and kept on writing.
I used to be brave. In the past, I've opened a restaurant, had a record label, had my daughter and it was go, go, go with all of these.
Being in a band is very much like a startup. You start in a garage. You hope to get interest from investors, like a major record label.
I got out of the business because I went from being the biggest artist on my record label to someone they didn't even want to have around.
I'm lucky enough to exist in 2018, where I have a record label that's like, 'Write whatever you want to write.' I don't have to hide anything.
I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry,'
I think I'm a living embodiment of, 'Don't try to push me around or squash me,' whether its how I talk to a record label or in my relationships.
I hate how I've had the mantle set on my shoulders as being against the record label. We've had some issues, but that is the nature of business.
My allegiance was always to the act. I wanted them to be happy. I wasn't owned by a magazine or a record label. And I was a very naughty boy to boot!
At my second record label, they told me and other female artists that some of us were going on the chopping block. I was 19... and it was devastating.
My style when I was 17 was very low-key with jeans, T-shirts, and Converse. I was signed to a major record label by then, so I had stylists helping me.
If I was rich enough, I would love to launch my own record label. I would love to try and give all my musically talented friends a start in the industry.