I always dress up for recordings.

I like to stay home and listen to recordings.

The best live recordings capture elements of surprise onstage.

I used to think that all great recordings happened at about 3 A.M.

I rarely get the time to watch cricket as I am busy with recordings.

I work like every journalist works so I have recordings, I have notes.

I'm very aware of what, say, electric guitar recordings in the '60s sounded like.

I played cello on my early recordings, but that doesn't mean I'm a cellist, you know?

We played with AC/DC. There are actual recordings of us doing 'Johnny B Good' together.

The whole time I was with 'The Temptations', I was accumulating my own solo recordings.

Never have so many recordings of the great Masses and motets been in wider circulation.

I try and manufacture recordings to sound spontaneous. Then, some things are spontaneous.

I realized I liked being in the studio and working on translating the ideas into recordings.

The career high would be putting out a Kids of Widney High CD on my label, Ipecac Recordings.

DUST includes rarities, demos, unreleased songs and instrumentals, live recordings, and more.

I learnt from Armstrong on the early recordings that you never sang a song the same way twice.

I've certainly developed as a vocalist. I find my early recordings very difficult to listen to.

I love hearing old Bob Marley recordings that he did before he made the versions everybody knows.

I don't listen to recordings of my songs. I don't avoid it, I just don't go out of my way to do it.

'Your Dog' I tried to re-record at my house, like, four times after the studio recordings were done.

We never got anything out of the recordings. I'm still as broke as I was when I was with the Mothers.

I enjoy albums, not a song here and there. The recordings I like have been a soundtrack to a universe.

I'm always on the prowl for the kinds of recordings that can inspire and potentially make a difference.

I'm very conscious of the fact that I devoted my life to recording music, recordings and writing songs.

I finished the recordings I had started with Eleven. Matt Cameron joined for the rest of those sessions.

I met Rick Rubin through Cat Collins, a DJ friend of mine that had worked for Rubin at American Recordings.

I listen to archival and historic recordings. I love watching singers. I learned a lot from watching videos.

A lot of times good, pristine recordings prevent the listener from getting emotionally involved in the music.

I got more used to my own voice, but still it's hard for me to listen to my own voice, or hear the recordings.

If I think about the way I was drawn into the music, it was much more by recordings than by live performances.

I still don't have a car. I still travel by public transport. I take autos to travel to and fro for recordings.

I'll go through the budgets for tours and recordings, royalty statements... You have to wise up about it a bit more.

I really write at home on my own, and the demos themselves are very similar to the final recordings in a lots of ways.

I've come to realize that you live on through recordings; they're like a musical diary, a window into somebody's soul.

Movie stars and singers never fully pass away because their images are replayed on film and recordings, over and over.

Throughout college I was getting better and better at making recordings, producing songs, making different kinds of beats.

I like to collaborate with other people for studio recordings because I believe collaboration, in any form, makes music better.

The government paid the family of Richard Nixon $18 million for papers, tape recordings and other materials seized after Watergate.

There are a bunch of songs that I think are beautiful recordings, and I'm proud of them, but I've no interest in listening to them.

You just go where poetry is, whether it's in your heart or your mind or in books or in places where there's live poetry or recordings.

As a kid, I was obsessed with Broadway cast recordings, and I would totally mimic and memorize every little choice that these actors made.

Performing is a thing in itself, a distinct skill, different from making recordings. And for those who can do it, it's a way to make a living.

Before there were any sort of 'recordings' there was performance. If we are devolved back to the Stone Age tomorrow, there will be performance.

To me, dance is so ethereal and elusive, so much of an illusion. After a performance, that's it. With vocals and music, you have good recordings.

My dad documented my whole life on video and there are so many recordings of my sister and I dancing and singing along to Michael Jackson's music.

When recordings replaced concerts as the dominant mode of hearing music, our conception of the nature of performance and of music itself was altered.

Well, in the sense that we do not tour or record together anymore - then I suppose not. But if our old recordings get heard more we shall be delighted.

I was a beginner again. I practiced hard and used to listen very closely to recordings of American jazz drummers such as Tony Williams and Kenny Clarke.

I was really close to being this guy who used to be in this band who is still playing and trying to get some recordings together, but I got really lucky.

I've loved Alfred Cortot's playing from an early age, and I never tire of hearing his recordings, particularly Chopin and Schumann from the 1920s and '30s.

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