Yes, and for the record, he thinks you’re insane, too. (Otto) Oh, goodie. But I guess that’s only fair since I think he’s psychotic. (Susan)

I honestly do think that it is critical that we are continuously breaking records, because that represents us moving forward in exploration.

Personally, I like records that are very varied in sound. Not just like, 'Oh, here's 12 super heavy tracks,' and they're all the same tempo.

I have a huge record and cd collection of all kinds of great classical, jazz and all music but I find the internet very accessible and quick.

My heart is still there in gospel music. It never left . . . I'm gonna make a gospel record and tell Jesus I cannot bear these burdens alone.

This very expensive GLOBAL WARMING bullshit has got to stop. Our planet is freezing, record low temps,and our GW scientists are stuck in ice.

Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles.

Looking back on the production of 'Nevermind,' I'm embarrassed by it now.' It's closer to a Motley Crue record than it is a punk rock record.

I wasted my substance, I know I did, on riotous living, so I did, but there's nothing on record to show I did more than my betters have done.

I signed Jay-Z because he was on fire. I wasn't a genius. The record was great. I put it on The Nutty Professor soundtrack and we signed him.

Today a record producer is even more involved and is often the production's sole musician, one person playing all the instruments one-by-one.

What is normally called religion is what I would tend to call music - participating in music, listening to music, making records and singing.

I can walk into Tower Records, go get my box set, take out my Steve Miller credit card, and the clerk will look at me and go, 'Thanks, next.'

Live records of mine are very painful to listen to because you always think you can do it better. I don't think I have a single favorite one.

In 1940 I came across a record by Jimmy Yancey. I can't say how important that record is. From then on, all I wanted to do was play the blues.

When I first started in rock, I had a big guy's audience for my early records. I had a very straight image, particularly through the mid '80s.

If you listen to old Jerry Lee Lewis records, he'll always - about nine times out of 10 have the lyrics different than the original record is.

I'd love to do a live record, I'd love to do an acoustic record, I'm already thinking about what I may want to do with the next studio record.

When I'm standing at the Pearly Gates, I want to say to God, 'Don't look at the records. Look at my family. I'm much prouder about that part.'

The story of 'Lasers' is my story. I didn't have to look too far to get subject matter for this record; it was stuff that was happening to me.

I have my own record company. I have to answer to God, basically. I'm not young, so I want to make the best possible work I can before I exit.

Ten years into it, I can finally go, 'Oh, I just want to make a record that's fun to make and I don't have to prove that I deserve to be here.

Criticism didn't really stop us and it shouldn't ever stop anyone, because critics are only the people who can't get a record deal themselves.

Performing was the natural thing originally and the rest of it [records and so on] is just like offshoots of that. That's how I see it anyway.

Yeah; I'm a much better blues player than anybody knows, but being in the kind of group I'm in, we were always trying to make popular records.

Really the only thing holding a lot of records together is the personality of the singer, and the will to write all of these different things.

It's a thanksgiving to God. It's something I have wanted to do for a long time, but the record company wasn't ready for it. So I did it myself.

I was free from fear for the first time ever while making the music. Fear's job is to distract us from the truth. There's no fear on my record.

You can take Saban's record when he was at Michigan State and when he was a coach in the Big Ten and put it against mine, and he can't compare.

I was denied a record contract for 15 years, so I'm not going to be too picky about what I do. I don't have the juice to say no too many times.

I started growing my hair in December '89. I was seventeen. I signed my record deal and said I ain't combing my hair no more. I don't have too.

I made a conscious effort to make a record that would affect people in a good way rather than the last one, which affected people in a bad way.

There's always gonna be rock n' roll bands, there's always gonna be kids that love rock n' roll records, and there will always be rock n' roll.

There's poetry in being the band that can sell out Wembley but also makes a record in a garage. I don't like doing what people expect me to do.

The notes I have made are not a diary in the ordinary sense, but partly lengthy records of my spiritual experiences, and partly poems in prose.

I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry.'

What is there to be afraid of? The worst thing that can happen is you fail. So what? I failed at a lot of things. My first record was horrible.

When I record somebody else's song, I have to make it my own or it doesn't feel right. I'll say to myself, I wrote this and he doesn't know it!

If I stopped making records or performing, I'd probably still be famous for a while being me. But I'd rather have something to show for myself.

I am not a composer of music; I sing pieces which have been written for me which gives me bigger freedom to search for pieces I want to record.

When I started recording, I thought I'd be able to do all kinds of records: jazz, country, dance - and I've always wanted to do a gospel album.

I am overwhelmed with gratitude, and my heart is full. 'American Sniper' has broken records, which follows such an honest path of Chris's life.

None of the records I make are ever a deliberate construction - they're always an expression of who I am at the time and where I am in my life.

I grew up in Minnesota, where we treasure our tradition of civic engagement - and our record of having the nation's highest voter participation.

I'm so excited that my label Rocker Records has partnered with Cleopatra Records to put out this collection of RARE and UNIQUE kick ass rock !!!

Records, radio, television, movies, magazines-all are monopolized by the money managers who are guided by one ethic, the words wealth and power.

The films that I really liked and the ones that really blew my mind when I was younger were independent films. They're like great records to me.

Every song I put on a record could be a single and I just pack my bags for it... and the minute it takes off, I'm not gonna be home for a while.

Success has a very narrow definition in professional athletics: medals and records, and pursuit of anything outside of that is looked down upon.

I'll have the music, and then I'll just turn the microphone on, press Play and Record and sing. And whatever comes out ends up being the melody.

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