Quotes of All Topics . Occasions . Authors
Big game? I'll take Cam Newton over Aaron Rodgers.
I've been singing Rodgers and Hammerstein all my life.
Aaron Rodgers, he throws that back-shoulder throw so well.
I learned a lot from Jimmie Rodgers when I started trying to yodel.
I've been promoting the idea of a Jimmie Rodgers documentary for years.
I can learn so much from working with Brendan Rodgers, he is a top manager.
In the Rodgers and Hammerstein generation, popular hits came out of shows and movies.
To work with Brendan Rodgers and the players at Liverpool is an unbelievable dream come true for me, really.
I have only one bit of advice to the beginning writer: Be sure your novel is read by Rodgers and Hammerstein.
Obviously, when you have a quarterback of the caliber of Aaron Rodgers, we're going to have high expectations.
It's kind of hard to get deep with Rodgers and Hammerstein. I can't think of a moral in the music - it's just fun.
I'm at Leicester and with Brendan Rodgers coming in we're all loving him being there and that's where my head's at.
Aaron Rodgers - I love the way he scrambles and how he plays the game - he always makes great decisions with the ball.
For the longest time, it's always been Aaron Rodgers and the offense. It's nice to have a little notoriety on defense.
I much prefer being told off by Brendan Rodgers than by my wife. Brendan is more careful than my wife with what he says.
I've never met a Mormon I didn't like. They're really nice people. They're so Disney. They're so Rodgers and Hammerstein.
I am on an album with theater icon Billy Porter called the 'Soul of Richard Rodgers.' Our duet is called 'Carefully Taught.'
I was mainly influenced by the Carter Family, Jimmie Rodgers, Loretta Lynn, Merle Haggard, and others like Bob Dylan, Johnny Cash.
Rodgers & Hart had a few flops before they clicked. You know, it happens. I don't know anyone who always gets away with everything.
I feel very fortunate to have been associated with people such as Rodgers and Hammerstein. I think they were geniuses of their time.
I've always wanted to do an album with half the people I've worked with. People like Robert Plant, Paul Rodgers, Jeff Beck and Slash.
I think my knowledge of music theory is rooted in jazz theory, and a lot of the writers of standards - Rodgers and Hart, and Gershwin.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
I believe Dad will be respected in 300 years, like Beethoven. As will Elvis, as will the Carter Family, as will Jimmie Rodgers, Hank Williams.
As a former player, I have a real appreciation for a guy like Aaron Rodgers and how much time he puts into his craft and how good he is doing it.
I appreciate recipes that tell you what can be changed and what must remain fixed. 'The Zuni Cafe Cookbook' by the late Judy Rodgers is superb at this.
I've not had a career like Brady or Rodgers with all the Super Bowls and the incredible things they've done. But for me, the adversity made me who I am.
When I listen to most forms of music, in their most raw and pure, it all has a punk edge to me, like Lead Belly, Jimmie Rodgers, Otis Redding or Nirvana.
I usually find a couple of guys in the offseason to watch - their clips, their games and see how they play. Aaron Rodgers is one. I try to watch Drew Brees.
I wouldn't be the first quarterback from California to go to cold weather. I think Tom Brady and Aaron Rodgers are doing pretty well and been able to do it.
I was always drawn to Broadway musicals, and obviously composers like Gershwin, Rodgers, Berlin and Porter were writing music that I found wildly impressive.
There's not a throw that Tom Brady can make that Aaron Rodgers can't, but there are several throws that Aaron Rodgers can make that Tom Brady only dreams of making.
Like Rodgers and Hammerstein, I'm not afraid to deal with themes about the ups and downs of life, yet which are still entertaining, and you still feel these stories.
You think of Brady, you think of Rodgers, Roethliseber, Eli Manning. They're icemen. They have no feelings - none. They're able to concentrate on a snap-by-snap basis.
I've realized that these people you look up to - watching Aaron Rodgers, watching Tom Brady - they're humans just like I am. They can make mistakes. They're just people.
Larry Hart and Dick Rodgers were both bright Jewish boys from Manhattan who at one point or another went to Columbia, but there the similarity in their backgrounds ends.
Guys like Bryce Treggs, Chris Harper, Kenny Lawler, Darius Powe, Richard Rodgers, Jackson Bouza. All those guys are incredible. They run great routes and have great hands.
Even though I'm 32 I feel like a kid again. I've got so much enthusiasm for the game. The fact that I'm playing under Brendan Rodgers and for Liverpool, I just can't wait.
I could have worked with great people like Nile Rodgers, which I regret. I don't have many regrets, but I remember he'd shown some interest, and I was just in my own world, man.
When I was 12 years old and first decided I wanted to be a songwriter, the people that I always looked up to were Rodgers and Hammerstein, Leonard Bernstein, and people like that.
It may sound amazing to people today, but Rodgers and Hammerstein were considered by - how can I put it? - the sort of opinion-making tastemakers and everything to be 'off the scale as sentimental.'
My grandmother had always played show tunes from classic musicals at the piano when we were growing up, so that helped me fall in love with Rodgers and Hammerstein, Cole Porter, Lerner and Loewe, etc.
I will not programme generic orchestrations but try to find original ones - when I play Richard Rodgers songs, for example, I have Peggy Lee's original orchestrations that I got from her granddaughter for them.
Rodgers and Hammerstein didn't mean anything to me. I just wanted to have a hit, I just wanted to be like those people on the radio. It was all of a case of the present tense with no projecting into the future, particularly.
Dietz and Schwartz have sort of fallen by the wayside a little bit, and they are up there with Rodgers and Hart and Irving Berlin and Cole Porter. They are the finest of the revue composers - their stuff is so good and so strong.
I look at Rafa Benitez in his time at Liverpool, he had difficult periods and the same goes for Brendan Rodgers in the same job now. These difficult periods come and you have to accept that. I did as well as I could at Newcastle.
Not being a natural songwriter... for me the appreciation of a great song and the writers came early on, growing up in a musical family. My dad got to sing songs by some of the greatest writers of all time, Rodgers and Hammerstein.
One musical that deeply influenced me - and continues to do so - is the 1997 ABC TV movie of Rodgers and Hammerstein's 'Cinderella,' starring Brandy, with Whitney Houston as the Fairy Godmother and Whoopi Goldberg as the prince's mom.
Every time I do something new, it makes me a bit stronger. Playing huge shows, being invited to play with Nile Rodgers after the Brits - all are mindblowing and I have a great team around me who are empowering. It makes all the difference.
I'd love to tackle a classic Shakespeare play or take on Nora Helmer in 'A Doll's House.' Musical theater, it's the classics like Rodgers and Hammerstein and Cole Porter's 'Kiss Me Kate.' I'm much more a Julie Andrews-type soprano than an Idina Menzel.