Quotes of All Topics . Occasions . Authors
Ewan McGregor and I said this to each other after we saw The Ghost Writer. Every time Roman Polanski did a "No, no, no!," he was right. It was really as if a sculptor was asked to sculpt the embodiment of despair - that was the attitude he would strike. But as with every sort of inspiring teacher you ever had who was strict and scary, when you get it right, the sun comes out, and it's worth it.
Going through intense change with an ignorant and apathetic citizenry, driven by a corporate agenda, is a really, really scary proposition. But going into it with an educated and empowered citizenry that feels it can determine the course of its society and can hold its corporations and governments accountable has a lot of power and potential to it. To me, that's what makes activism so important.
I think the reason people investigate the paranormal is because we are trying to overcome the mystery of death. That in and of itself is something that lives within every living person, everybody. We all experience death and we are forced to find out if that is just the end, which it is not. So what we do is, when we are experiencing a situation that maybe scary, it's almost now a sense of relief.
I have no hoarding tendencies whatsoever. I'm a purger. I am constantly throwing things out. Like everyone, I have a scary junk drawer or corner of the closet. And those little dark corners weigh on me enough to know how hard it must be to be a hoarder. And I also think that's why these hoarding shows are so popular, because it taps into something we all feel in ourselves. We hold onto things we don't need.
This is a time of tremendous ferment and experimentation that is scary and exciting at the same time. The biggest challenge for media remains economic. How will we pay for the kind of work that really makes a difference? The revenue model for news has been profoundly disrupted, and that is as much a challenge for Vox, Medium, Yahoo or Twitter as it is in some ways for The New York Times or a local newspaper.
I saw a ghost when I was staying at Dartington Hall in Devon in the 1960s. I think there are many different kinds of entities, some are scary and some aren't, it depends on the state of mind you're in when you are confronted. I found that quite scary because it appeared when I was asleep, so it was quite a shock, but the other ones I've encountered, I didn't find scary. I have a lot more understanding of them.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
I love you," I say. I said that once, before I went to Erudite headquarters, but he was asleep then. I don't know why I didn't say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was too late. Not saying it before it was almost too late for me.
I keep what I know about Sarah Lynn and Lawrence to myself. I also remind myself that even if Sarah Lynn does have a scary strict father, that doesn't release her from the responsibility of treating others with respect. Abuse of power is wrong, no matter the context, no matter the history. What is "power" anyway? Power is an ego trip. Power is a way to rise yourself up by lowering others, and I want nothing of it.
This one's like that because it's about these things that I think weigh heavily on me in terms of my own failings and the things that I worry about and my personal demons. Is the sum of my personal demons greater than the things that I like about myself? Is this moment - because it's a particulary high tension, scary moment for all of us in terms of the global climate - going to bring out the best or the worst in us?
If you're angry, you don't have to write a poem dealing with the cause of your anger. But it needs to be an angry poem. So go ahead... write one. I know you're at least a little bit angry with me. And when you're done with your poem, decipher it as if you'd just found it printed in a textbook and know absolutely nothing about its author. The results can be amazing...and scary. But it's always cheaper than a therapist.
I can only be as good as [the audience members] at acknowledging and owning the information that's coming through ... and sometimes, nobody comes through.... One of the things that I've learned is that I am not an operator and I can't dial direct, ... and even if I do make the connection with the person they want to hear from, there's no guarantee that they're going to come through and tell them what they want to hear.
In music in general, you're always getting a lot of information, buts it's most important to have honest communication. It's always important to understand that we can do so much individually if we connect with one another and have honest conversations. As scary as it is, it can be very liberating. Staying connected to the people you love and staying connected to the things that really matter has been my biggest lesson.
Ninety-eight percent are boxes, which tells me that a lot of people are in denial. We live and work in boxes. People don't even notice that. Most of what's around us is banal. We live with it. We accept it as inevitable. People say, "This is the world the way it is, and don't bother me." Then when somebody does something different, real architecture, the push-back is amazing. People resist it. At first it's new and scary.
I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes. . . . I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page.
From the time I was little, I'd been kind of freaked out by the whole deal with large groups of people. And even moderate - sized groups of people. It's always made me very uncomfortable. It's such a strange phenomenon, what happens to people when they're all moving in the same direction, all chanting the same tune, the same line of slogans or something. That stuff always seems very alien and bizarre to me, and kind of scary.
At first, it was really weird after being a touring stand-up comedian that wears just jeans and a shirt. But now, it's almost like when you go from Clark Kent to Superman: "All right, I've got to go put on a suit and interview Justin Trudeau." It feels like it's part of the process. Oddly enough, I've been in enough places - they sometimes send you to places that are a bit scary - that I know how to run in a suit. Like, run fast.
I sorrowfully acknowledge that seven years ago.... I was wickedly manipulated by treacherous former friends and colleagues who victimized me with the aid of a female confederate. They conspired to betray me into a sexual encounter at a time of great stress in my marital life.... I was set up as part of a scheme to co-opt me and obtain some advantage for themselves over me in connection with their hope for position in the ministry.
The latest numbers we have for March 2017, they showed that March was the fourth warmest month that we have records on, dating back to the 1880s, and the warmest month in a non-El Niño period. That is to say, we're kind of in a permanent El Niño now. The temperature is always elevated. March saw record lows for the date in global sea ice. That's really, really scary. We are melting some of the biggest physical features on our earth.
The things that make them similar - their machismo, their expansionary braggadocio - is going to turn them I think into bitter and dangerous enemies. We will look back on this moment where we thought Vladimir Putin and Donald Trump were sort of close as a moment of bitter irony, when they get into a schoolyard display against each other, amping up each other's worst tendencies and putting the two countries in some sort of scary position.
I have a little bit of a pet peeve about how the middle class is depicted in movies. I feel like they tend to be either depicted in a very sentimental way, where everybody has a heart of gold except for the villains you're supposed to hiss at, or there's a sort of indie-style version... When it's done well, it's brilliant, it's Blue Velvet. But when it's done poorly, it feels like shooting fish in a barrel, just saying, "Ooh, scary suburbs."
Frankly, the president, during the first opportunity I had to be in a Cabinet meeting, before we started the meeting, he said, Folks, before we begin this meeting, I'm going to call on General Ashcroft and ask him invite the wisdom and presence of God in what we do. And I thought to myself how ashamed I'd been that so many times in my life I had entered upon great important tasks and I had cheated myself and those that I had served of a blessing.
I think when you're really passionate about something, and maybe not every person is like this, but I think there's a large group that feels deep inside, I want something different, I want something more, I want to go on my own path. It's being comfortable being uncomfortable. Because to do that, you're going to have to jump outside of the comfort zone and it isn't going to be perfect. It's going to be scary. And to me, that's when great things happen.
I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.
[Directing first film:] I was terrified, it was really very scary because there is a lot of responsibility. I think I was terrified because I wanted it to work so much. A lot of actors direct movies but I thought the stakes were kind of higher for me because I really, really cared. [...] I just worked as hard as I possibly could on every single thing, every single day. I said that if this failed it would not be because I didn't work as hard as I possibly could...every day.
[Dr. Constain James] refuted so well the aberrations of Darwinism.... [A system] which is repugnant at once to history, to the tradition of all people, to exact science, to observed facts, and even to reason itself, would seem to need no refutation. But the corruption of this age, the machinations of the perverse, the danger of the simple, demand that such fancies, altogether absurd though they are, should - since they borrow the mask of science - be refuted by true science.
All Catholics must make themselves felt as active elements in daily political life in the countries where they live. They must penetrate, wherever possible, in the administration of civil affairs; must constantly exert the utmost vigilance and energy to prevent the usages of liberty from going beyond the limits fixed by God's law. All Catholics should do all in their power to cause the constitutions of states and legislation to be modeled on the principles of the true Church.
I ask myself a lot how other women can be against the ideology that has to do with women empowering other women. Going along with the access of power and the status quo and forging a special position and the thought process that goes: I am not like those women. When it comes to things like assault, for example, perhaps it makes them feel safer. It's the denial: I'm okay. This won't happen to me. Acknowledging that the world is a profoundly unsafe for women is a scary thought.
I have characterized Ross as exemplifying an extreme position among theistic scientists. However, he is not so extreme as to promote the scientifically unsound notions of the young-Earth creationists and other anti-evolutionists ... They are so far off the scale that their scientific claims need not be taken seriously. Their distortions and misrepresentations of the scientific facts are not consistent with their self-righteous claims of acting to protect all that is good and moral.
And while I'm on the subject, let me say something about Harry Potter. [Gravels her voice.] Warlocks are enemies of God!! [Back to normal screech.] And I don't care what kind of hero they are, they're an enemy of God. And had it been in the Old Testament, Harry Potter woulda been put to death! [Applause.] You don't make heroes out of warlocks. This is the generation that's gonna stand for purity, an' righteousnesss, an' holiness, an' you're gonna serve the lord all the days of your life.
Idea of holding each other’s hands at the Women’s March—it feels like we are being invited to do that every day. So many of us are feeling attacked, whether it’s a woman’s right to choose or headstones in a Jewish cemetery, immigrants being deported or banned. So many of us feel the need to protect and defend our democracy. And march toward the dream of being “We the people.” So that’s exciting, scary, and frustrating. We’re awake. We are awake more than ever before, and we have to stay awake.
There's that layering of selves that we can have with someone else across a long relationship. I go to the baths, the Korean spa. I love looking at the maps of people's bodies. The women have so many mastectomy scars and ectopic pregnancy scars and stretch marks, and all these things are amazing and wondrous to me. I guess I find it stranger not to attend to flux than to attend to it. But in a relationship it's also scary - you don't know where you're going to end up when you go through change.
Covert Operations Report At approximately 0900 hours on Saturday, October 14, Operative Morgan was given a stern lecture by Agent Townsend, a tracking device by Agent Cameron, and a very scary look from Operative Goode. (She also got a tip that her bra strap was showing from Operative McHenry.) The Operative then undertook a basic reconnaissance mission inside a potentially hostile location. (But it wasn't as hostile as Operative Baxter was going to be if everything didn't go according to plan.)
The clubs usually enforce no filming of performances pretty well. I want to know that what I'm doing is in the here and now and it's mine. I absolutely want control over my performances. And it is actually scary to see someone filming you without permission. Like Big Brother is watching. All these cameras don't make up for a life that isn't well-lived! I agree that people don't live in the moment, they instead live to make a name for themselves as "people who are living exciting lives and at great events".
I am not going to say you are right because I could not take it if you smirked." "I do not smirk," Vikirnoff claimed. "Yes, you do. And I detest that after all these centuries, you are making sense. Frankly, its scary." "It is only that you are not making sense sunce you acquired a lifemate. I hope that does not happen to all men. It would be a shame." "Your sense of humor is not improving," Nicolae pointed out dryly. "I do not have a sense of humor." Vikirnoff answered. "I had not noticed," Nicolae teased.
I feel like I've always had two selves - the part of me that makes films and the part of me that's political, and they haven't really connected that much. Alias Grace talks about things like class and immigration and women's rights, which felt really good. But especially now, there are pressing things to be said. It's a really scary time in the world. It's a very scary thing to have an American president who openly brags about assaulting women and is openly racist. This isn't a moment to be speaking in metaphors.
It's a slow process, but it is scary, because if someone can control your energy sources, they can control you. We are already being told what light bulbs we can and cannot use...through legislation. We are being forced to fund research into alternative energies sources that are inefficient, and that cause the price of food, energy, and everything else to rise...through legislation...rather than allow free enterprise to allocate funds to those energy sources that will survive through good old American innovation!
What's confusing about that, though, is you [Marco Rubio] say if he [Donald Trump] were the nominee, it would destroy the conservative movement. You're painting scary pictures of him being the nominee. But then you're saying he will never be the nominee. You have signed onto the hashtag #neverTrump.I guess what people wonder is, you say all these terrible things about him, but then why might you not, like Chris Christie, who said bad things about him, just turn around and endorse him once - once he gets the nomination?
Don’t you see? You and he might never cross paths again. Of course, a chance meeting could occur, and I hope it happens. I really do, for your sake. But realistically speaking, you have to see there’s a huge possibility you’ll never be able to meet him again. And even if you do meet, he might already be married to somebody else. He might have two kids. Isn’t that so? And in that case, you may have to live the rest of your life alone, never being joined with the one person you love in all the world. Don’t you find that scary?
By this point, it was clear she wasn't interested in continuing the relationship. What publication on earth would continue a relationship with a writer who would refuse to discuss her work with her editors? What publication would continue to publish a writer who attacked it on TV? What publication would continue to publish a writer who lied about it - on TV and to a Washington Post reporter? ... It's true: Ann is fearless, in person and in her writing. But fearlessness isn't an excuse for crappy writing or crappier behavior.
To accept the story of the Arab destruction of the library of Alexandria, one must explain how it is that so dramatic an event was unmentioned and unnoticed not only in the rich historical literature of medieval Islam, but even in the literatures of the Coptic and other Christian churches, of the Byzantines, of the Jews, or anyone else who might have thought the destruction of a great library worthy of comment. That the story still survives, and is repeated, despite all these objections, is testimony to the enduring power of a myth.
The Psychological Recession is the cluster of feelings that the present is really scary and the future will likely be worse. It comes from the sense you have no control over what's happening to you and you don't see a way to get your life back under control. It's the feeling that life is unfair; you paid your dues, you worked hard, and you ended up naked and vulnerable. There is no comfort to be found in the dismissal of the Psychological Recession as being just an idea; it is a real phenomenon with real consequences, all of them bad.
It takes a pretty strong person, a rather unusual young person, to stand up to ridicule and refuse to give in to temptation. There are so many things today in modern music, on television, and in the movies that portray a life that is nowhere near the life the Lord would have us live. Consequently, we cannot afford to turn to the radio, television, or Hollywood to take our cues about what is right and what is wrong. It is scary to realize that the more we are exposed to Hollywood's version of life, the more we gradually begin to accept it.
For me, the entire journey of Lost has been walking that fine line between discovering Sawyer's humanity and, yet, keeping his edge of anger and destructiveness. He's been through every situation possible, emotionally and physically. Sometimes, it's been scary to get in touch with his growth, especially his relationship with Juliet. I really thought the audience might reject the softer side of Sawyer we saw in that. As for what will happen with him and Kate, all I can say is they have a love that is undeniable, but maybe it must be denied.
I think there's over-telling sometimes, in fiction. For instance, I'm a big fan of horror movies, but I could always lose the last third of them. There's the brilliant exciting scary thing that's going on, and then they have to show you the monster, and the monster turns out to be a giant spider from space and then you push it over and it's dead. It becomes mortal and it has human needs and it always sort of feels like a shame. Maybe because of all the cop shows and such, we're a generation that needs to have problems solved for us in fiction.
I carefully lifted out of the pose and spoke up: Uh, Fran? When I'm doing the pose (camel), I have this feeling in my chest, kind of a scary, tight feeling.-Fran was adjusting someone across the room. She had a way of looking like a thoughtful seamstress when she made adjustments: an inch let out here, a seam straightened there, and everything would be just right. She might as well have had pins tucked between her lips and a tape measure around her neck. Without missing a beat or looking up she said, Oh, that's fear. Try the pose again.-Fear. I hadn't even known it was there.
Motherhood is this sort of "curtain lifting" of tremendous power that we have individually as women. It's tremendously freaky to have a human being grow inside your body and eventually turn into a human being, and then birth that human being, and then have them be separate from you. Those things are scary. It's also really, really scary to face the idea of losing a child and losing someone you love more than you've loved anything before. All of those things are innately really terrifying, and what it does to me is bring me to a direct kind of confrontation with my human vulnerability.
