Quotes of All Topics . Occasions . Authors
Being shoved into the top-40 scene was an unusual experience. It was great I'd become accessible to a huge audience but not terribly fulfilling.
The subject matter... is not that collection of solid, static objects extended in space but the life that is lived in the scene that it composes.
I was so obsessed with 'The Princess Bride.' I loved it so much that I even have a re-enactment I did of a radio play of the iocane powder scene.
I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.
In films, the fact that you can always do a scene again takes a load off your mind, enabling you to strive for perfection, which I always wanted.
How could liberty ever establish itself amongst us? Apart from a few tragic scenes, the revolution has been nothing but a web of farcical scenes.
I'm used to a lot of love scenes. I'm used to something that requires me to kick up my heels and wink-wink, flirt-flirt with a twirl of my skirt.
However confused the scene of our life appears, however torn we may be who now do face that scene, it can be faced, and we can go on to be whole.
I did the underground scene growing up. I lived in Albany, New York so I'd go see Stigmata, Hatebreed, Murphy's Law so I was in that whole scene.
I have a trainer that I box with. Luckily, on ER, they'll tell me if I have a shirtless scene coming up and I'll have a few weeks to power it out.
I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
There are times when I'm driving home after a day's shooting, thinking to myself, That scene would've been so much better if I had written it out.
If you just stay with it and take it scene by scene, episode by episode, all of the questions that I have, as an actor, tend to answer themselves.
Thus heavenly hope is all serene,But earthly hope, how bright soe'er,Still fluctuates o'er this changing scene,As false and fleeting as 't is fair.
My greatest accomplishment is Exodus. It changed a lot of peoples lives, it changed the conception of the Jewish people in the international scene.
Many people think voice over artists just read, there's much more to it. Without acting beats, scene study and improving skills, you won't make it.
That's just globalization. It's got good sides as well. But scenes aren't allowed to develop on their own anymore. Everyone knows about everything.
Back in the day when I started on the independent scene, guys would not watch women's matches, and if they did, they would do it to make fun of us.
I always go crazy over every scene and have to discuss it with my director many times. Even Sekhar Kammula, who directed me in 'Fidaa,' knows this.
I love the DJ scene out in the clubs. It is a great way to party and make people happy, the atmosphere is one that I use as an escape from reality.
The dullest thing in the world is waiting for your scene. But the most exciting thing is seeing yourself on the screen and then getting compliments.
There is a very vibrant cultural scene in Stockholm. There are lots of places where there are concerts, and there are loads of museums and theaters.
The blues is the foundation, and it's got to carry the top. The other part of the scene, the rock 'n' roll and the jazz, are the walls of the blues.
You rarely find someone who sings really well and who produces really well; it's a problem, and I just think it's a missing link in the music scene.
The Dallas rap scene is growing, and hopefully we get to a level like Houston - everybody supporting each other, building each other up to be great.
I like a lot of ratchet, trap music. Definitely 21 Savage. We need some music like that. ManMan Savage. A lot of the Atlanta scene. But Philly, too.
It's always difficult to play a scene of physical violence because you're always afraid that you don't know your own strength and might hurt someone.
I really like having a life outside work. I sometimes wish I did more career stuff and was in that Hollywood scene a bit more. But Toronto's my home.
What impresses me is the young actors with terrific talent arriving on the scene. They'd have blown us all away in the old days. Guys like Brad Pitt.
When I was a kid, I was a big fan of the regional scene. I read 'Pro Wrestling Illustrated,' and I watched Portland Wrestling and everything I could.
Of course when people are as talented as Jim O'Rourke or Gene Coleman, pretty soon you know that they're going to be part of the bigger scene anyway.
I've never written an autobiographical novel in my life. I've never touched upon my life. I've never written a single scene that I can say took place.
We always try to leave room for the actors to come in and make discoveries on set, in their interpretation of the scene. The shot list is scaffolding.
When you act a scene with Sidney Poitier, he listens intently to every word you say. You can feel your words hit him. He makes the scene utterly real.
When I'm writing good music and I'm caffeinated, I attribute all my success to the coffee, get really sentimental about the EDM scene and tweet a lot.
I play the father in the scene when Will and Tommy go back to Tommy's old apartment. It was a big mistake. I hope not to be in the next movie I direct.
The real intimidating stuff is the scene where you show up for the first day. You kind of square off, and that is where you look each other in the eye.
Jackson doesn't bother to read the scripts anymore. He just checks to make sure he has one loud scene where he gets to shout, then cashes the paycheck.
The scene that has raised the most objections in 'The Interview' is at the very end, when Kim's head dissolves into flames. To me, it feels gratuitous.
It's taking our officers much longer to respond to an accident because they have to fight their way through all of the traffic just to get to the scene
You could do a scene that takes 15 hours, but in the movie, it's only 10 minutes. The scene where they put the sauce poisoning in; it took eight hours.
There was a scene cut out of 'Big Fat Liar' (2002) where I had to wear a dress. This may sound kind of weird, but I really enjoyed shooting that scene.
When you suddenly appear on the scene and you are the new face, everything centers on you. I experienced this in my mid-20s and I found it rather hard.
Sci-fi films are the epic films of the day because we can no longer put 10,000 extras in the scene - but we can draw thousands of aliens with computers.
Also there is a twist to the story as I'm being haunted and driven crazy, attacked and so on. All I seem to do is run and scream and cry in every scene.
I loved, loved, loved the fight that I got to do with Matthew Bomer, who plays Bryce, when we did the fight scene that was back to back in the Buy More.
I'm not opposed to nude scenes, if they're appropriate. I'm not against them morally. But I personally no longer find movie nudity to be worth my while.
This s - t [smoked on scenes] called Wizard Smoke. I didn't like it. [James] Franco didn't have that hard of a time with it. Franco will smoke anything.
Naturally enough, I couldn't have foreseen the vast sea change which has come upon that scene as a result of German reunification and associated events.
You would never dream of going on to play a scene in front of an audience at least without having rehearsed it. But you do somehow in front of a camera.