Quotes of All Topics . Occasions . Authors
I felt that, in retrospect, there was a time in the late Seventies, after I had a string of hits and successes, as a performer and a recording artist, that I wasn't saying anything.
When people say, 'Your music was the music of the Seventies,' I say, 'So was discoteque.' The Seventies was also the highest peak of heavy metal. Pick a genre - they were all alive.
There've been lots of positive changes in the city since I worked at Salford Tech in the seventies, and I'm pleased to be known as Salford's Bard and to have helped put it on the map.
I've been combing through the Wolverine archives and advertisements from the sixties and seventies. I'm looking to take inspiration from designs of the past and bring them into the future.
I wanted to explore the Seventies idea of the ideal futuristic woman. So I watched cheesy films like 'Weird Science' and more dodgy things like 'Star Trek,' 'Barbarella' and 'Logan's Run.'
I love a lot of the New York bands, but Patti Smith stands out. I just read 'Just Kids' and it's an inspirational, well-written account of an emerging New York artist in the late seventies.
I certainly notice the vitality in Belfast, which wasn't there in the Seventies. There was a war going on then. Now there are cranes everywhere. There really is a sense of renewal and hope.
If you're a kid at a secondary comprehensive in North London as I was in the seventies, prancing around doing acting and being a luvvie wasn't really a good idea for your personal security.
My family and I live in a wing of a Georgian mansion in East Sussex, which was built in the 1780s and fell into disrepair. It was rescued in the Seventies and carved into six terrace houses.
When I moved to the East Village in the late seventies, I wanted to be a street performer, so I practiced daily. I never did work up the skills or the courage to perform on the street, though.
It is a sad truth that apprenticeships fell out of favour in Britain in the Seventies and Eighties, when the manufacturing industries shed jobs and the construction industry went into decline.
Prog didn't really go away. Just took a catnap in the late Seventies. A new generation of fans discovered it, and a whole new array of bands and solo artists took it on into the new millennium.
The Seventies were just an interesting time for us because we were building the brand of the name but also varying the style of the music on each of the albums we did. Very creative time of us.
In the seventies we had to make it acceptable for people to accept girls and women as athletes. We had to make it okay for them to be active. Those were much scarier times for females in sports.
In the middle of the 20th century, aspirations to sound 'proper' were passionately pursued. Dictionaries as late as the Seventies include many pronunciations that could cut the proverbial glass.
I like characters with character, not just pretty faces. Anyway, I think people can be both grotesque and beautiful at the same time. Look at Mick Jagger in the seventies. Look at Angelina Jolie.
I know so many women in their fifties, sixties and seventies who delight in being on their own. It's amazing. They don't see any stigma attached to it. We don't need a man to prove our identity anymore.
From the early Seventies to the mid-Eighties, I approached Rome at a snail's pace. Having concluded that God existed, I could not seriously entertain the thought of not trying to be in contact with Him.
I love the Nineties because more than any other period of time, there was such an eclectic mix of styles going on. More so than in the Sixties and Seventies, when there was an overriding look and sound.
I first got to know Charles in the late seventies when I wrote an article and then a book about him and I think at the time he came across as quite appealing, it was probably the height of his popularity.
How my film career happened, I don't know. It was unplanned. I'd been in films and TV throughout the Sixties and early Seventies, but it was really 'The Naked Civil Servant' in 1975 that put me on the radar.
If you had told me in the Seventies and Eighties that TV would be as edgy or edgier than most films, and more intelligently written than most films, I wouldn't have believed it. There's great stuff out there.
In the Led Zeppelin shows of the Sixties and Seventies, it was the same numbers every night, but they were constantly in a state of flux. If I played something good, really substantial, I'd stick it in again.
We shoot 'Hustle' for 12 to 16 weeks, so that's how long I'm here each year. I've always loved London. I lived here for three years back in the Seventies, when I did a TV series, 'The Protectors,' for Lew Grade.
I've been writing plays since the seventies and only came to moviemaking when I basically realized that I needed some money to pay the rent. I started to watch films with an eye to figuring out how to write them.
Here in Spain, there are Argentine Jews, children and grandchildren of immigrants of Jews who fled Germany or Austria in the thirties, and in the seventies during the dictatorship, they had to go into exile again.
When it comes to songwriting, I grew up in the Seventies listening to AM radio. So I've all these pop songs running through my head from Paul McCartney and Elton John, and a lot of stuff that was written on piano.
In the Seventies, a lot of executions via electric chair failed because of technical problems. Seed tells the true story of someone who survived and sought revenge. They buried him alive to make it seem he was dead.
Maybe you could put it out there that I don't have a built-in dislike of ballads. That was kind of the reputation I had back in the Seventies. But I've come around. Ballads have become something of an acquired taste.
In the Seventies and Eighties we all had our fun, and now and then we went really too far. But, ultimately, it required a certain amount of clear thinking, a lot of hard work and good make-up to be accepted as a freak.
In 1979, Magic Johnson and Larry Bird entered the league. I remember that. Soon after this, the story began to be repeated ad nauseam: the NBA, a tottering mess in the seventies, was saved in the eighties by these two.
I didn't love David Bowie. Sure, I loved a lot of his songs, like everybody else, and, like everybody else, I had an incarnation of Bowie that I loved best - in my case, the solemn 'art-rock' Bowie of the late Seventies.
When I first started writing for television in the seventies and eighties, the Internet didn't exist, and we didn't need to worry about foreign websites illegally distributing the latest TV shows and blockbuster movies online.
I have not changed; I am still the same girl I was fifty years ago and the same young woman I was in the seventies. I still lust for life, I am still ferociously independent, I still crave justice, and I fall madly in love easily.
I was a huge Bowie fan since I was 12 years old. That was the first 'punk' rock I got into in the Seventies. I didn't find out about a lot of the other stuff that was going on, like New York Dolls and Roxy Music, until a lot later.
I was inspired by the classic rock radio of the Seventies. They separated Chuck Berry and the Beatles from the Led Zeppelins and Bostons and Peter Framptons of the time. In many ways, classic rock became bigger than mainstream rock.
Everyone loves the seventies because that's when movies were character-based, and you saw great characters and you saw very interesting filmmaking. There are interesting movies being made now, but it's harder and harder to make them.
I am worried that young Japanese people are not very curious about the outside world - which is so different to the way we were in the Sixties and Seventies. All they want to listen to is Japanese pop. They haven't even heard of Radiohead!
In the early Seventies, I bought a dilapidated hotel in north Stoke for about £100,000 and spent the same amount again renovating it, putting in a guitar-shaped swimming pool, painting the bathrooms purple, and installing gold dolphin taps.
I'd been to South Africa during the Seventies, when it was definitely not kosher to go there. I felt that the best thing to do was to be a missionary and tell people what was going on in their own country because censorship was so dreadful.
England was very frustrating in the Seventies for anyone who was trying to wake up. It was visible in punk, in clothes, and in the revival of mods and rockers fighting. All kinds of things were going on that just weren't individual to myself.
The Seventies were an interesting time to be a reader or writer of fantasy. Tolkien was the great master. Lin Carter was resurrecting wonders of British and American fantasy from the early twentieth century in his Ballantine Adult Fantasy Series.
The much-lauded visual artist Roni Horn got her Master's in Sculpture from Yale in the Seventies, but in the course of her career she has moved, among other media, from watercolors to photographs to floor-sized installations and mats of poured gold.
Sometime in the early Seventies, gender-free toys were briefly a popular idea. So at Christmas on the California beach in 1972, we downplayed the dolls with frilly dresses and loaded up Santa's sack with toy trucks and earth movers for our three daughters.
My Norwegian wife Aase was a Pan Am stewardess back in the Seventies when we met. She was very attractive, and we became good friends, but I was travelling a lot and she was jetting back and forth across the Atlantic, so it was a while before we got together.
Look at the movies of the sixties and seventies. They were making a different kind of movie then. Would 'Network' ever be made now? No. Would 'Kramer vs. Kramer' ever be made now? No. Would 'Tootsie' ever be made now? Probably not. Robert Altman films? Never.
The late sixties and early seventies were kind of a breeding ground for exciting new sounds because easy listening and folk were kind of taking over the airwaves. I think it was a natural next step to take that blissful, easy-going sound and strangle the life out of it.
I can remember earning £5,000 a game playing for Hibs at the end of the Seventies. They let me commute from London, train on the Friday and play on Saturday. That lasted until my friends at the Inland Revenue decided to take two-thirds. That wasn't very entertaining for me.
Music was so important to the culture when I was growing up in the Sixties and Seventies. We just expected that Bob Dylan was going to make a great record, and it was normal. It was like, 'Okay, here's another great record by Bob Dylan; here's another great record by Led Zeppelin.'
I own a series called 'Ready, Steady, Go!' that I bought in the Seventies. I purposely didn't do anything with it, and wouldn't sell off any clips. My accountant went crazy when I said I wanted to wait until the 20-year cycle, then put it out so the new generation could experience it.