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On YouTube, when you have a big viral success with a song that isn't your own, the natural inclination for most YouTubers is to keep doing that. What you really should do is show people that you actually have substance and can write your own music.
I just wanted to show people - maybe I'm wrong - that I can still really sing. I can sing better than I ever have before. My intonation is way better, my timing, my phrasing - there's a lot more expression; I feel it's a more lived-in, soulful voice.
I love films that show people in a way that's so real it's almost unsettling, and that's what really inspires me because I write about people. I write about people that I know, so I want to portray them and portray myself in a way that is unapologetic.
I grew up in a time where on things like 'The Red Skeleton Show' or even to a certain extent on 'The Carol Burnett Show,' people wrote in the breakouts or ad-libs. They were scripted to look spontaneous. So I always had a dislike of that kind of thing.
Why did I elope with my husband after knowing him for only four months? I wish I could show people the picture of the two of us that night and have them feel what I felt. But it's just a picture. It can only capture how things looked, not how they felt.
It's a fine line to find that balance: to show people enough to give them the promise of something unique, and something they want to see, but at the same time make sure that when they show up for the movie, they're surprised by what they eventually get.
I really hope that the traditional sort of girl that people view as an actress changes. There's room for everyone, you know? All of us bring different things to the table. It's nice to show people that you don't have to be one type of personality to do this.
If you had a successful TV show, people wanted to see you live. Promoters had had practice with pop groups, and 'Python' achieved a similar status. We also had lots of rock star fans - George Harrison, Pink Floyd, Robert Plant. Promoters saw that and liked it.
We get so many requests like, 'We want behind-the-scenes access,' or 'We're going to show people what it's really like to be on the campaign with Donald Trump.' But there is just no way that a camera or an episode or a documentary could capture what has gone on.
I've always been a bit of a Jekyll and Hyde. I always feel that you should keep singles as commercial as possible so that the people can walk down the road and whistle a song. But on the other hand on albums I think you can afford to show people what you can do.
Everytime there's an NXT show, people are like, 'Oh, that's the greatest thing I've ever seen.' It's the greatest show on Earth. One of things that they have going for them is the fact they make you wait. They build to it properly. That's a good way to go at this.
Television isn't inherently good or bad. You go to a bookstore, there are how many thousands of books, but how many of those do you want? Five? Television's the same way. If you're going to show people stuff, television is the way to go. Words and pictures show things.
My real name is Elizabeth, but I had a nanny growing up who called me 'Elizabeanie.' So from 4 months old, my brothers were, like, 'Let's call her Beanie.' To show people the validity of it, I always say that if I met the president, I would say, 'Hi, my name is Beanie.'
I think when we grow up watching TV, the stars seem like stars. You don't know what they went through. You don't know how they got it. It almost seems unattainable. With social media, we are able to show people if you work hard, that you can literally do the same thing.
I always wanted to be a singer. I was going to finish school and go to Berkley, and then Vine came out, and I felt like I could finally show people my talent. I can even sing in the Vines. It's honestly changed my life. I don't know where I would be right now without it.
After I impulsively revealed that I have OCD on a talk show, I was devastated. I often do things without thinking. That's my ADD/ADHD talking. Out in public, after I did the show, people came to me and said, 'Me, too.' They were the most comforting words I've ever heard.
When I finished my degree at Oxford, I went and acted for a bit. And I was appalling. And with each part, I thought, 'Well, that's embarrassing. I'd better do one more to show people I'm not that bad.' And, in fact, instead of a taking a year, that's gone on for 35 years.
That's not part of me that I have to do something dark to prove to people that I'm an actor. The fuel for me is the laugh. Maybe later I'll want to show people the darker side... But right now, I'm having too much fan making people laugh. And it really makes me feel good.
There was a perception that reality-show people are just mere personalities, that they don't have real talent, and I worked real hard to change peoples' minds, one show at a time, and proved a lot of people wrong. I'm proud I was the first to do that for 'Idol' on Broadway!
I was proud of 'Robin Hood,' even though critics wrote negative things. But I had to laugh when this big, shaven-headed Hungarian stunt guy first saw me. He said, 'You Jonas? You playing Robin Hood? You need to go to the gym today.' So I thought, 'I'm going to show people.'
You've got to have charisma and other things in addition to athleticism. But I've got my background in fitness, I've done my training and put time in to develop my craft. So I can push the envelope with those seductive storylines but still show people that I can kick butt, too.
This idea about cheerful thinking, a digital platform for people to present their ideas, organise events around the country - that is what I am focused on building: a digital think-tank for the modern age that can help show people things can be better; the world can be different.
I think what we have going in the Casino Battle Royale is going to show people an exciting, different take on the traditional battle royal format, different than what anybody has done. It's not going to be two hours of battle royals. It's going to be really, really action-packed.
I didn't want 'Ramy' to be a commercial, like 'Hey, Muslims are good!' We're underrepresented, so the instinct when we get an opportunity like this is to show people that we're good, that we have the same shared values. What's more important to me is showing that we have the same flaws.
Photography is a pursuit that allows you to be very hands-on with what you show people of either yourself or the art you want to make, and acting is kind of the exact opposite. You do have a modicum of creative freedom as an actor, but you're still very much a cipher for other people's art.
A lot of people will always say, 'I really know nothing about the ancient world.' But there's lots and lots of things people know. Partly, they've been encouraged to think they're ignorant about it. In some ways, the job to do is show people that they know much more than they'd like to admit.
I had a bunch of paintings around at my house, and someone said to me, 'Why don't you just put them on Instagram? Why don't you show people these?' And I didn't want to - it was just something else I would have to do. But eventually, I was like, 'What's the harm?' And the response was so insane!
You show people playing poker or hacking into a computer; it feels so significant in the script, and then when you see it on the screen, it loses something. But there's something about cooking - food being prepared is incredibly captivating. It became just a fun box of tools to use as a director.
I just do what I gotta do and try to show people I can write some funny lyrics and play piano, and hopefully that'll make them dig further. I really believe in my form. That's why I haven't done a lot of telly, and I'm not a regular on any panel shows, and I'm not in a sitcom or all those things.
I kinda liked ol' Shakespeare and them guys, you know. I went back and got my master's just in case. I thought, if I ever needed it, I'd have the sheepskin to show people no matter how dumb I looked, actually I was about half intelligent. I got the degree to let 'em know I wasn't as dumb as I acted.
I hope to show people everywhere that you can be unapologetically you and still succeed. I also hope that by using more diverse models, brands can see that there is power in diversity, and not shy away from doing something new for fear of failure. The effects are bigger than just the fashion industry.
A lot of people don't know I'm from the West Coast. My swag is different. Me being from Young Money, affiliated with them, some people think I'm from down South. They think maybe I'm from New Orleans like them. It's just good to show people and build outside of Young Money, build my brand outside of that.
Anytime you go to see a band with a guitar player, there's always a fear of guitar overkill! That's a funny question. If you went to a Taylor Swift concert or a Jay-Z show, people would think, 'Oh, my God, I hope I don't get guitar overkill.' People come to our show for guitar, and there can never be enough.
I'm honored to be a part of the #ShowEm campaign because it recognizes the importance of who we are at our core and what drives us to become who we want to be, no matter what obstacles we face. Jockey has given me a platform to show people that the impossible can be possible if you keep fighting and believing.
When I played in a band, people just stand there and look at you and criticize what they didn't like. But if you watch a D.J. show, people go crazy from beginning to end. Say what you want against D.J.'s, but you can't deny that the energy level in the audience is for the most part far above what rock bands have.
I am prepared to discuss the things that I believe we need to do not just to raise the debt limit. Raising the debt limit is the easiest thing. That's one vote away. The hard thing is to show the world we are serious about putting our spending in order so we can show people we'll able to pay our bills down the road.
I feel like I should show people that no matter where you come from - you can get beat by your stepdad, if you get picked on for your clothes and having no money - I just feel like everyone should know it will be all right as long as you keep focusing on trying to move forward and looking at the positive things in life.
I shouldn't have to come out and say, 'Hey, I should be a starter again.' There's a lot of guys that say that, that shouldn't be starters. The key is to go out on the field and lead your team to show people that, 'Hey, this guy is a good guy in the locker room. He can lead a team. He did it on the field. He's shown it.'
I am excited to show people how, when you get older, you get deeper, you get more raw, you get more honest, and you stop pretending to be the person you think people want you to be. I stopped worrying about what people wanted me to say and just sort of dug deep into my personal arsenal of my mistakes and shameful thoughts.
You forget that sometimes comedy is just a big night out for people. Almost every show, people come up to me and go, 'This is the first comedy show I've ever seen,' so you want to do well. If you do horribly at somebody's first time seeing live stand-up, well, you've not only tainted yourself, you've tainted a whole art form.
When it comes to acting, I've always had a passion for entertaining and for making people laugh. On the music side, I really want to come out as an artist because I want people to see who I really am... artistically, I tend to be drawn to the darker things. What the music will be able to do is show people that I am an adult now.
Statistically, I'd say comedy writers are perhaps the sanest category of show people. And why not? They make big money, and although it's not an easy trade - particularly when you're at your galley oar five days a week - it's easier on the nerves and the psyche than living with the brain-squeezing pressure and cares of being the Star.
In L.A., if you're in improv, and you're on those stages, all the big agents and managers and producers are watching those shows. They're not flying to Chicago to see the show. People are booking jobs off the stages in L.A. who aren't more talented than the guys in Chicago. But the most guys book out of L.A., and the second is New York.
What I'm attempting to do is to show people that if I can spend some time with very dangerous spiders and snakes and scorpions, then maybe they'll feel different about the spiders and snakes they find around their areas. I don't need people to keep them as pets. I just like them to be respectful and see that everything in nature has its place.