Quotes of All Topics . Occasions . Authors
I was always interested in science, and pre-med was arespectable thing to do while I ursued my songwriting.
My main thing is just to keep writing. I've been doing some songwriting that's for my own record, I suppose.
I like to keep morale up and not take things so seriously all the time. I enjoy life and laughs but I'm serious about the music. Serious about the craft of songwriting.
I started out with piano when I was little. That, for songwriting, is my favorite instrument.
I've come to recognize songwriting as something that I do, and I want to be good at that. At that craft, if you like. I want to practice it.
Songwriting is too mysterious and uncontrolled a process for me to direct it towards any one thing.
It's true when they say songwriting is 10% inspiration and 90% perspiration. In truth, what happens is... songs comes through you.
I knew I could make money from songwriting, so how much and when was not really the question.
The Italian duo Dumbo Gets Mad specializes in psychedelics for the sober, bringing experimentation together with detailed pop songwriting.
Songwriting is something that's very daunting until you have your first successful song, I think.
I grew up listening to a lot of classic country, and I think that shows in my songwriting.
I found songwriting really hard at first, but after a while it was actually very easy. I wrote about everyday stuff.
I struggled with a lot of doubts around my songwriting and around what I was and what my purpose and mission were.
Songwriting is a very mysterious process. It feels like creating something from nothing. It's something I don't feel like I really control.
Combining sounds that are from another universe with the classic songwriting structures never gets old for me.
I had to be honest in my songwriting for it to be where it is, and it's always scary wondering if anyone will connect with that.
That's the great thing about songwriting: You have that time to have perspective and look back and think about all the things you'd want to say.
There are no rules when it comes to songwriting, so I'd turn Carter family songs from the 1930s into pop songs.
Songwriting is like editing. You write down all this stuff - all this bad, stupid stuff - and then you have to get rid of everything except the very best.
All of my songwriting success happened within a four month time span, and my record label deal happened within the next three months.
For me, in songwriting, I have a route I can take. Maybe there's some forks, I can go this way, this way. But I know those roads. I still have the experience behind me.
For me, songwriting is something I have to do ritually. I don't just wait for inspiration; I try to write a little bit every day.
My experience with songwriting is usually so confessional, it's so drawn from my own life and my own stories.
I feel like I'm creeping closer to finding the situation that triggers songwriting, which is obviously an extreme of an emotion.
I'm never nervous about being vulnerable with my songwriting because my favorite artists are ones that are vulnerable. I want people to feel like they know me.
I always saw songwriting as the top of the heap. No matter what else you were going to do creatively-and there were a lot of choices-writing songs was king.
At 18, I got a publishing deal, so I was like, 'I can do this for real and not go to college.' When I was a teenager, my parents dragged me to a lot of songwriting conventions.
I like drawing people in the airport or on the bus or in venues. I like catching people in the moment. It's a similar inspiration for me in terms of songwriting.
I don't think we ever really think about it when we're doing it, because if you sort of go in with a plan of attack, it tends to take away the natural rhythm of songwriting.
That's the nice thing about songwriting: You don't have to punch a clock or be in a specific place to do it. There's really a lot of freedom to it.
It's not just music. To me, it's songwriting more than anything. A lot of people say it's expression, but to me, it's more than that.
There's a lot of personal stuff that can go into songwriting but there's also a lot of dramatization and fictionalization. You have to do that to make a good song.
Growing up, I became a huge fan of Freddie Mercury, Peter Gabriel, Phil Collins. That's where I really started developing my songwriting skills on a personal level.
One of the big songwriting things for me has always been: always think what you do sucks. Because the second you stop believing that, you suck. And that's a fact.
I'm grateful to songwriting and recovery to bringing me to a place of peace.
No, I don't think songwriting is emotionally challenging - I feel like it's almost a way to sort through your emotions and put them out there.
If I weren't a performer, I would be still be writing and songwriting. Plus, I also really want to get into producing.
Songwriting isn't a choice. You're either called upon to bear the burden, or you're not. It's not all fun and games.
Songwriting is different from music, although I don't deny now that it would be nice to have a little more background in music theory.
Fear just crushes creativity, and if I let fear into the studio and into the songwriting, I was going to let it kill the artist inside of me.
I get a lot of my songwriting done while driving around Nashville - sometimes it comes to me that way.
Great songwriting will never die - it's in the DNA of music - but what's new and exciting is pairing that with new sounds that technology is enabling us to make.
I started to feel songwriting was pulling different pieces of my heart out - the more I started writing, the more there was honesty.
Songwriting is like going to church. I'm connecting to something, and it's rewarding in really important ways. I don't need to share it with anyone to feel good about it.
I've never thought about songwriting as a weapon. I've only thought about it as a way to help me get through love and loss and sadness and loneliness and growing up.
I always saw songwriting as the top of the heap. No matter what else you were going to do creatively - and there were a lot of choices - writing songs was king.
Songwriting is just like any other kind of writing - it's either fiction or nonfiction. You can even get into philosophy and politics, which I've done on occasion.
Creating something beautiful out of pain helps ease the pain. So, that's kind of how I got to songwriting - quite honestly out of desperation.
I'm just getting back into my songwriting groove. It's still pretty early. But I don't want to make 'Hero 2.' It's going to be different.
There's a lot of vulnerability in songs - I'm not talking about pop songs - from people that are in the art of songwriting more than the commercial enterprise of it.