Quotes of All Topics . Occasions . Authors
Songwriting is a difficult thing, but it's not so bad when you remove the barriers you put up yourself.
It's easy for me to cry. I'm just emotionally tuned in to stuff. It probably helps with my songwriting.
I felt I never needed to fight for a more prominent songwriting and increased vocal role with the Cars.
I wanted to be part of pop culture, so I started songwriting, and I got signed to my first record deal.
Songwriting helps me sort out my personal problems. With acting, you're just a tool for someone's ideas.
I've always listened to a wide variety of music, and I know that shows through my songwriting evolution.
Some people see Jermaine Dupri as a producer, and they don't really know what the songwriting skills are.
When you tune your guitar in a different way, it lends itself to a new way of looking at your songwriting.
Making vocal hooks is my favorite thing to do. That's what I love about songwriting - making catchy stuff.
I've been really trying to hone the art of songwriting in a way that doesn't follow any sort of guideline.
In Nashville, everybody just wants to write the best songs. So it's a very inviting songwriting community.
Songwriting is such a personal thing and it's hard to be in a room with somebody you don't know and trust.
I'm a fairly tormented artist, and I'm less willing to indulge myself in self-pity, outside of songwriting.
The rule of songwriting: say what you want to say, say it again, say it a different way, then say it again.
I've always loved songwriting, and I vowed to be a songwriter like Cole Porter when I was only 9 years old.
I always was songwriting in high school, writing songs while I was supposed to be listening to the teacher.
It's hard not to go back and look at my songwriting catalog and go, 'Look, there are 600 to 700 songs here.'
I take songwriting very seriously and I wouldn't want anything I do to be construed as frivolous or mundane.
Songwriting requires some sort of ceremony to even get the process started, and it can be somewhat arbitrary.
As far as songwriting, my inspirations came from love, life and death, and viewing other people's situations.
Songwriting is kind of like a craft. It's not something that just comes in a dream. You've got to work at it.
I think songwriting is the ultimate form of being able to make anything that happens in your life productive.
It was actually working with Kendrick Lamar that pushed me further into the act of songwriting, specifically.
I think for me to be involved in a festival, there has to be a strong element of songwriting and musicianship.
The best songwriting comes from being as creative as you can and editing it down to the good bits, essentially.
Songwriting is the other weight on the opposite side of the scale from touring. They balance me out creatively.
My songwriting, when I'm writing, is nothing like it is in its finished form - but you have to start somewhere.
I love Frank Ocean. For me, 'Channel Orange' is the best LP ever. I love his voice, the songwriting, everything.
Hemingway was very sparse in his writing. Kris Kristofferson is like that. He can take four words and say it all.
Songwriting is such an intricate part of me as an artist and as a person; I couldn't just let someone else do it.
You know, I would say that songwriting is something about the expression of the heart, the intellect and the soul.
Everything in life influences my music. I've always used songwriting as a means to share what I think is profound.
Experience is definitely the high road once driven. It actually enhances the songwriting and song sourcing process.
If I don't have an outlet in which to express myself...throug h songwriting or other mediums...I get a bit jittery.
Nostalgia has always been a key player in my songwriting cause within that space I find a great deal of inspiration.
That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
It's such a weird process, songwriting, because you just have to feel it. There's no right or wrong melody or lyric.
My songwriting and my style became more complex as I listened, learned, borrowed and stole and put my music together.
Songwriting has become such a big part of what I do that emotions and the melodies that accompany them blur into one.
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve.
Those things interest me a lot in songwriting - the human nature of how people think, and the muck that we wind up in.
Well, everything about singing, I learned from busking. Everything I learned about songwriting, I learned from busking.
Every musician out there wants to be judged on the merit of their songwriting, the merit of their performing abilities.
For the most part, the real work is done in the songwriting stage and recording; the next step is presenting to people.
After two years in the songwriting world, I wrote 'All About That Bass.' L.A. Reid heard it and signed me as an artist.
Write about the truth. If you write about the truth, somebody's living that. Not just somebody, there's a lot of people.
All of my surroundings influence my songwriting. It's autobiographical, although I leave enough space so it's relatable.
I've lived through a lot of dark environments one way or another while growing up and that has influenced my songwriting.
My brother and I are not rivals. We are shipmates and best friends and the greatest songwriting partnership in the world.
The songwriting process is different on every record because you're never coming from the same place when you're writing.