Quotes of All Topics . Occasions . Authors
I grew up in Atlanta, Georgia, and I honestly started performing for my family when I was around three. I would jump up on the coffee table and I would get in the closet and ask that they introduce me to come out, and from that point on, my mother stuck me in dance class and children's theater.
For at least a decade, Millennials have been stereotyped as lazy, entitled, and stuck on social media. While that may not be entirely fair, they are notoriously liberal, overwhelmingly supporting left-leaning candidates and favoring policies like nationalized healthcare and same-sex 'marriage.'
As a fan, I hated most of 'The Day After Tomorrow' movie except for the part where Emmy Rossum and Jake Gyllenhaal were stuck in the library, and I thought, 'Oh, I like this now.' There's something about bringing people together in odd circumstances and exploring the petri dish of what happens.
Age is a very psychological thing; I do not know how old I am if you ask my age. Age is calculated by when you get born, but I do not agree with that parameter. I sometimes feel like 25, sometimes 12 and at times 40, and I love that about myself as an artist. I am not stuck to a particular age.
One of the most memorable and frightening things when I was four or five was Kate Bush doing 'Wuthering Heights.' She did it outside, in a forest, and she did this thing where she looked straight into the camera, and it's the most frightening thing for a kid to see, but it just stuck in my head.
Eliza was my first name for two reasons. My dad was reading 'Uncle Tom's Cabin,' which features the maid Eliza in it, when I was born. Then there was Eliza Doolittle from 'My Fair Lady' and 'Pygmalion.' My mum always loved the name, and I got called Eliza Doolittle a lot, so it stuck, basically.
We like to think, in our anthropocentric way, that irony means that you transcended something, but actually, what it means is that you've realised that you're stuck in something, and you have this kind of uncanny awareness of that, and there's not much you can do about that feeling of stuckness.
My favorite affirmation when I feel stuck or out of sorts is: Whatever I need is already here, and it is all for my highest good. Jot this down and post it conspicuously throughout your home, on the dashboard of your car, at your office, on your microwave oven, and even in front of your toilets!
I used to get stuck trying to find the first sentence of a story, then I realised that it was often because I didn't know what problem a character was facing in the story. As soon as I did, I could have the character trying to do something about it or have the problem whack him between the eyes.
Putting on a movie is like going to war - for me, at least. It's all about time; time is money, and we don't have it. So it's all about getting to know each other intimately quickly. You are with family members that you like or don't like, but you can't leave them because you're stuck with them.
When the other kids started calling me nicknames, I knew everything was all right. I have a pretty big mouth, so they hit on that and began calling me Gatemouth or Satchelmouth, and that Satchelmouth has stuck to me all my life, except that now it's been made into 'Satchmo' - 'Satchmo' Armstrong.
When you're in a band, you spend most of your time in a van. Like, there were four of us, we toured all the time, and you're stuck looking at three other people for a month straight. And all of those times, we all just liked making fun of people, doing impressions of people, coming up with songs.
As an actor, you're always worried about getting stuck on a show that's not good because working actors need the paycheck. So being cast on a regular procedural, where everything gets wrapped up by the end of the episode, was always a fear of mine because that doesn't really test you as an actor.
I think most things I read on the Internet and in newspapers are propaganda. Everyone from the 'New York Times' to Rupert Murdoch has a point of view and is putting forth their own propaganda. They're stuck with the facts as they are, but the way they interpret and frame them is wildly different.
For me, the power of the poetry in 'Milk and Honey' is the feeling you get after finished reading the poem. It's the emotion you feel once you've read the last word, and that is only possible when the diction is easy, and you don't get stuck on every other word, you don't know what the word means.
If I went to a major, you never know - what if they don't like the stuff I do? I could just get shelved. And then I'm stuck in a contract, and I can't leave. And if that happens, you're gonna realize, you're going to start hating it, so the power with being indie is you could do whatever you want.
Vince Russo stuck up for me in WCW when it came down to who should be world champ. From what I've heard, there was a meeting, and Russo stood up for me. I would not be six-time world champion if it were not for Vince Russo. I would not even be one-time world champion if it weren't for Vince Russo.
I've developed my passion for cars that drive themselves from being stuck in traffic for many, many, many hours of my life. I don't know what it adds up to, but I feel like I've lost a year or two just in traffic. That's big to me. That's a lot of time, a lot of money that I just lose on the road.
Don't get me wrong: I wouldn't wish it on anyone. Even the word 'cancer' brings back the nausea and pain, the fear I felt, and the heartbreak I saw in my parents' faces. The smells that fill hospitals and the constant tired feeling that comes with treatment are also permanently stuck in my memory.
When things could've gone really bad, rugby caught my interest and I really stuck with it. The sport brought me, maybe off the streets where we'd be fighting, into putting in a good effort in the rugby field where you're kind of rewarded for that rough behaviour instead of in trouble with the law.
A friend got attacked outside a nightclub just for being deaf. I stuck up for him but ended up getting in a bit of a trouble myself. I played with a tag at Stocksbridge. I had a little curfew. Luckily, it didn't stop me playing football. Being put on a tag, I could have lost playing football again.
When Ke$ha tries to rap like L'Trimm, she sounds like any ordinary lonely teenage girl stuck in a nowhere town, singing along to her radio and dreaming of a party where she's the star. Ke$ha's greatness is that in her voice, you can hear both the loser girl and the star. All hail the Queen of Noi$e!
If I could create a world where people lived forever, or at the very least a few billion years, I would do so. I don't think humanity will always be stuck in the awkward stage we now occupy, when we are smart enough to create enormous problems for ourselves, but not quite smart enough to solve them.
I personally think the best ideas for TV shows - at least comedies - are very low-fi ideas. High concepts often sell pitches in movies and TV, but, especially in TV when you're talking about hopefully a 100 or 150 episode proposition, those concepts just burn off, and then you're stuck with nothing.
When I was 4, my parents took me to see a musical, and I was like, 'I want to do that!' I started doing all sorts of musical camps and a lot of professional theater. I took dance classes for 10 years, too - I was never the most amazing kid in the other classes, but tap stuck with me for some reason.
Just as black and white, when mixed, make grey, in many ways that's what it did to my self-identity: it created a murky area of who I was, a haze around how people connected with me. I was grey. And who wants to be this indifferent colour, devoid of depth and stuck in the middle? I certainly didn't.
My sister, when we were in Elementary school, had one particular lime green fuzzy troll doll sweater with a gem sticking out of the belly and actual hair that stuck to it, and I just remember, even though I was very young, being like 'This is unusual. It is weird that she is wearing this in public.'
Whenever I've been stuck on a project, it's always brought me solace to the return to books that moved me in the past. It's a nice way to get outside my own head; and it brings me back to one of the most important reasons I write at all: to bring some pleasure to readers, to make them think or feel.
I don't think that one thing defines me, but I know that by coming out the way that I did, sort of almost pioneering it in action sports - to take that stand - that it's always going to be a label that is stuck with me, and I know that I'll always be the 'gay skier,' and it actually doesn't bother me.
The film I do doesn't have to be a film that only my kids can watch. My kids will watch films, but I will decide what they watch and not. My aim is to play different characters and not be stuck in a mould. Just because you are a mom and a wife doesn't meant you have to play those roles, even in films.
The Palestinians are facing a historic junction at which they will have to decide whether they want to remain stuck in a corner of extreme fundamentalism, which will cut them off from the entire world, or whether they are ready to take the necessary steps. My role is to assist in building this process.
I started wearing wigs when I was younger and had a thyroid disease that made my hair fall out. It was devastating. I thought, 'I could either have an issue with this, or I could go to the store and buy a wig.' And then I fell in love with wearing them, and I stuck with it even after my hair came back.
For 'Regulate,' I was at home, and I came up with it. I was listening to Michael McDonald's 'I Keep Forgettin'.' It was a record that I always loved, from being a kid and my parents playing it when they had their company of friends over. It was a record that just stuck in my head, and it just felt good.
I wanted to find something I was passionate about, something with the possibility of upward movement, and I wanted freedom. I need to be outside living life, not stuck in an office. I figured I could either be out selling condos in Miami, or I could move to L.A. and chase after that elusive actor's job.
When checking in at an airport, no matter how rude the check-in person is to you, always smile and be nice because you don't know what kind of day they've had. You are going on holiday and they're stuck wherever they are. Be nice to them because they can re-route your baggage to wherever they feel like.
We need to make friends with ourselves. We are stuck with our self all day, so let's be kinder, gentler, more amusing company. Let's take our own hand and say, 'There, there, sister. You're doing a good job. I'm proud of how you're handling all this craziness down here. Don't give up. Carry on, warrior.'
I did this class when I first moved to California. It was a 'Kids on Camera' class up in the Bay Area. That was good for just getting me excited in acting and everything. Then once I started working down L.A., I just stuck to my acting coach, and she helps me prepare with auditions and that sort of thing.
It was wrong to capture wild animals and confine them in captivity for people to go and gawk at them. And that's basically how zoos got started. But once you do that, and once you have animals that have been bred in captivity, you're really stuck with them in some sense. You can't return them to the wild.
I was reading an article with Stevie Ray Vaughan a long time ago, and the number '1959' stuck out to me for some reason. So I started searching those out as the band got more popular and I could actually afford one. And I found this one in Los Angeles. That's what introduced me to the whole world of 1959s.
My first book, 'In Praise of Slowness,' examines how the world got stuck in fast-forward and chronicles a global trend towards putting on the brakes. That trend is called the Slow movement. 'Slow' in this context does not mean doing everything at a snail's pace. It means doing everything at the right speed.
When I was growing up, if there was a Young Adult section of my town's library, I missed it. I wandered right from 'The Babysitter's Club' over to Stephen King. His books were big and fat and they seemed important. I eventually worked my way through most of the shelf, but 'It' is the one that stuck with me.
Casseroles don't have to be about canned ingredients and vegetables you normally wouldn't even think of eating alone, much less stuck in between layers of sauce and breadcrumbs. They can vary from everyone's favorite all-time casserole, macaroni and cheese, to the ultimate English casserole, Shepherd's Pie.
Whenever possible, I use local, fresh ingredients, just because it tastes and feels better to eat an egg or a tomato or a hamburger that wasn't flown halfway around the world, that didn't travel on a truck and get stuck in traffic jams, that hasn't been sitting in a supermarket's refrigerator case for days.
I basically use Facebook and Twitter and MySpace to communicate with the fans. I don't think it's necessarily about advancing my career, but I do want to be able to connect with my fans. They are so important to me, and a lot of them have stuck with me since the very beginning, and that means so much to me.
When I was ten years old, I saw a big, fat beetle get squished. I don't recall the circumstances, but that's not important. It's the result that stuck with me. The beetle's thick, viscous insides so closely resembled a crushed blueberry that, to this day, I can't eat raw blueberries without feeling nauseous.
I think, as most of us do, I put such high expectations on myself that this spills over onto other people. And not everyone is wired this way. Some people can shrug expectations off their shoulders like a cardigan, remaining cool and breezy. Others wear them like a parka with a stuck zipper, hot and stifling.
Our generation, unfortunately, is stuck to our phones - and, like, Twitter - constantly, which I have no problem with. I'd say we're not describing the children of America or anything like that, but there is something to take from it: It is kind of sad how we can't go thirty minutes without checking our phone.
My mindset is of the person who is still unsure whether they have enough money in their ATM to go to another bar. I lived that way when I was unemployed, when I was a snowboard instructor, and when I was at NYU. A lot of my personality is stuck in those five years, and I don't know if that's ever gonna change.
I paint and I draw and I write and I do other things too, and recently some people at school were asking if I'd ever publish any of my work. But I almost feel like I would have to publish it under another name because there's a definition of me out there that feels kind of stuck in the moment when it was formed.
In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.