Quotes of All Topics . Occasions . Authors
'Deal or No Deal' works nicely with my ADD/ADHD symptoms. I show up, meet the contestants, and move around the set. I'm not stuck behind a pedestal reading trivia questions. I've always had problems sitting still and listening for long periods of time. The show spares me these challenges. I can live in the moment. It's like a standup act.
The 'Black Album' was my real first introduction to Metallica. I was, like, 12 or 13 at the time. We were just getting into music, and I liked that album a lot, but it didn't necessarily change my life. But when I started picking up all the other Metallica records, 'Master of Puppets' was the one to me that stuck out with its songwriting.
You don't have to work for Google, or any of the other firms encouraging staff to pursue personal projects on company time, to use slowness to unlock your creativity. Anyone can do it. Start by clearing space in your schedule for rest, daydreaming and serendipity. Take breaks away from your desk, especially when you get stuck on a problem.
I remember when I was younger, and in school, our teachers showed us films of plastic in the ocean, starving polar bears and so on. I cried through all the movies. My classmates were concerned when they watched the film, but when it stopped, they started thinking about other things. I couldn't do that. Those pictures were stuck in my head.
There's a grace period where being a mess is charming and interesting, and then I think when you hit around 27, it stops being charming and interesting, and it starts being kind of pathological, and you have to find a new way of life. Otherwise, you're going to be in a place where the rest of your peers have been moving on, and you're stuck.
When I was in the middle of the 'Scott Pilgrim' series, and it was slowly becoming more popular, though still not financially solvent, I had this real bratty instinct to turn around and do something super arty and dark. I felt dismissed by comics culture, stuck in between the artcomix world and the nerdcomix world, and I was cranky about it.
There's no way I would have got to see so much of the world, with my humble background, without modelling. We were penniless and hungry for most of my youth. I washed the sheets in the bathtub in my bedroom and hung them out of the window on the clothes line, which in winter was difficult as the sheets would freeze and get stuck to the line.
I think 'Speech & Debate' surprised people because it's a play about teenagers that took the teenagers very seriously. They are very real. People wanted to see if they identified with one of the kids, that loneliness, that yearning for something bigger. That feeling of being stuck, it's very adolescent, but those kinds of feelings linger on.
I am a collection of thoughts and memories and likes and dislikes. I am the things that have happened to me and the sum of everything I've ever done. I am the clothes I wear on my back. I am every place and every person and every object I have ever come across. I am a bag of bones stuck to a very large rock spinning a thousand miles an hour.
The Gilded Age robber barons - the Goulds, the Vanderbilts, the Morgans and Rockefellers - did quite well under laissez-faire. Most of the rest of Americans were still stuck in the ditch, with little to no economic security, life expectancy of roughly 45 years, and horrific infant mortality rates that claimed 300 babies per 1,000 in the cities.
The most interesting character to me is someone who is stuck in the no man's land between Belief and Unbelief, Faith and Faithlessness. I'm capitalizing like a German, but it doesn't matter whether it's faith in a person or in God, or belief in science or whatever, it's the desperate in-between state that makes for interesting dramatic tension.
The advice I like to give to drummers is that there's no right or wrong way of playing the drums. I think the drumming community can be very antiquated and very stuck in the past of, like, this Neil Peart style, technical Guitar Center drum video kind of approach. That you need to have played for 15 years before you ever do anything worthwhile.
A lot of women in the workplace are stuck in the uncomfortable place of having to come to terms with the fact that something isn't right, while no one around them will listen, or accept that something is wrong. Many workplaces have best practice, but sadly, many do not. The barriers are not insurmountable, but they are there, and we see that in the stats.
I wrote Her First American and I always say it took me eighteen years. It took me that long was because after about five years I stopped and wrote Lucinella. I got stuck; it was too hard to write. Lucinella felt like a lark. I wanted to write about the literary circle because it amused me, and I allowed myself to do what I wanted to do. It's just one of the things I'm allowed to do if I feel like it.
