For me really good acting is about subtext.

Shakespeare doesn't really write subtext, you play the subtext.

I'd be a Libertarian, if they weren't all a bunch of tax-dodging professional whiners.

As an actor, you are always looking for subtext, for layers, for what's going on underneath.

With Shakespeare, there's no subtext; you're speaking exactly what you're thinking constantly.

It was like hiking into a Hemingway story; everything was sepia-toned and bristling with subtext.

Every new generation of SF writers remakes cyberpunk - a genre often laced with dystopian subtexts - in its own image.

'Ocean's Kingdom' is a fairy story with no subtext, no resonance - it's not about anything except its water-logged plot.

I like to really know what every scene is about, what the text is, what the subtext is. Then I figure out how to express that when I'm shooting.

When you make illustrations, you're supposed to have a subtext; you're not just communicating words - you're actually adding another story altogether.

If you look at my body of work, there's always a dark side to my characters. They've always got a skeleton in the closet; they've always got a subtext.

I think I am more attracted to characters with a subtext, whatever that is and they don't necessarily have to be virtuous, but they have to at least be human.

All of Wes Anderson's films are confections, memoirs created in cinematic snow globes, with the subtext that memory is the most extraordinary confection of all.

With Bound, we wanted to pull at conventions, because you begin to wonder, Why do these stereotypes exist? Where do they come from? You use that as the subtext.

Throughout my career, when I have been rejected, there was sometimes subtext, and it was this: People will not read your work because these are not universal stories.

Sometimes I even feel funny to say I'm in a biracial marriage because people are like, 'Oh, he's Asian?' The subtext is, 'Who cares? You didn't marry a black person.'

When people start yammering about artistic responsibility, artists become wary. The subtext of such talk is that the arts need to be regulated, which is to say censored.

There's a certain kind of idealism attached to 'Tusk' as a subtext to the music, and I think people now can respond not only to how colorful and experimental it is, but also why it was made.

Theatre is different. We can spend two weeks around a table talking about subtext. In opera, there is a score, and people already know their parts. And they move differently. I find all this liberating.

I would say what Mad Men has taught me has been a super elevated evaluation of text in general, and understanding subtext, and understanding where a character comes from - what he means by this or by that.

When I used to watch comedians with my dad, he laid it all out for me. He wanted to be a comedian himself, and he was so funny. We'd watch stand-up on TV, and he'd tell me the subtext of what they were saying.

The prevailing subtext of every dating book is that beautiful women are surpassingly obtainable, so long as you get over the intimidation that keeps you from approaching them. That's maybe the dumbest advice ever.

Personally, I don't think we could do such a show if we didn't get along. The subtext of all this is that we're women in a show so we can't possibly get along. It's not like they write about The Sopranos like that.

I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again.

I am obsessed with story. I had a late awakening in life. In college was the first time that I understood what you could do with a story and what a good novel is - literary value and subtext and irony and everything.

Half of a broadcast show, in my experience, is things happening, and the other half is people talking about how they feel about the things that happened. And so there's this sense of everyone saying their subtext out loud.

The way you can see what an actor brings to a role is you turn the sound off. Everything else becomes subtext, the wink and the nod, and the attitude and all that kind of stuff is a little easier to see with the sound off.

There's no subtext in 'Harry Potter,' really; it's all magic - anything can happen. Why do I say this? Because it's a magic spell. It's quite nice in a way. There is a real freedom to it. Doesn't say much for acting, does it?

I feel like math and writing are the same thing. You're putting together a lot of complex things to satisfy different requirements. It's got to be aesthetically pleasing; it's got to have subtext; it's got to convey information.

Melodies are just honest. They can only be what they are. Words have the capacity for deception. They're all full of subtext, and some of them are cliche and overused and vernacular. They're tricky. All I can say is, words are tricky.

Peter Morgan's writing is so much about what you don't say: you're saying one thing but there's 10 other things going on, and those are the best writers like Chekhov... they're masters at a sort of naturalism, and yet there is all the subtext.

Five decades ago, as India's first prime minister, Jawaharlal Nehru, began visibly ailing, the nation and the world were consumed by the question: 'After Nehru, who?' The inexpressible fear lay in the subtext to the question: 'After Nehru, what?'

All the music I loved as a child, people thought it was junk. People were unaware of the subtext in so many of those records, but if you were a kid, you were just completely tuned in, even though you didn't always say - you wouldn't dare say it was beautiful.

It's always been a subtext of our secular optimism that you solve the economic problem, and all other things sort of take care of themselves. Well, we seem to be doing well on the economic side - we are doing very well - and the other things are not solving - they're compounding.

Once you start putting in political subtext, it does create intellectually challenging science-fiction, but with 'Pacific Rim,' I always thought it would be a shame if kids couldn't go see this movie about giant robots fighting giant monsters because it seemed to have a political point of view.

Celebrity poverty, that's the hidden scandal in Blair's Britain. You can't help but worry for them. A girl I knew developed X-ray eyes for celebrity sorrows. She taught me to read the subtext of the down-market celebrity interview, she knew all the Hollywood codes, and followed the deep backgrounds.

I don't even know if I always entirely get what I'm trying to say right away with lyrics. I like a lot of things that are more subtext. I grew up mishearing lyrics my whole life, but somehow there's so much more, too, that's implied in vocal delivery and the music itself and the gestural quality of it.

I think the benefit of being a writer is that I'm looking for the subtext on the page, because all good writing has subtext. And as a writer, you look at the big scope of things, the big story, rather than just your individual story line, because I think it's important to know what you're in and how you fit into it.

Innovation is doing something in a different way, but it also has a subtext: When there's an established way, and that way is considered the best practice and how it's traditionally been done, innovation comes by and says 'Let's try a different approach.' It doesn't need to be big or company-wide - it could be a single thing.

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