Success to me is being a good person, treating people well.

It took me 30 years for people to consider me an overnight success.

Other people's success spurs me on to do well and gives me motivation.

When people underestimate or think my success has come easily, that doesn't bother me.

For me, money is not my definition of success. Inspiring people is a definition of success.

Critics or musicians who attack me are jealous of my success and the fact that I make people feel so happy.

Rock and Roll is still asking people like me to live up to the old guard's concept of what success is but it doesn't mean anything.

Maintaining longevity is a major part of success to me. So many people come into an industry quick, shoot to the top, then crash and burn.

I'm sure that Elvis was happy for me. I think he was the kind of guy that enjoyed other people's success, especially if he had something to do with it.

Success is always something completely different to people. I feel like I've succeeded, if I'm doing something that makes me happy and I'm not lying to anybody.

People often think that people like me don't have ordinary lives. I have the greatest pleasure, and in fact, the greatest success in my career is having been a mother.

Success? You can't get a big head about it. When people stare at me, they could be whispering to their friend, 'That guy sucks! Have you seen him before? He's horrible.'

Success made me self-sufficient, but it also took away my anonymity. I'm just this quiet nobody, and all of a sudden people are nervous around me. That was kind of weird.

I'm just a Chicago actor who's a playwright. Even with the success of 'August,' the people in town who come to our theater know me by sight, because they've seen me onstage so much.

Some people really trip on success or popularity. My friends would talk to me about that, about tripping on all this stuff, but you know what I tripped on? I started buying property.

I think a lot of the people who write about me think that if they had to write fewer interviews then they would transcribe their life-story and it would be a big success. Or should be.

While I was doing stand-up, I thought I knew for sure that success meant getting everyone to like me. So I became whoever I thought people wanted me to be. I'd say yes when I wanted to say no, and I even wore a few dresses.

I thank every bully I ever had because that's the only reason I'm here. I learned how to not be affected by it and triumph over it, and that made me - again, if I had any success whatsoever, it's because these people made fun of me.

I feel responsible, as many other people's lives hang on the success of a drama in which I appear. But in essence, I think having various experiences and dialogues with different people helps me improve my acting more than taking lessons.

My deepest challenge has been an internal one. It's allowing success to take over by focusing on how many Twitter followers I have or what people are saying about me online, or just feeling like no matter how much success I get, it's not enough.

I can't say I'm not grateful to have journalists writing about me as a genius. But I know it's not true. I'm not confused. I understand that success comes through a lot of failure and a lot of very embarrassing failure. People want to create the next Facebook, but they are too afraid to create the next Facemash.

I'm quite laid-back but some people say I'm unemotional. I don't get carried away with success and similarly I don't get depressed when something bad happens. I didn't take it personally when rival fans threw banana skins at me when I was playing for Liverpool. I can't control 50,000 idiots shouting at me, so why would it bother me?

I think one of the reasons I've had success in hip-hop is that I can bring out vulnerability in people who are generally seen as tough guys. To me, when a hip-hop musician always plays tough, I find it annoying because I know they're not really like that - there's something deeper and vulnerable. There has to be, because they're human beings.

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