Quotes of All Topics . Occasions . Authors
There are lots of companies that are really trying to collect as much information as they can about every single person on the planet because they think its going to be valuable and it probably already is valuable.
I think the biggest statement we can make as men, not as black men, as men, is to stick together and show how strong we are as a group. Not splinter. Not walk. It's easy to protest. The protest will be in our play.
When you think about Boston, Harvard and M.I.T. are the brains of the city, and its soul might be Faneuil Hall or the State House or the Old Church. But I think the pulsing, pounding heart of Boston is Fenway Park.
I run to feel complete, to feel alive, to feel happy, and to feel free. I run to visit beautiful places, to overcome my fears, and to remind myself - and others - that our limits may not be where we think they are.
It's pretty exciting to take real people living in the real world, their opinions, and have people have to react to that. As opposed to their perceptions of what people are thinking, which are often very different.
Be aware that what you think, to a large extent, creates the emotions that you feel. See the link between your thinking and your emotions. Rather than being your thoughts and emotions, be the awareness behind them.
I always think, if I were an editor, and I was invited to a show, and I would have to wait for 45 minutes in the dark or in the cold or in the heat, maybe I would like to have a fresh drink or a piece of chocolate.
What is acceptable in our culture, I think, is really detrimental. I think we ought to have a little more ownership over the kind of material and the content that we put in front of people, especially young people.
Everyone has a story, and the story changes, and the more I can root into the truth of things - it's so hard - I don't think anyone ever really puts it all together. But somewhere along the way it all became fused.
I think that the media should stop with this unnamed source stuff, put names on a piece of paper and print it. If people aren't willing to put their name next to a quote, then the quote shouldn't be listed, period.
I sit in places like Costa Coffee in Banstead and write rubbish. I need a deadline. I think about the 44 tour dates and keep imagining standing in front of all these people. Then every day I write 15 jokes minimum.
People are not afraid to be very direct with police. And I think that's part of the problem is that people are angry at the cops and then the cops are stressed out and they, you know, pay it backwards, so to speak.
The proposition that the people are the best keepers of their own liberties is not true. They are the worst conceivable, they are no keepers at all; they can neither judge, act, think, or will, as a political body.
I always want to sing, but I don't always want to be trying to have No. 1 records. I don't think you can do it forever. I don't know what the time span of that is going to be. I want to sing because I want to sing.
And I’ll tell it and think it and speak it and breathe it And reflect it from the mountain so all souls can see it Then I’ll stand on the ocean until I start sinkin’ But I’ll know my song well before I start singin
Many think of memory as rote learning, a linear stuffing of the brain with facts, where understanding is irrelevant. When you teach it properly, with imagination and association, understanding becomes a part of it.
I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it's great, too.
And I think if you look at any relationship, for the relationship to be productive and to move forward and to grow, sometimes things have to be said that one person or the other person is not going to like to hear.
I don't listen to a lot of music at all. I think that's very bizarre too, because it was such a comfort zone for me. But I don't know if I had my fill, but I don't listen to a lot of music, because I'm creating it.
'Maybe' is what gets us into trouble, because I think constantly women are saying I'll try to do it, maybe I'll do it, I'll do it if I can," and then they're feeling guilty when inevitably they can't do everything.
I always want to be a part of ensembles. Besides it feeling safer, I think it's a more fun environment to work in. To have a bunch of people collaborating on something, it takes the pressure off of each individual.
It seems like when I was growing up there was more compromise, wanting to work with each other, and I think all of them - all of the lawmakers - have hearts to do what's right, and they all are passionate about it.
I do think that all economies need a sense of fiscal discipline especially over the midterm and if you are in the middle of a debt crisis you can't borrow your way out of a debt crisis. That's logically impossible.
So, I think there's a danger that good stuff can fall by the wayside if it doesn't conform to formula. But I think it comes down to money and they just don't know where it's going if they haven't got any precedent.
Caring what others think about us is normal. The desire to belong is basic to human nature. But in order to feel like you truly belong, you must accept yourself for who you are. This is critical to Fearless Living.
I think over the course of 14 films, I'm returning to a place that I know to tell a story... the same way Spielberg returned to fantasy, Lucas returned to the 'Star Wars' saga, or John Ford returned to the western.
I do think that dread is about a certain kind of expectation. And the fact that a picture can never resolve itself the way a movie can - maybe that's a specific kind of dread that becomes associated with a picture.
Whatever you focus on during meditation, you psychically travel to and touch. In meditation, when you think of somebody, you actually go into their aura. That is the issue. Keep your meditation pristine, unalloyed.
Belinda stared into the fire for some time, thinking about what she had in her life, and what she had given up; and whether it would be worse to love someone who was no longer there, or not to love someone who was.
I got behind that pencil and nothing happened for many years, but since they put me in the Songwriters Hall of Fame, I've turned around. I took a good look at myself and said, I think it's time to get back at work.
Kraken' is a very undisciplined book. That's a gamble. If it doesn't come off, it's disastrous. But there are pleasures, I think, to a meandering lack of discipline that you can't get the other way, and vice versa.
I think I might have been a more interesting actor, had more of a career earlier on, if I had more formal preparation. When I see something ten years later that I was in I think, 'Boy, would I love to do that over.
Socrates is not just expounding noble ideas in a vacuum. He is in the middle of a war between those who think truth is absolute and those who think truth is relative. He is fighting that war with everything he has.
Like many people, I think I'm my own worst critic. And I think I take a lot out in an internally abusive way, looking at how I measure up, which usually was never enough. I never, never was as good as someone else.
I find myself being quite cynical - and I think we all kind of are - towards the idea that it's associated with being a musician; you know... the kind of rock-star attitude. So, I hope that people know it's a joke.
Each poem seems to demand its own formal approach. In both drafting and revision, I'll play around with line lengths and stanza formations, eventually letting the poem settle into what I think is its own best form.
I remember I was standing next to Timothy Dalton in Brenda Starr, and he turned to me and said,"Oh, I think I've just been tagged to play James Bond." I'll never forget that. I went, "Oh! Okay. Well, good for you."
If I had only one more sermon to preach before I died, it would be about my Lord Jesus Christ. And I think that when we get to the end of our ministry, one of our regrets will be that we did not preach more of him.
It's supposed to be a good thing that he's got this dialogue started. To me, I think, I just took away something bad from it, because, apparently he had to do this not to convince them of anything. To educate them.
I think that sometimes when they see me in a movie they expect me to be something nasty. I mean, I play a lot of villains and you show up and they think maybe... That's why it's good to defy expectations sometimes.
Designers are more like artistic directors now. Before, there wasn't this idea of supervising the artistic direction of the entire house. The old way was to think you could be this couturier or designer or stylist.
I certainly know there are people in positions of power in the business who lack imagination and, perhaps as a result of that, think of me as 'David'. But I wouldn't really want to work with those people, you know?
In Phil's case, I was personally thrilled he came back, because I think it's huge for the league. When you think about what he's done and how many championships he's won, there's always drama when he comes back in.
I definitely pay attention to details. I think one of the hardest things about making a movie is that it can be scrutinized over and over again. If anything just isn't right, it's going to take you out of the film.
People are too worried a lot of times what other people in the audience are going to think about them, so they like to feign offense so other people don't think that they're inappropriate for laughing at something.
I don't think fine dining is dying, but I think those rare occasions when you really want the fanciness are diminishing... I think a lot of people are going to find simpler, more casual ways to enjoy an experience.
Then I got the offer to play Buck Rogers, but I turned it down thinking it was a cartoon character. Well I was wrong, it wasn't at all. So I read the script and decided I liked the character, it had a good concept.
Normally, we think of the religious as people who care more, not less than the rest of us. This is not true, not exactly. The truly religious care more deeply about fewer things and do't give a hoot about the rest.
To be honest with you, it was almost like I could do no wrong after 'Maxinquaye.' And when I was putting together 'Nearly God,' I was thinking, 'Will you stay with me if I put out something that radio cannot play?'
I think in some way it's like that for all of us, living with the ghosts of things that used to be, or never were. We're all of us haunted by yesterday, and we got no choice but to keep marching into our tomorrows.