Quotes of All Topics . Occasions . Authors
I've run all the bands I've been in. A great front man needs that other person. It's not enough to have a guy with a cute face standing behind a microphone. I see it like the classic romantic relationships with men and women, where the woman lets the man think he's running it. It's a classic matriarchal trait, and that's always been part of my personality.
Human beings never think for themselves. For the most part, members of our species simply repeat what they are told - and become upset if they are exposed to any different view. The characteristic human trait is not awareness but conformity. We are stubborn, self-destructive conformists. Any other view of our species is just a self-congratulatory delusion.
It's kinda ridiculous what you can't say nowadays. You really can't say anything you believe! I think it's fricking ridiculous how sensitive everyone is to everything, how much things are frowned upon. How much stuff will cost you nowadays. I think it's fricking ridiculous that we can't - there's certain topics that you can't really say how you feel about.
It doesn't seem weird to me, at all. I'm in Baton Rouge getting ready to direct a movie for Sony, and I'm in the movie and I'm directing it. I know it's kind of this thing where some people find it difficult. I just finished a movie with Mario Van Peebles and he acted and directed as well too. I think we all feel similar that it just kind of seems natural.
I think it's human nature to go and to watch things that are done, and see the flaws, but I cannot think of anything that we would want to go so far as to completely change or redo to be honest with you. I think there are characters, you look at the Thor: Ragnarok trailer, there are characters that can evolve and can continue to change and grow throughout.
It's been part of my signature to incorporate my humor with my dance, or even just how I'm feeling. If I'm feeling humorous, which I am, most of the day, I tend to incorporate that. If I'm dancing freestyle, if I feel like I've gotten too serious, while I'm moving, I'll think, "All right, it's time to lighten up a little bit," and I do. It just feels good.
Above all, think of life as a prototype. We can conduct experiments, make discoveries, and change our perspectives. We can look for opportunities to turn processes into projects that have tangible outcomes. We can learn how to take joy in the things we create whether they take the form of a fleeting experience or an heirloom that will last for generations.
I did get good enough to get on HBO's Young Comedians Special, but I certainly wasn't the person who got launched off of HBO's Young Comedians Special. That would be Ray Romano that year. I had some semi-intelligent jokes, but when people would see me, they would think, "Oh, that's a good writer." No one would ever have said, "Oh, that's a good performer."
I'm older now, and I been through that, like, 'Stop. Tell the truth, what I need to do?' And I think that's important, as far as artist, for me to stand for what I believe in, And a lot of times people don't like that, you know what I'm saying. You become a troubled artist, or, 'You don't listen,' but as long as I say 'Yeah, I'll do it!' I'm a good person.
I think movies say a lot [about real life], even more than theater. It says a lot about the invisible, that movies are so fascinating. The camera lens is like a microscope that goes beyond the surface. It's like you're exploring a secret, so you explore the director's secret, you explore the actor's secret, and therefore you explore the universe's secrets.
I have been brought up in a culture where capital punishment is indeed anathema. I have always thought of myself as a principled opponent to capital punishment. However, when thinking about how the topic is handled in other cultures, in particular the American, Russian and Chinese ones, I have realised that my own tack on the issue was utterly superficial.
Science and its practice are no longer free and willing today but instead are constantly terrorized by research funding gravy trains and group thinking. This is why science needs defending and it takes courage to cleanse science from those cancerous elements and to bring her forward in its rightful place again. I am humbled and honored by this recognition.
The big characters who occupy science, especially modern science, are all "off" in fundamental ways. I don't think that genius goes hand in hand with being socially inept or being a sociopath or being a misanthrope, but I do think that it is a mind that can think so differently - so beyond how one is supposed to think. I wanted to pay tribute to that mind.
The impulse to think, to philosophize and spin beauty and brilliance out of mind and soul, is somehow the offspring of resistance of an effort to overcome an apparently insurmountable obstacle. Hence cultural creativeness is more likely to flourish in an atmosphere of restriction, of an imposed pattern of thought and behavior, than in one of total freedom.
I do a little improv in my shows. Kind of like our movie, I'll do beats and ideas of dialogue, but I think there's less pressure because it's a live show. If you mess up, the audience laughs because we don't really know what we're doing. But as far as shooting, that was very scary, trying to make a point and drive the film. It definitely helped improvising.
I think I started to come into my own when I started doing more original material, and that, I think, culminated in 1998's Modern Cool. I insisted on going my own way. I think until you're more prolific, people don't trust that. So at first I think it was harder. They didn't know what to think, but as I continued along that path, they generally came my way.
I think sometime we will go to Mars and I think we'll explore it with humans sometime, but I think it's really wise to do all the robotic exploration ahead of time and learn as much as possible. Once we have learned as much as possible with the robots, then that's the time to send people, and let them then continue the research that the robots have started.
I have so often been asked the question: "But how did you come to think of The Scarlet Pimpernel?" And my answer has always been: "It was God's will that I should." And to you moderns, who perhaps do not believe as I do, I will say, "In the chain of my life, there were so many links, all of which tended towards bringing me to the fulfillment of my destiny."
Love is made up of three unconditional properties in equal measure: 1. Acceptance 2. Understanding 3. Appreciation Remove any one of the three and the triangle falls apart. Which, by the way, is something highly inadvisable. Think about it — do you really want to live in a world of only two dimensions? So, for the love of a triangle, please keep love whole.
I had a lot of nerves for a long time about career-oriented things, and I've slowly sort of let myself relax into it a bit. Part of me thinks that's maybe the effect of being on two hit shows. I like to think that maybe it's more: You do the things you do, and you do the best you can, and that's all you can hope for, and don't worry too much if it's not it.
I think the most important thing is authenticity, just being as real as I can be. But also flexible and open to change and other ideas and thought processes. Back when you and I last talked, I was at a turning point in my life, and I was having a tough time. I was hiding it, but I had a really hard time just being me. So now it's important that I'm just me.
This guy [Donald Trump] has not offered a single serious policy proposal, which is important if you want to be president of the United States. And Hillary Clinton is going to have clear shot to the Oval Office. And so I think there are many out there that are rooting for that outcome, so that he's the nominee. And you can see it in the coverage he's gotten.
When the AIDS epidemic first started there were people who said, "Well, if there weren't gays, then we wouldn't have this problem. It's got to be because of them - let it be them instead of us." But when you educate yourself about it, you can't help but realize that we're all affected by it. I think that things like that just become too daunting for people.
She seems so cool, so focused, so quiet, yet her eyes remain fixed upon the horizon. You think you know all there is to know about her immediately upon meeting her, but everything you think you know is wrong. Passion flows through her like a river of blood. She only looked away for a moment, and the mask slipped, and you fell. All your tomorrows start here.
Except I think it feels more like an empty stomach than a broken heart. An aching hollowness that food can't cure. You know. You've felt it yourself, I bet. You hurt all the time, you're restless, you can't think straight, you sort of wish you were dead but what you really want is for everything to be the same as it was when you were still with her.. or him
One of the things about Herman Cain is, I think that he makes that white Republican base of the party feel okay, feel like they are not racist because they can like this guy. I think he giving that base a free pass. And I think they like him because they think he's a black man who knows his place. And I know that's harsh, but that's how it sure seems to me.
I think I am an actress and I'm artistic and I love spontaneity and all of that, but I just decided really early on that if I didn't also try to ground myself I would probably end up like this character of Laura in A Little Help , or like so many young people in Hollywood, sort of go off the rails. So I'm pretty attached to my routines and my grounded ways.
I do not rush into actual work. When I get a new idea, I start at once building it up in my imagination, and make improvements and operate the device in my mind. When I have gone so far as to embody everything in my invention, every possible improvement I can think of, and when I see no fault anywhere, I put into concrete form the final product of my brain.
If you choose not to act, you have little chance of success. What’s more, when you choose to act, you’re able to succeed more frequently than you think. How often in life do we avoid doing something because we think we’ll fail? Is failure really worse than doing nothing? And how often might we actually have triumphed if we had just decided to give it a try?
The identifying personal association with objects, which are not personal, is an important modern experience - our real association, the strands of our feelings about the objects that surround us. It's also because they are so familiar, we don't think of them as important in the world, but actually they are the world. We are living in a very material world.
I think in daily newspapers, the way comic strips are treated, it's as if newspaper publishers are going out of their way to kill the medium. They're printing the comics so small that most strips are just talking heads, and if you look back at the glory days of comic strips, you can see that they were showcases for some of the best pop art ever to come out.
For my part I think the Learned, and Unlearned Blockhead pretty equal; for 'tis all one to me, whether a Man talk Nonsense, or unintelligible Sense, I am diverted and edified alike by either; the one enjoys himself less, but suffers his Friends to do it more; the other enjoys himself and his own Humour enough, but will let no body else do it in his Company.
Think they work you too hard? Think of poor Ali Sard. He has to mow grass in his uncle's backyard and its quick growing grass and it grows as he mows it the faster he mows it the faster he grows it. And all that his stingy old uncle will pay for his shoving mower around the hay is piffulous pay of two dooklas a day. And Ali can't live on such piffulous pay!
I think people assume that whatever kind of music you make is the music you listen to. Don't get me wrong, I listen to tons of pop music and all the music that really inspires Best Coast is very straightforward '50s and '60s pop music, but I've been listening to R&B and rap since I was a kid. I grew up in L.A. It's part of the culture. I listen to anything.
I am dead because I have no desire, I have no desire because I think I possess, I think I possess because I do not try to give; Trying to give, we see that we have nothing; Seeing that we have nothing, we try to give ourselves, Trying to give ourselves, we see that we are nothing, Seeing that we are nothing, we desire to become, Desiring to become, we live.
There are so many rules in the art world. I don't like rules and I break them all the time. I don't care if people think I'm overexposed. What I care about is if I'm going to run out of energy. Overexposure is only a problem if you are drained of energy and cannot come up with new ideas. Every artist has to recognize that and know when to stop for a moment.
I notice a lot of people think they can solve their problems with antidepressants. That, I noticed, being like a bigger issue, like, it really strips people of who they are. Like, all your quirks and all your problems, even your depressions and your failures, that's what makes you, you. And there's a lot of drugs out there that will take that away from you.
He says when your grandmother died your mother cried solidly for a week, solidly. She was crying with relief he says, it was like as if a door had been unlocked and she'd been let outside, she said to me I'm safe now. He waits, and he says this kid, when it's born, you mustn't ever let it think it's anything other than a gift and a blessing, do you hear me?
The first time I did a reading/signing thing at Cody's, the woman who did the introduction said something like that, and I wasn't the only one cringing. I remember looking out into the audience and seeing people's faces and people whispering to each other, and thinking like "Ugh, can we just cancel the whole thing? I can't go out there after she said that."
I'm not really sure what the psychology is, but for me, I'm interested in it because it's such a juxtaposition to what is going on in my life with a newborn, as you can see. So because of that juxtaposition I'm really fascinated by it, but I'm equally terrified by it, and I think that diving in it makes me feel safer as a woman and a mother for some reason.
Essentially, I'm a very real person; good and bad. And the public image is one of being very good, I suppose. But one of the reasons I'm attracted to people like Martin Luther King, Jr., Gandhi, Christ, to pacifism, is because naturally, I'm the guy that would not turn the other cheek - but, when people see you're attracted to that, they think you are that.
The truth about autobiographical songs, he realized, was that you had to make the present become the past, somehow: you had to take a feeling or a friend or a woman and turn whatever it was into something that was over, so that you could be definitive about it. You had to put it in a glass case and look at it and think about it until it gave up its meaning.
I don't think there are any secrets to writing in the - everybody has their own techniques. You must be widely read, that's one thing, because you have to resolve a tremendous amount of background information. Also, you should know what the competition is writing, just so you're not wasting your time doing the same thing. Unless you do it better, of course.
If you polled the military in Afghanistan as to how many think we should be there or not, the numbers would probably be similar to what the U.S. population believes. That's not because they're watching the news. But, hey, they are out there risking their lives. No one likes to be criticized and it really sucks to be criticized when you're risking your life.
When an archer is shooting for nothing, he has all his skill. If he shoots for a brass buckle, he is already nervous. If he shoots for a prize of gold, he goes blind or sees two targets - He is out of his mind! His skill has not changed. But the prize divides him. He cares. He thinks more of winning than of shooting- And the need to win drains him of power.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
Friendship, "the wine of life," should, like a well-stocked cellar, be continually renewed; and it is consolatory to think, that although we can seldom add what will equal the generous first growths of our youth, yet friendship becomes insensibly old in much less time than is commonly imagined, and not many years are required to make it mellow and pleasant.
I think what we need is better understanding of how to do risk analysis of a CDO, but that they still can perform a very valuable function because they can aggregate these risks and pass them around so that mortgages or other kinds of loans can be packaged and sold to investors all over the world, who in most times, would justify a small amount of each one.
A great many people (not you) do now seem to think that the mere state of being worried is in itself meritorious. I don’t think it is. We must, if it so happens, give our lives for others: but even while we’re doing it, I think we’re meant to enjoy Our Lord and, in Him, our friends, our food, our sleep, our jokes, and the birds’ song and the frosty sunrise.
And on this issue of the Shia in Iraq, I think there's been a certain amount of, frankly, Terry, a kind of pop sociology in America that, you know, somehow the Shia can't get along with the Sunni and the Shia in Iraq just want to establish some kind of Islamic fundamentalist regime. There's almost no evidence of that at all. Iraq's always been very secular.