Quotes of All Topics . Occasions . Authors
All of us in this country give lip service to the ideals set forth in the Bill of Rights and emphasized by every additional amendment, and yet when war is stirring in the world, many of us are ready to curtail our civil liberties. We do not stop to think that curtailing these liberties may in the end bring us a greater danger than the danger we are trying to avert.
I think at some point [Big Pun] really wanted to be a singer as well. He would call me at 3 or 4 in the morning and say "Yo Twin, sing something for me!". That's the type of love Big Pun had for me. He had this faith and belief and he expressed it many times. It was overwhelming for me. I think that he honestly believed I was going to make a difference in the game.
So, you're seeing the Rolls-Royces and the Bentley's still selling for big prices. You're seeing jewelry still selling, art works at auction. There was a diamond that sold for I think 38 million, 48 million, something like that just a week ago. So prices are back up to their highs, getting stronger and more and more people seem to have more and more money to spend.
In some ways, it's easier to go from short form to long form than vice versa. I used to make 30 second 'movies,' and I think if I only did long form I would find it difficult to adjust to that short a length. 'I gotta say something in 30 seconds. Forget about it!' There have been directors who have done commercials over the years, but they seem to be the exception.
Before we have children, we think most of the parents sitting in sacrament meeting ought to “do something about their kids.” Once we have kids, we think everyone ought to be a lot more understanding about what we’re trying to survive during the meeting. And once our kids are grown, we think, “I never let my kids get away with that.” We really all need to chill out.
Of course you can do it. It doesn't require brilliance. It's just giving yourself permission and then being persistent. Persistent in seeing the problem or opportunity and persistent in thinking about it until you have come up with some interesting ideas that might change the pattern. It's really a mindset, not anything in the objective world - that is the problem.
I love monsters. If I go to a church, I'm more interested in the gargoyles than the saints. I really don't care much about the idea of normal - that's very abstract to me. I think that perfection is practically unattainable but imperfection is right at hand. So that's why I love monsters: because they represent a side of us we should actually embrace and celebrate.
Don’t let any emotional thought concerning success or failure, fame or gain, overtake you, and don’t dwell upon them. Give up your personal shortcomings, such as foolish talk, distracting activities, and absentmindedness. Train in being totally gentle in all physical, verbal, or mental activities. Don’t ponder the flaws of others; think instead of their good sides.
The trouble with aggressive nonsmokers is that they feel they are doing you a favor by not allowing you to smoke. They seem to think that one day you'll look back and thank them for those precious fifteen seconds they just added to your life. What they don't understand is that those are just fifteen more seconds you can spend hating their guts and plotting revenge.
I didn't have time to deal with practicing in a way that I would have liked to. I wish I could have just said, "I've got four to five hours every day that I'm going to go deal with music." I just didn't' have that. I missed a lot of lessons, but I think that maybe was frustrating to me in a big picture sense of, I need the time and energy to put into my instrument.
People think athleticism is just physical, but it's not. It's connected to the brain and how the brain can learn to execute and see a movement or not. Especially at high speed. Being athletic is not just jumping and running and being powerful. It's the nervous system that guides the body. The muscles don't decide anything. The brain decides and makes things happen.
Now I rewrite more and more severely, and I take great pleasure in cutting thousands of words out of first drafts; I think that's a pleasure worth learning as early as possible in one's career, not least because realizing that one can do it helps one relax into writing the first draft in which it's better to have too much material for later shaping than not enough.
God lends us a little of His reasoning powers and that is how we think: He puts a little of His love into us and that is how we love one another. When you teach a child writing, you hold its hand while it forms the letters: that is, it forms the letters because you are forming them. We love and reason because God loves and reasons and holds our hand while we do it.
There's only one problem that bothers me. And that's something my theorem [ of Impossibility] really doesn't cover. In my theorem I was assuming people vote sincerely. The trouble with methods where you have three or four classes, I think if people vote sincerely they may well be very satisfactory. The problem is the incentive to misrepresent your vote may be high.
9/11 just seemed to come out of the blue. And there were people asking questions, but then there were no answers. At some point, it just turned into, "We've got to do what we've got to do." And I think those are the moments when you grow, when you get the opportunity to try to figure out, exactly as you said, what price are you paying, and if it's worth that price.
Dancing and music get into our bodies and it gets into our minds and it gets into our souls and we can be connected to something else. Music connects us all to each other, and I think that's just magical and beautiful, and I need that in my life. Heartbreak is the pain of separation. To me, the cure that music offers and that dancing offers is complete integration.
If you want to "get in touch with your feelings," fine, talk to yourself. We all do. But if you want to communicate with another thinking human being, get in touch with your thoughts. Put them in order, give them a purpose, use them to persuade, to instruct, to discover, to seduce. The secret way to do this is to write it down, and then cut out the confusing parts.
Stop thinking about art works as objects, and start thinking about them as triggers for experiences... That solves a lot of problems ... Art is something that happens, a process, not a quality, and all sorts of things can make it happen ... [W]hat makes a work of art 'good' for you is not something that is already 'inside' it, but something that happens inside you.
I think now that maybe true sweetness can only happen in limbo. I don't know why. Is it because we are so unsure, so tentative and waiting? Like it needs that much room, that much space to expand. The not knowing anything really, the hoping, the aching transience: This is not real, not really, and so we let it alone, let it unfold lightly. Those times that can fly.
I think the detective story is by far the best upholder of the democratic doctrine in literature. I mean, there couldn't have been detective stories until there were democracies, because the very foundation of the detective story is the thesis that if you're guilty you'll get it in the neck and if you're innocent you can't possibly be harmed. No matter who you are.
Still more pathetic is the total collapse of moral fanaticism. Fanatics think that their single-minded principles qualify them to do battle with the powers of evil; but like a bull they rush at the red cloak instead of the person who is holding it; he exhausts himself and is beaten. He gets entangled in non-essentials and falls into the trap set by cleverer people.
Chats are so new to newspapers, historically. But they're so incredibly valuable because editors/reporters/columnists get to find out what's on the minds of our readers, what you think we should be writing about, what ticks you off, what makes you happy. Sometimes it can confirm what you think readers are interested in; sometimes it can turn you around 180 degrees.
So today if you see a person who looks like your teenage fantasy walking down the street, it's probably not your fantasy, but someone who had the same fantasy as you and decided instead of getting it or being it, to look like it, and so he went to the store and bought the look that you both like. So forget it. Just think about all the James Deans and what it means.
People habituate themselves to let things pass through their minds, as one may speak, rather than to think of them. Thus by use they become satisfied merely with seeing what is said, without going any further. Review and attention, and even forming a judgment, becomes fatigue; and to lay anything before them that requires it, is putting them quite out of their way.
There is a thinking stuff from which all things are made, and which, in its original state, permeates, and fills the inter spaces of the universe. A thought in this substance, Produces the thing that is imaged by the thought. Man can form things in his thought, and by impressing his thought upon formless substance, can cause the thing he thinks about to be created.
We just totally have abandoned reality here, and the Democrats have created a new reality that is not real whatsoever that people have bought into and accepted, to the point now where the upholding of current law is what's considered lawless and partisan and political, and [Barak] Obama attempting to skirt the law and ignore the law is what people think is the law!
I actually don't have any fear of people reading Wild and going out unprepared. Because one of the best things that ever happened to me was that I went out unprepared. And when you really think about it, all I did wrong was that I took too much stuff, which is the most common backpacker mistake. The part that I wasn't prepared for is the part you can't prepare for.
Oddly enough, I suppose, I don't give much thought to my style, and I don't attempt to be consistent - except within a story. You ask if I struggled to find my style. It seems to me that style - in other words, a way of thinking and doing things - is innate. You can try to will it to be different, but it's like a signature - you can't change its fundamental nature.
I am laying out a specific agenda that will make more progress, get more jobs with rising incomes, get us to universal health care coverage, get us to universal pre-k, paid family leave and the other elements of what I think will build a strong economy, that will ensure Americans keep making progress. That's what I'm offering and that's what I will do as president.
There are certain neighborhoods in America like that - like in Pittsburgh, where I'm from - where people wouldn't think it's even livable for human beings. Those are the areas that I connect with because I come from places like that, and I just think it's interesting how the rest of the world acts like it doesn't exist. But a lot of the best things come from there.
One minute I'm robbing a dope house. Next minute I'm the youngest heavyweight champion of the world. I'm only 20, 19, with a lot of money. Who am I? What am I? I don't even know who I am. I'm just a dumb child who's being abused and robbed by lawyers. I'm just a dumb pugnacious fool. I'm just a fool who thinks he's someone. Then you tell me I should be responsible.
I think one of the biggest limitations for an artist is not being able to dream a golden dream. We're always saying, "Oh, we can make do with this," or "We can problem-solve this." But John Neumeier's creative process was very different from piecemealing. It was the first time I understood I could build something larger and that it could be and should be supported.
You have to be open to change. I never stop making sure that what I say is the best of what could be said about a particular thing. It's a constant evolution. If I planted a tree one way yesterday and somebody tells me of a better way to plant a tree, I think, You know, they're right, that's better. Then I change my way to accommodate the new way of planting trees.
I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.
If I seem detached or distant, it's because I think this is a more exact reproduction of life, where you hide as much as you show. When I see a scene in which feelings get loudly exteriorized, I say to myself, 'Well, at least this never happens to me.' I very rarely go through this type of expression. Most of the time things are hidden or at least much more subdued.
I like the way that Dexter mixed humor, dark humor and tragedy, in a way I don't think that I've seen another show do. To handle those tonal shifts with so much confidence. Normally, you can mix humor and dark humor, you can mix dark humor and tragedy, but to mix all three... There are just moments with Robin and Reuben, the next door neighbors, that are just funny.
When poets die, other poets take it personally, almost as an affront. A lot of us "left behind" are thinking that poetry is the one thing keeping us alive and present, so what does it mean when one of our ranks chooses to end his or her life? There's an anger beneath the grief, you know? That anger and grief, in turn, breeds other poems from those of us left behind.
Do you think that civilization advances because of things written in books? Not a bit of what is written in books ever got there until after the thought of it happened in someone's mind. Someone first had to collect it from space, or recollect it from its electrical pattern to which he (or she) had been attuned. The book is but a record of what has already happened.
Remember how pissed you got when we had to do all that reading about the Rising back in sixth grade? I thought you were going to get us both expelled. You said the only way things could've gotten as bad as they did was if people were willing to take the first easy answer they could find and cling to it, rather than doing anything as complicated as actually thinking.
I think a lot of the time, the studio system is so compelled to kowtow to its fear that women are not going to be found sympathetic. It just sort of euthanizes any hope of more diverse examples of the emotional realities of people. Representing my gender, I think, "Well, I have those emotions, why don't those ever get brought to the screen so I can feel recognized?"
I worked with some of the best actors I've ever worked with: Mel Blanc and Don Messick. They could play a scene against themselves. Think of the characters that Mel created, and they're as good or better than any performance anyone has ever given. I mean: Daffy Duck! Think of the specific voice Mel gave Daffy Duck or Bugs Bunny or Porky Pig... It's just astonishing.
Having a background in doing printmaking and letterpress, I think that I became very interested in images that were flat and graphic. And my painting still today is very flat...American craft is like that too - the painting is very flat. And also the painting that you see on the storefronts, handmade signs, tend to be very flat. That's probably my biggest influence.
All important persons have about them someone in a subordinate position who has their ear. These dependents are very susceptible to slights, and, when they are not treated as they think they should be, will by well-directed shafts, constantly repeated, poison the minds of their patrons against those who have provoked their animosity. It is well to keep in with them.
He who thinks he can have flesh and bones without being subject to any external influence, or any accidents of matter, unconsciously wishes to reconcile two opposites, viz., to be at the same time subject and not subject to change. If man were never subject to change there could be no generation; there would be one single being, but no individuals forming a species.
Detachment is not indifference. it is the prerequisite for effective involvement. Often what we think is best for others is distorted by our attachments to our opinions. We want others to be happy in the way we think they should be happy. It is only when we want nothing for ourselves that we are able to see clearly into others needs and understand how to serve them.
I don't even own a computer. I write by hand then I type it up on an old manual typewriter. But I cross out a lot - I'm not writing in stone tablets, it's just ink on paper. I don't feel comfortable without a pen or a pencil in my hand. I can't think with my fingers on the keyboard. Words are generated for me by gripping the pen, and pressing the point on the paper.
The situation in Turkey is extremely troubling. A panic-stricken regime, desperate to divide the Kurdish population from non-Kurds because it feared the rise of the HDP, has helped to create a huge crisis in the country. Can it be ended while Tayyip Erdogan remains in power? I don't think so. Erdogan may not be a "joker," but he is definitely a political plagiarist.
What is charm, it is not a moral quality, it is not intellectual for no man by much thinking is able to add a grain of it to his personality. One either has it or has it not, it cannot be acquired or even cultivated. It is not physical even, it seems to be added to the human personality, an aura, a glow, the gold dust upon a butterfly's wing, the bloom upon a peach.
I think that the best training a top manager can be engaged in is management by example. I want to make sure there is no discrepancy between what we say and what we do. If you preach accountability and then promote somebody with bad results, it doesn't work. I personally believe the best training is management by example. Don't believe what I say. Believe what I do.
When I think about discussions at the Society for Philosophy and Psychology, a group which includes not only philosophers and psychologists, but also computer scientists and linguists, it is noteworthy that one can't always tell just from the content of particular contributions from the audience, whether a given questioner is a philosopher or an empirical scientist.