Quotes of All Topics . Occasions . Authors
It's no use practicing too much. First you have to find out how to do it best. You have to be able to invent ways of doing better. Not only practice; obviously you have to practice. But to invent things how to do better. If somebody doesn't know what invention means, he should stop violin playing! You can't explain everything... Not practicing only: Think how to achieve quality.
I know the American Library Association has models for working with the poor. They do have that, and I think that we really need to put our efforts - if we want to think long-range and invest in the community so that we don't have to, you know, invest in prisons - into making a change, because I know that the library can make a change in a life, because it made a change in mine.
I think it's why we're able to look at with comic book stories or origin stories, why is it that we can keep retelling these stories over and over? And hopefully it's because it hits something so universal and so primal inside of us that we actually yearn for that same story over and over. But toned and different form, and updated and modernized, and I can go into the specifics.
There is a relationship between humor and fear. Think of all the gags you ever heard that have to do with dismemberment, or something that's horrible in one way or another, even if it's just horrible in the sense that somebody's being embarrassed. What do kids laugh at? Kids laugh if your fly's down. That's hilarious. But for the kid whose fly is down, it's a horrible situation.
Artists aren't necessarily business people. And they aren't necessarily aware of all the things that go on in their names. Some just want to make some music, but there is a lot of greed among artists as well. Whether or not we know it, we are all to blame. I think it's time - starting with the artist - to try to be a little more responsible and aware of what goes on in our name.
Collectivism takes on many guises and seldom uses its own real name. Words like 'community' and 'social' soothe us into thinking that collectivist decision-making is somehow higher and nobler than individual or 'selfish' decision-making. But the cold fact is that communities do not make decisions. Individuals who claim to speak for the community impose their decisions on us all.
I think we're more relevant than ever because it is such a noisy environment out there. What's a journalist now? It's anybody with a way to get information out and you're sitting there with your smartphone in front of you. That's what we're up against now. There's a lot of unfiltered information. Some of it is accurate, some of it way off base. We're that safe port in the storm.
There's a pretty epic battle "Part 2" of Twilight. It's really involved and it took us a few weeks to film it, because there was so many of us and it was such a large, massive war. I think they're really gonna love that. I feel like we've been working up to this the whole series and there was a bit of confrontation, but you never really got to see all the vampires go full force.
When you are annoyed at someone's mistake, immediately look at yourself and reflect how you also fail; for example, in thinking that good equals money, or pleasure, or a bit of fame. By being mindful of this you'll quickly forget your anger, especially if you realize that the person was under stress, and could do little else. And, if you can, find a way to alleviate that stress.
~Before you have kids, when you're on a plane and there's a screaming kid, all you can think is, Give me earplugs! As soon as I became a mom, though, I got it. You find yourself asking, 'What can I do? You want me to hold him?' Because you think about the time your kids was screaming, and there was the one parent who looked at you and smiled. And that compassion was everything.~
In a very real sense not one of us is qualified, but it seems that God continually chooses the most unqualified to do his work, to bear his glory. If we are qualified, we tend to think that we have done the job ourselves. If we are forced to accept our evident lack of qualification, then there's no danger that we will confuse God's work with our own, or God's glory with our own.
My guard will run you through if he catches you looking at my face," said Arianna. "I don't think so. I think it might be treason to kill a duke," said Luciano. "But you're not a duke," said Arianna. "I will be if you marry me," said Luciano. "Yes, you would be," said Arianna. "Would?" "If you are asking me." "I'm asking." "And if I accepted." "Do you?" "I do. With all my heart.
I mean, what's thematic? How to put it? Going back to, like, 1980, when I started writing poetry. Language itself became an issue. I'd even think about font as an aspect of text, you know, how something looks on a page. A lot of this is the product of a very solitary existence, it's like, language, I mean, you know. A lot of time spent alone in the creation of all of this stuff.
It occurs to me that there's been a relatively recent tendency in the media to see prostitutes as victims and johns as exploiters. I don't think most prostitutes see themselves as victims or see their clients as exploiters, but that way of seeing prostitutes and johns is pretty common now outside of sex-work circles, and it's more shameful to be the exploiter than the exploited.
There also exists another alliance - at first glance a strange one, a surprising one - but if you think about it, in fact, one which is well grounded and easy to understand. This is the alliance between our Communist leaders and your capitalists. This alliance is not new. ... We observe continuous and steady support by the businessmen of the West of the Soviet Communist leaders.
Look, this is a man, he's got great numbers. He talks about numbers. I'm beginning to think not only did he invent the Internet, but he invented the calculator. It's fuzzy math. It's a scaring - trying to scare people in the voting booth. Under my tax plan, that he continues to criticize, I set a third - the federal government should take no more than a third of anybody's check.
When the industrial revolution happened there was the Luddistic movement, and there was a fear that machinery would replace all the labor. Whenever we had a technological revolution we had this fear. So if you look backwards, these fears were not justified, and I think they were driven by our very human inability to visualize what new jobs will be created by this new technology.
I think that those of us who are ordinary disappear easily into the backdrop of life and we take things for granted. We often wake up in our lives and wonder how we got there. But the characters I create, the people I am drawn to, are quite extraordinary (and not always in wholesome ways), and they offer us the chance to understand who we really are and how we became who we are.
If you're going to say you're Catholic, you inform your conscience so that you're activities will conform to what God is telling us through the Church. If God is telling you something outside of that, well, the Church will look at that and say: we think it is true or we don't think it is true. The Church might say: that might be true for you but it has no public normative value.
I do not think that there need be the conflict between books and videos, that one would drive out the other. It certainly is possible to watch the screen for some things and for others to sit down and read, because the screen is easier to do, to watch is easier than to read because you don't have to contemplate anything. Someone else has done the work of putting it on the video.
I think it is a wise course for laborers to unite to defend their interests.... I think the employer who declines to deal with organized labor and to recognize it as a proper element in the settlement of wage controversies is behind the times.... Of course, when organized labor permits itself to sympathize with violent methods or undue duress, it is not entitled to our sympathy.
For me, the biggest champions out there are not just on the field, but also off the field. Some of the biggest champions around the world, the David Beckhams, the Lebron Jameses, they all hold themselves so well off the field, and do so many great things for the community and socially. So I think it's not just about how you perform on the field, but how you hold yourself off it.
I feel connected to every song on this record [ 'Modern Vampires Of The City' ], but yeah I think there's something special about 'Young Lion'. It's pretty different from any song that we've had before because the vocals are kind of between two different very simple instrumental piano melodies and it's almost like something that we call a vignette, it's sort of like a miniature.
I think the best analogy for where we are right now is that America is Elvis Presley -- the most beautiful, talented, rebellious nation in the history of Earth. And now, you're in your Vegas years. You've squeezed yourself into a white jumpsuit, you're wheezing your way through 'Love Me Tender' and you might be about to pass away bloated on the toilet. But you're still the King.
We realize we can't go around saying and doing what we're actually thinking and feeling. If we all did that, life would be a lunatic asylum. Indeed, that's how you know you're talking to a lunatic. Lunatics are those poor souls who have lost their inner communication and so they allow themselves to say and do exactly what they are thinking and feeling and that's why they're mad.
I don't think about the reader in any conscious way that impacts the writing, as far as, Hey, most readers would like this! But at the same time, if it were presented to me: "John, you're going to write a novel. It's going to take you a few years. When you're done with it, there's a law that no one's allowed to read it." I don't think I would write it. I want someone to read it!
I do like the old versions of our songs - there are good things in them, but I think that the good things that happen in the new ones kind of outweigh that. The murkiness of the first version of the record was not really what we'd intended. It has sort of a dream-like quality, but I feel like that has been preserved in other ways in the newer versions, as well as the bonus disc.
I've been thinking so much about how grateful I am to cover the court because the constraints of calm and civility are really palpable when you look across the street, and that, you know, I feel like the discourse has become so overheated that, you know, we talk about everything in the exact tone that seems to sort of preclude reason and to preclude the possibility of agreement.
You watch him playing Jack Sparrow, and he's loving it, and he's loving being in that world. He's still excited by it. Sometimes, he'll even say, 'Was that OK?' And I'm thinking, 'You're Johnny Depp man, you know that's OK!' But he doesn't. He's still going to [director] Gore [Verbinski] and asking for help. It's a privilege to see the human side of Johnny. It's really exciting.
It's hard to find people to trust in the record industry, always. It's an industry with a lot of bullshit. There's a lot of people who are in positions of power that really know nothing and care for nothing. So I think, yeah, you learn pretty early on that you've really got to trust yourself more than anybody else, and that nobody's going to care about what you do more than you.
Character isn't what we think it is or, rather, what we want it to be. It isn't a stable, easily identifiable set of closely related traits, and it only seems that way because of a glitch in the way our brains are organized. Character is more like a bundle of habits and tendencies and interests, loosely bound together and dependent, at certain times, on circumstance and context.
I think trauma gets a reductive treatment. We tend to think only violence or molestation or total abandonment qualify as "childhood trauma," but there are so many ruptures and disturbances in childhood that imprint themselves on us. Attachment begets trauma, in that broader sense, and so if we've ever been dependent on anyone, I think there is an Imago blueprint in us somewhere.
The soul must be distinct from intellect because even at its best, what the soul does when it's thinking, is it thinks linguistically, it thinks in a temporarily extended way, so it for example, might go through the steps of an argument chain, as if you were going through a syllogism and seeing that something followed from the premises, whereas intellect simply grasps the forms.
It's much harder to work for yourself, by yourself, than to create work for a gallery, because there are no limits and you can do anything you want. It's always easier when you have a parameter, when you have a limit. You can work within the limit and push it and walk the line, but when you're given absolutely no limits, it's harder. You must really think. It's more challenging.
I never wanted to get to a point in my life where I knew what was going to happen next. I felt like most people just couldn't wait until they found themselves settled down into a routine and they didn't have to think about the next day, or the next year, or the next decade because it was all planned out for them. I can't understand how people can settle for having just one life.
God is also fully aware that the people you think are perfect are not. And yet we spend so much time and energy comparing ourselves to others-usually comparing our weaknesses to their strengths. This drives us to create expectations for ourselves that are impossible to meet. As a result, we never celebrate our good efforts because they seem to be less than what someone else does
Writers, especially poets, are particularly prone to madness. There exists a striking association between creativity and manic depression. Why are more creative people prone to madness? They have more than average amounts of energies and abilities to see things in a fresh and original way—then because they also have depression, I think they’re more in touch with human suffering.
I don't think it's good to achieve too much at too early an age. What else can the future give you if you've already got all that your imagination has dreamt up for you? A writer is only discovered once in a lifetime, and if it happens very early the impossibility of matching that moment again can have a somewhat corrosive effect on his personality and indeed on the work itself.
My education was a huge influence. I trained at the Lee Strasberg Institute at Tisch, which is a huge foundation for young actors. They teach you their methods, and give you the sense that acting is much more tangible than most people think. I think there's a mysticism of what acting is, in the fact that it's this ungraspable, spur-of-the-moment thing that nobody can understand.
Let's say that you want to do everything out of the joy that comes from knowing the Lord. Well, a lot of people aren't built like that emotionally. If they think that some sort of feeling is the basis for their action, they are going to feel justified sitting around, although they are going to feel bad that they have never taken one step of obedience because their heart is cold.
Do you think that's, like, REAL bacon?" I whispered to Sydney and Dimitri. "And not like squirrel or something?" "Looks real to me," said Dimitri. "I'd say so too", said Sydney "Though, I guarantee it's from their own pigs and not a grocery store." Dimitri laughed at whatever expression crossed my face. "I always love seeing what worries you. Strigoi? No. Questionable food? Yes.
I owe my nurture to evangelicalism. The evangelical wins hands down in the history of the church when it comes to nurturing a biblically literate laity. When we think of evangelism, evangelicals are the most resourceful, the most intrepid, and the most creative. But evangelicals themselves would say that they have never come to grips with what the whole mystery of the church is.
Man is flawed; universe is imperfect; the functioning of the cosmos is defective! Everything seems to be severely punished by the imperfection! May be the real challenge of men is to correct all these flaws! It is possible to think that God is an evolutionary perfectionist! He creates things as unimportant and faulty; then let them all alone and fateless to evolve to perfection!
I want you to think of your life as an hourglass. You know there are thousands of grains of sand in the top of the hourglass; and they all pass slowly and evenly through the narrow neck in the middle. Nothing you or I could do would make more than one grain of sand pass through this narrow neck without impairing the hourglass. You and I and everyone else are like this hourglass.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
Making movie you just think, well, you know what you're gonna do, and you just when it comes down to the very specifics of it, you kind of have to rely on your mode of panic, and how well your imagination and creativity and all that works when you're in that moment. And you know, frankly, I never worried about that. I never worried that as we moved into the very specifics of it.
To Cam surprise, she was smiling up at him steadily, her eyes midnight. His expression turned quizzical. "What's so amusing?" Amelia toyed with a button on his coat. "I was just thinking . . . tonight those two old hens will probably go to their beds, cold and alone." An impish grin curved her lips. "Whereas I will be with a wicked, handsome Rom who will keep me warm all night.
When Dylann Roof walked into a black church, he wanted to start a race war. We didn't let him do that because we didn't cast him as a representative of the white race. We didn't give into his narrative. We did the exact opposite. And I think that we have to be careful not to give into the apocalyptic narrative of ISIS that wants to start a war between Muslims and everybody else.
You'd be amazed how much fun you can have if you get out of your own head. The problem is that now people are only interested in themselves. What we have is a non-voting generation. That's what they should call you guys, the non-voting generation. You think you can't fix anything until you fix yourselves. Well, let me be the first to tell you, you will never fix yourselves. p.32
Emery cut in impatiantly, "For crying out loud. Who do you think you are, Nancy Drew?" Hey," I snapped, because no one sniped at my sister but me, and Mark echoed with a stern "Chill, dude." Phin was unperturbed. "Those books were highly unrealistic. Do you have any idea how much brain damage a person would have if she were hit on the head and drugged with chloroform that often?