Quotes of All Topics . Occasions . Authors
It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.
One of my half-sisters just couldn't deal with it. I think she saw me as someone she had a hard time relating to. We're super-close now, but I probably came home from Europe with weird opinions and attitudes and weird clothing. I probably looked so different to her, and I couldn't show up for things she would have liked me to. My life picked up speed, and I couldn't really stop the momentum.
So you didn’t tell me it was a messed-up idea to keep this all a secret because. . .” “Because experience is the only teacher,” Hey-Soos says. “Even if I could have told you, it would have been a lecture. Why do you think kids don’t listen to their parents, or people don’t leave churches and do what the preacher tells them? There’s only one thing that’s universal.” “What’s that?” “The truth.
Somebody once said that the ideal size of a country for democracy to work is around 10 million people - and that kind of makes sense if you think of it in very crude terms. In a smaller country, I guess it's easier to maintain some kind of common ground.I do think the Swedish system of government works really well. Obviously, everything doesn't work perfectly, but I like the principle of it.
I did enjoy singing the song, called "The Count", which is Count Olaf's big song that he sings to the kids when they first arrive with his henchpeople. He wrote it himself, and he thinks he's really, really talented, and it's a terrible song. So we had to learn intentionally bad choreography... We did these almost Lady Gaga-ish kind of movements, which were just awful, but that made me laugh
To be honest," I halfwhispered, "I don't feel as safe with him as I do with you." "I know." A ghost of a smile touched my lips. "How do you know?" "Think about what safety is, Ella." "Trust?" "Yes, partly. But also an absence of risk." He unstuck a strand of hair from my damp cheek and tucked it back. "Maybe you need to take a risk. Maybe you need to be with someone who rattles you a little.
Think about every time you've seen someone being objectified, abused, enslaved. We see it constantly on the TV, in magazines, on the Internet. We've become numb, so we do nothing. The accumulation of passivity might make reading about that exploitation uncomfortable. And sometimes when I'm writing, I think of it like this: "People seem to like garbage, so here is what garbage smells like..."
I see prenuptial agreements as a positive - not only from a professional standpoint, but from a personal one as well. I think it is really important that people at least have some potentially difficult discussions about what their expectations are - and not just financially - prior to getting married. It should really even happen prior to people living together or casting their lot together.
Now, we're used to thinking of communism as being once-upon-a-time-all-things-were-owned-in-common, maybe-someday-this-will-come-again. And people agree that there is a sort of epic narrative going on here. I think we should just throw this narrative out, it's irrelevant anyway, and who cares who owns things? I don't. You know, we all own the White House. So what? I still can't go in, right?
I never did use earphones until into the Eighties or Nineties. I don't like to use earphones. I've never heard anybody sing with earphones effectively. They just give you a false sense of security. A lot of us don't need earphones. I don't think Springsteen or Mick do. But other people more or less have given in. But they ought not to. They don't need to. Especially if they have a good band.
I think Trump is indicative of a larger problem. It existed way before him, it is our generation's issue that all over the world people are and have been suffering from despotic power figures who want nothing more to control than help the people they claim to represent. The difference being is a lot of people had not been paying much attention prior because it wasn't directly impacting them.
Does a leaf, when it falls from the tree in winter, feel defeated by the cold? The tree says to the leaf: "That’s the cycle of life. You may think you’re going to die, but you live on in me. It’s thanks to you that I’m alive, because I can breathe. It’s also thanks to you that I have felt loved, because I was able to give shade to the weary traveller. Your sap is in my sap; we are one thing.
Americans were convinced in their own minds that they were very miserable, and those who think so are so. There is nothing so easy as to persuade people that they are badly governed. Take happy and comfortable people and talk to them with the art of the evil one, and they can soon be made discontented with their government, their rulers, with everything around them, and even with themselves.
To live only to suffer—only to feel the injury of life repeated and enlarged—it seemed to her she was too valuable, too capable, for that. Then she wondered if it were vain and stupid to think so well of herself. When had it even been a guarantee to be valuable? Wasn't all history full of the destruction of precious things? Wasn't it much more probable that if one were fine one would suffer?
[He] looked up and imagined the hand of God flinging stars like shining dust across the heavens. No. He was wrong to think such pagan thoughts, for God had only to utter a word and it was done. Only man had He shaped with His hands, using the dust He created to form His most precious and amazing creation. Only man was molded and loved into being, the breath of life in his lungs given by God.
What interests me is to paint the kind of antisensitivity that impregnates modern civilization. I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward - neo-Zen and all that. Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.
Every time you have a big blast-out experience you think that's the ultimate-everything, and of course it isn't, although you can get hints. The key however, is not to take those hint experiences to be the ultimate experience. There always needs to be a balance. For example, when you find something, by having some experience, you always want to keep looking because there could be more to it.
I write fiction longhand. That's not so much about rejecting technology as being unable to write fiction on a computer for some reason. I don't think I would write it on a typewriter either. I write in a very blind gut instinctive way. It just doesn't feel right. There's a physical connection. And then in nonfiction that's not the case at all. I can't even imagine writing nonfiction by hand.
"I Wish It Could Be Christmas Every Day," which I actually recorded on "Quality Street" because I don't think anyone has ever covered it before. You hear it every single Christmas, and it is a great record. That's by Wizzard. It is a really great record, but I don't think anyone's ever covered it before, so I had to go it doing it differently. It's quite different from how the original goes.
I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.
In my case, I made the decision early on that I was going to be very open about the book and claim upfront that each of the stories was based on my life experience. I think my reasoning goes back to what I was saying earlier, about wanting the book to be "more than a book," that I wanted the reader to feel a little unsettled about what they were reading: there's a core of factual truth here.
The ways in which people are damaged are the ways in which they're strong. It's what makes people interesting - what they've overcome and how, and what they haven't and how that's become a good thing. Almost everyone's life is both a gorgeous story and a tragedy. I think being alive is really, really hard, and I'm constantly stunned and amazed by people who make it interesting and beautiful.
If we could create the conditions that make racism difficult, or discourage it, then there would be less stress and less need for affirmative action programs. One of those conditions would be an economic policy that would create tight labor markets over long periods of time. Now does that mean that affirmative action is here only temporarily? I think the ultimate goal should be to remove it.
In the future I would like to try other forms of racing, testing Formula cars or single seaters would be good, but again it is finding the time as I am incredibly busy. I don't think I have the time to try any other new sports. I have already cut skiing out of my routine in order to manage the racing and riding relationship. By the looks of things I am going to be busy for quite a few years.
The realization that The Art of Obscurity is my 25th solo album prompted me to do some deep thinking about where I am, where I’m going and what I still want to achieve from this life in music. In my heart I feel vital and passionate about the creative process and that my best work is the next one I finish. It doesn’t necessarily work out that clean, but for me, it can be the only touchstone.
I don't think fast enough on my feet in terms of the writing to change the script too much when I'm shooting it. I like to have it set and done and know that I feel good about it and I might add a few lines here and there while we're shooting, if I think of a new joke, I might toss it in, but for the most part, I try to stick to the written script and have all the latitude exist within that.
I'm so in love with my boyfriend right now. Everything is perfect, but we want totally different things in bed. Like, he's always turning the lights on, you know what I'm saying? And I shut them off, and he turns them on, and the other day, he's like, 'Amy, why are you so shy? You know, you have a beautiful body.' I was like, 'Oh my god, you're so cute. You think I don't want you to see me?'
The Republican establishment cringe at the very discussion of social issues. They are in favor of big government for the most part. They think campaigns on smaller government are losers and they worry that, if they succeed, there's going to be less of an opportunity for them to have jobs in government. They're basically people who don't think we have a spending problem and that that's great.
As the most romantic day of the year approaches, and as a brand that is uniquely male, we wanted to find out how men really feel about Valentines Day, and how they want to celebrate it. The Johnnie Walker Blue Label Luxury Survey tells us what gifts men really want versus what gifts women think men want for Valentine's Day - and the reality is that we're not as far apart as we like to think.
It`s hard to think of John McCain without thinking about what a ball of energy he is. I remember when I was working in the Senate, he just, enters every room and went down every hallway at the highest speed possible and just was always that way. I think people saw that when he was running for president, that that`s the way he handled everything. It`s just this constant never let up attitude.
I think the problem for the future generations is a lot of people ain't takin' the time to look for galvanizing artists and give them their voice, so therefore for their voice to be heard, they gotta bang more pots on the ceiling, so to speak; they gotta do crazy things just to get recognized. I just feel that whenever you don't give a generation some kind of voice, then expect side effects.
Since the white man says he came from the evolution of animals, well, maybe the black man didn't. The white man has made so many errors in the handling of people that maybe he did come from a gorilla or a fish and crawl up on the sand and then into the trees. Of course, evolution doesn't take God into consideration. I don't think people learned to do all the things they do through evolution.
I think global warming is a very real problem for our world. I've seen the changes that have taken place in the Antarctic, in the Himalayas, where the natural ice has sort of faded away, and there's no doubt in my mind that we're living in a strange world, a world which is not easy to understand or handle, But there's nothing you can do about, you just have to live your life as best you can.
[Albert Camus] positions are sensed. So, naturally, those intellectuals who don't have that experience have difficulty in comprehending it. But I think it made Camus more tolerant because he had already seen both sides of things when the others had only ever seen one. They imagine poverty, but they don't know what it is. In fact they've got a sort of bad conscience about the working classes.
I see love developing from friendship. Common ground is a strong basis for friendship. My husband is my best friend and we have a lot in common even though we're admittedly different people. I think it evolves from how I see relationships working. You know, the opposites attract thing happens all the time, but so does the best friends thing. It's just a great kind of relationship in fiction.
The art is about opening, it is not about prejudice, it is not about contempt prior to investigation. It's about endlessly trying to keep from having contempt by admitting that you don't know. Even if you know a lot compared to some other people, usually, I think, the honest experience would be: "God, how little I know! And how much I need to have compassion for myself and for other people."
Michael Jackson is timeless to me. The fact that he wanted to break the rules, that he was always talking about a new world, a global world - "Black or White," "They Don't Care About Us," "Heal the world. Make it a better place" - with this charisma, that always touched me. I'm obsessed with the fact that he went so political. He became a legend, and today I think he's still the King of Pop.
I've done and said a lot of things when I was younger that I don't know if I even understood what I was doing or why I was doing it. There's a lot of compassion in understanding what people go through and even in trying to understand why a person would act the way they do. I was a very reactive person, and I did things that were just really bizarre; I don't think people understood it at all.
You have got to know what you're doing on your very first day there. So, look, this is not an attack or anything of that nature. It's just a very simple observation. If you want to be president, you have to start detailing some specific public policy. And I don't think from this point forward in the campaign, voters are going to be as tolerant of the lack of that as they have been up to now.
Have you noticed that every one of these candidates for Presidency say: "Barack Obama's weak, Vladimir Putin's kicking sand in his face. When I talk to Putin, he's gonna straighten out. Just looking at him I'm gonna - he's gonna be - " and then it turns out they can't handle a bunch of CNBC moderators at a debate. I don't think the Chinese and the Russians are gonna be too worried about you.
The modern mind will accept nothing on authority, but will accept anything on no authority. Say that the Bible or the Pope says so and it will be dismissed without further examination. But preface your remark with "I think I heard somewhere," or, try but fail to remember the name of some professor who might have said "such-and-such," and it will be immediately accepted as an unshakable fact.
You have to look for a unique quality in that person and it's not just always physical. I don't think models are great models because of their face or their body. Obviously, I think their physical characteristics are important, but I think it's very much about your personality and inner beauty and really understanding how to be a great model instinctively. And that's where it all comes from.
I wouldn't want to be so presumptuous as to suggest what my neighbors should or shouldn't do. Great insights might come out of drug dealing and prostitution. I'm not qualified to say. Not that I would promote those practices. I just respect the complexity of their cultural ecosystem and think it would be pretty lame, not to mention fruitless, to waltz in with some kind of reformative agenda.
I tremble for our world, where, in the smallest ways, we find it impossible, as Marshall Hodgson enjoined, to find room for the other in our minds. If we cannot accommodate a viewpoint in a friend without resorting to unkindness, how can we hope to heal the terrible problems of our planet? I no longer think that any principle or opinion is worth anything if it makes you unkind or intolerant.
For me, writing music is a good way to say what's on my mind. It's less vulnerable in a way, less embarrassing, less exposing to the idea of seeing someone's reaction. The thing about it, though, is you need to be ready... especially if you've got something you're burning to say... even if it's just what some people might think is just a small moment that nobody'd ever bother with or notice.
I don't make records for this medium with which we're going to sell it. The selling of it can never be more important than what you're actually making. There's too much of that in the world - in everybody's world, not just in music. There's too much, "Are you hip to this kind of stuff?" "Hey, this is cool." "Are you hip to it, because this is what we're selling today?" I think it's bullshit.
I don't really care for or that much about Chat Roulette. I think the phenomenon of it and like the first wow factor which was so absolutely insane about Chat Roulette. Certainly that's what inspired me to make that movie but I think that's true for everyone that used Chat Roulette which is why it was such an explosion. Now it's just kind of disappeared. You don't hear much about it anymore.
I think one of the lessons we should have learned from what's happened with the current plan is that there is insurance coverage, but there is not really, many times, access to health care. If you have these high deductibles, there is every - there is a disincentive to get the policy, because you would have to pay another - I think the average of deductible policies on the individual market.
The purpose of this is not show that I can do it better, because I think Superman is perfect. The original creation of Superman nobody could have done that better and I think Batman is pretty much a perfect character... The same with all of them. I'm just going to try to find a way to say, "If that wasn't the original idea, what would be another way to do it that would be more in my style?".
Trust doesn't come haphazardly. It really has to be built over time. And that trust has to happen really at times when there isn't a crisis. That's why I think having regular meetings and conversation when there's no crisis, when you can build trust and a friendship and a relationship that allows for better dialogue and far more consequential deal-making can occur when a crisis does come up.