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I am kind of a sucker for democracy, so I do think that what kinds of citizens we have in our societies are more foundational than what kinds of governments we have, and that the responsibility for self-government is ultimately with us. But we also have learned through a couple thousand years of democracy that democracies are only as good as people's capacity to reflect on those questions.
What is the most powerful force in the world? And I think you would agree that is a big idea if it is in the hands of an entrepreneur who is actually going to make the idea not only happen, but spread all across society. And we understand that in business but we have need for entrepreneurship just as much in education, human rights, health, and the environment as we do in hotels and steel.
Eventually, I think, by using such elements as flocks of birds or biblical quotes, repeatedly I add meaning to my final product. I'm still exploring how to express my feelings through these elements. I've always felt that in order to portray humans, you should not be shooting humans; you should be shooting something else. And what I've used is animals, which are very important in my films.
That is what marks out the warrior: the knowledge that willpower and courage are not the same thing. Courage can attract fear and adulation, but willpower requires patience and commitment. Men and women with immense willpower are generally solitary types and give off a kind of coolness. Many people mistakenly think that (they) are cold (people) when nothing could be further from the truth.
Working in a situation with men and women, and seeing women take on roles equal to the roles taken by men made you understand that, "Hey, these people can do things too." And I think it made me and other people in the movement realize that we're living in a community of equals. And that among those equals, they have equal rights. And we ought to respect their rights if they respected ours.
I think a repressive regime always fears people who are awakened - particularly ordinary people. If they are awakened, I think governments all over the world feel uncomfortable about that; they want to be in control. They want to be the ones telling people: "This is what we have done in history" but when people begin to say, "No this is what we have done in history" it's a different thing.
Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed - if that one writer had not, a hundred times or a thousand, made the choice to write. You're going to be that one writer one day for somebody you may never meet. Nobody can write that book you're going to write - that book that will light up and change up a life - but you.
Bolkenstein, a Minister, was speaking on the Dutch programme from London, and he said that they ought to make a collection of diaries and letters after the war. Of course, they all made a rush at my diary immediately. Just imagine how interesting it would be if I were to publish a romance of the "Secret Annexe." The title alone would be enough to make people think it was a detective story.
She was obviously useful at the UN because she had a public persona before she ever got there. She was well known. She was a spokeswoman for many important things. When she got there, what she said was paid attention to, undoubtedly much more than would have been if just Joe Blow had been made our representative to the United Nations. In that sense, I think it was useful to have her there.
I seem to have been cast several several times to do it. I think in this one, Phoenix is not purely evil. She was in the comic books at some point but the way the writers created her or we always talked about her, was that she was torn with her powers taking over and trying to control them at the same time. It was challenging to play which made it interesting for me to play this character.
It was really just the name that inspired me: Rainsboro. It's located near Rocky Fork State Park. I have probably driven through that little place a thousand times, but, in that weird way my mind works sometimes, one particular evening it just hit me the right way, I guess. Created a mood more than anything else. And then I started thinking about a woman and her young son who end up there.
I'm finding none. It's the same thing! It's about rhythms and beats and what connects to what. It's the same; the song has to connect to the story to get from this point to that point. So even though there may not be music in the show there is. You have to follow this delicate score. I don't think there's a huge difference. But, I don't have sore muscles! I'm not sore from dancing all day!
Especially in entertainment geared toward young people, the women are much stronger than they used to be. There's not really the damsel in distress anymore. I think the stereotype still possibly lives in different genre pictures but, in entertainment for the younger generation, they're used to women being equal and being strong. I think if you don't portray that, it would be kind of weird.
A man with a scant vocabulary will almost certainly be a weak thinker. The richer and more copious one's vocabulary and the greater one's awareness of fine distinctions and subtle nuances of meaning, the more fertile and precise is likely to be one's thinking. Knowledge of things and knowledge of the words for them grow together. If you do not know the words, you can hardly know the thing.
You are not mature if you have a high esteem of yourself. He who boasts in himself is but a babe in Christ, if indeed he be in Christ at all. Young Christians may think much of themselves. Growing Christians think themselves nothing. Mature Christians know that they are less than nothing. The more holy we are, the more we mourn our infirmities, and the humbler is our estimate of ourselves.
It's normal at this point for the fear-anger syndrome to take over and make you want to hammer on that side plate with a chisel, to pound it off with a sledge if necessary. You think about it, and the more you think about it the more you're inclined to take the whole machine to a high bridge and drop it off. It's just outrageous that a tiny little slot of a screw can defeat you so totally.
What keeps me up at night? Probably most, thinking about the future for my kids. It sounds kind of funny, but not so much what they're going to do, but how as a parent, how my wife and I as parents, how best we should prepare them for the world. And I know everybody does this, I think everybody stays up at night thinking about the best thing for their kids, and astronauts are no different.
The actors come in and they make characters their own and so Patrick and I have never been the kind to think that our script is the bible. We want to make sure that the story is told, that you stick to the story but if you have to make changes to the character then that's fine. A lot of times there are some funny one-liners, funny things that happen that are out of the ordinary. I like it.
I think every coach has to adapt to what they have, because they're what you get. You can't just go out to the player tree and pick all the great ones. That doesn't happen. You get a Barry Sanders every now and then. You get a Billy Sims every once in a while. And when you have it, you adapt to their strengths. Whoever comes in here and whoever has this job needs to adapt and will do that.
I think everybody should act! I would encourage everybody to do one thing, join a theater class or something. It's so good to take a character that you think is wildly different from who you are, and to try to relate to that person and become that person is very helpful. It's hard to articulate what you learn, but you can feel the effect of these characters that you play and take with you.
Being a liberal is the best thing on earth you can be. You are welcoming to everyone when you're a liberal. You do not have a small mind... I'm total, total, total liberal and proud of it. And I think it's outrageous to say "The L word". I mean, excuse me. They should be damn lucky that they were liberals here. Liberals gave more to the population of the United States than any other group.
The next time you are contemplating a decision in which you are debating whether or not to go for the gusto, ask yourself this important question: "How long am I going to be dead?" With that perspective, you can now make a free, fearless choice to do just about any goddamned sneaky thing your devious little mind can think up. Go ahead. Have your fun. You're welcome. Go on. See you in hell.
I think most people, when they take a look at the candidates and the positions of the candidates, realize that protecting this country and keeping this economy going are the two most important issues. And you can't protect the country if you retreat from overseas, and you can't keep the economy growing if you raise taxes. And that's exactly what the Democrats in the House would like to do.
With that being said, you are a Democrat. You are saying, "Let's cut and run." And I have to tell you, I have been nervous about this interview with you, because what I feel like saying is, "Sir, prove to me that you are not working with our enemies." And I know you're not. I'm not accusing you of being an enemy, but that's the way I feel, and I think a lot of Americans will feel that way.
I think Daniel Murphy definitely is premeditated what he'd like to do. He's very good about not missing his pitch when he sees it. I know the ball has to look like at least a softball right now, at least, maybe more to the beach ball variety. He's seeing everything that well. He's a good hitter that is seeing the ball really well right now, and you have to make good pitches to get him out.
Whatever God felt about anything, He still feels. Whatever He thought about anyone, He still thinks. Whatever He approved, He still approves. Whatever He condemned, He still condemns. Today we have what they call the relativity of morals. But remember this God never changes. Holiness and righteousness are conformity to the will of God. And the will of God never changes for moral creatures.
I think that it's fear. The musicians themselves don't seem to know enough about why they're in the positions they're in, so they're afraid to lose those positions. If you're 22 years old and you can't believe you're even in the position to have a career making music, the first thing you're going to think is: Maintain. Don't lose it. And that's precisely what causes you to lose everything.
I like to keep people around me like the guys I have on the road with me, three of them were childhood friends of mine when I was growing up in Scotland. They don't look at me any different than when we were in primary school. So it's good to keep people like that around you. I think if you surround yourself with good honest people, they will tell you what to hear when you need to hear it.
Endings of television shows are sometimes such depressing things. I think shows that have more of a narrative and are about what's going to happen next, those need to wrap up as a complete story. But it's weird when a goofy comedy show needs to end, and we knew it was going to be the end, and sometimes it's just better if a comedy show ends and goes away and they never had a series finale.
I was born in an odd spot and was a very sensitive kid. My feelings could get hurt so easily because I always wanted to be loved, I wanted to be touched, I wanted to touch somebody. I wanted everybody to love me, so I think I was louder than I should have been. I was just trying to get attention. I always felt like I was somebody special, maybe it's because I needed to be somebody special.
I opened with Edward Kienholz's The Beanery, and that's such a controversial piece that I think that brought people right away. It was a room-size work that one walked into. It was a bar with Kienholz-type figures sitting and drinking and talking - all life-size characters in a life-size setting. The exhibition was covered in Time, Newsweek, and Life, so it had huge recognition right away.
Our Last Will and Testament, providing for the only future of which we can be reasonably certain, namely our own death, shows thatthe Will's need to will is no less strong than Reason's need to think; in both instances the mind transcends its own natural limitations, either by asking unanswerable questions or by projecting itself into a future which, for the willing subject, will never be.
I could think of nothing else to say to her. In fact I could never think of anything to say to her, and I sat thinking of past painful conversations between us: How are you, Jean Louise? Fine, thank you ma'am, how are you? Very well, thank you; what have you been doing with yourself? Nothin'. Don't you do anything? Nome. Certainly you have friends? Yessum. Well what do you all do? Nothin'.
I'm chasing a kind of language that can be unburdened by people's expectations. I think music is the primary model-how close can you get this language to be like music and communicate feeling at the base level in the same way a composition with no words communicates meaning? It might be impossible. Language is always burdened by thought. I'm just trying to get it so it can be like feeling.
I think a lot of people - by the time I came back with a script I liked, which took me many years, they'd forgotten who I was. Doors all the time are slamming, you meet friends that you've had for years, you'd go to the studio, and they'd say things to indicate clearly that they hadn't read it, or that they'd had their assistant sort of skim it. They wouldn't buy it. They wouldn't make it.
Jesus was not famous in his day. If there were no Bible, there would have been no record of him. The record belongs to his four disciples; nobody else has ever mentioned him, whether he existed or not. He was not famous. He was not successful. Can you think of a greater failure than Jesus? But, by and by, he became more and more significant; by and by, people recognized him. It takes time.
Freshly brainwashed from rehab, I carry the bottle into the bathroom. I hold it up to the light. See the pretty bottle? Isn't it beautiful? Yes, it's beautiful. I unscrew the cap and pour it into the toilet. I flush twice. And then I think, why did I flush twice? The answer, is of course, because I truly do know myself. I cannot be sure I won't attempt to drink from the toilet, like a dog.
When I was doing those things with the Berlin circus, playing the accordion, going to North Korea - I felt all those things were just me experimenting and letting myself go. Everything before seems like a constant searching. Now that I think about it, I feel so lucky that happened; that I didn't find my voice straight away, that I didn't find my passion straight away, that it took so long.
I have come to think that money is very much like a person, and it will respond when you treat it as you would a cherished friend - never fearing it, pushing it away, pretending it doesn't exist, or turning away from its needs, never clutching it so hard that it hurts. ... if you tend it like the living entity it is, then it will flourish, grow, take care of you for as long as you need it.
Automobile is one of the most successful inventions of all time, but in my view, it is thoroughly obsolete already. And so by fundamentally rethinking the automobile, thinking of it as a robot on four wheels, essentially, something that can communicate with other intelligent devices, it can operate in a coordinated way, you can really start to fundamentally rethink urban personal mobility.
Exultation that does not flow from education, affections that do not flow from knowing, savoring that does not flow from seeing, feeling that does not flow from thinking - are hollow and rootless - noisy gongs and clanging cymbals. And God is not glorified by artificial and empty passions. True delight is rooted in true doctrine. God-centered exultation is rooted in God-centered education.
I don't want to make this sound negative at all, but in the best way possible I freaking give up. I give up. You can't try and make your life perfect. I'm just trying to have a good time, and I'm just trying to appreciate the things that I have around me. I give up on the 'dream' dream. I think that it's all a dream. I think it's all wonderful and terrible. And I give up in the nicest way.
It's a weird technique but it works. If you bake tapes at a certain temperature - I think it's 130 degrees - something happened to the magnetic particles, so you can restore them. The key is to do the transfer to digital while it's still warm. If it's done right, the new digital version will actually improve upon the quality of the original. If you do it wrong, though, the tapes will melt!
I was very, very concerned about President Obama and how much executive order and how much executive power he tried to exert. But I think I want to be, and I think congress will be, a check on any executive, Republican or Democrat, that tries to grasp too much power. And really, a lot of the fault is not only presidents trying to take too much power, it's Congress giving up too much power.
I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.
At a theoretical level, I think a naturalist approach to religion is just asking questions I'm not interested in. They're perfectly legitimate in their own terms, but they don't address the actual experience of how one or other aspect of religion becomes existentially meaningful to us in our actual lives. The fact that we ourselves are the subject of investigation makes all the difference.
It behooves our citizens to be on their guard, to be firm in their principles, and full of confidence in themselves. We are able to preserve our self-government if we will but think so. - Thomas Jefferson Too much of our emphases and struggle has simply been in terms of confrontation and not enough recognition of how much spiritual, moral force is involved in the people who are struggling.
Thinking can be lateral or "sweaty". For the latter you're better off in an office and following a routine but for the former you have to be "out of your mind", so to speak. So although I recognize the merits of hard work, I find that my work goes stale if I don't go off wandering around the world every few weeks. My friends think I'm a gipsy, but that's when I do "part 1" of my best work.
It's a weird experience when you're just trying to talk openly about how you think psychedelic drugs and marijuana are beneficial, or a lot of different drugs, especially plant-based ones, can be beneficial. Especially those ones that have some connection to organic life, I feel like you can learn something from them, from mushrooms, from peyote, from marijuana. They can be used as a tool.
Consciousness creates the body. Our bodies are made up of dynamic energy systems that are affected by our diets, relationships, heredity, and culture and the interplay of all these factors and activities... We cannot hope to reclaim our bodily wisdom and inherent ability to create health without first understanding the influence of our society on how we think about and care for our bodies.