Quotes of All Topics . Occasions . Authors
I'd love to be a director-for-hire and get a nice paycheck and captain one of those big ships, but I think studios mistakenly think I want to write what I direct - which I don't. I write out of desperation, because I never get a script I like, other than "Nebraska." It's a matter of: What's the screenplay? Is it intelligent? Is it human? I don't care what genre, what scale. I'm here for the movies.
Any platform that you use to tell stories helps you regardless of the medium regardless if they are bedtime stories that you tell your children or comics or film. Specifically what makes comics unique is that they are a storytelling device that forces you to think both visually and economically. Some might say you are limited by your imagination, but that is not true because someone has to draw it.
Reality is what we take to be true. What we take to be true is what we believe. What we believe is based upon our perceptions. What we perceive depends upon what we look for. What we look for depends upon what we think. What we think depends upon what we perceive. What we perceive determines what we believe. What we believe determines what we take to be true. What we take to be true is our reality.
I know this, that there were thousands and thousands of hours given to Hillary Clinton's e-mail server and Benghazi. It seems to me we need bipartisanship now to look at exactly what happened in this election and exactly the things that people like James Comey did and put it in context to make sure we have all the facts, because I don't think anyone is comfortable with how this election played out.
The city of Washington is in some respects self-contained, and it is easy there to forget what the rest of the United States is thinking about. I count it a fortunate circumstance that almost all the windows of the White House and its offices open upon unoccupied spaces that stretch to the banks of the Potomacand that as I sit there I can constantly forget Washington and remember the United States.
The main problem is that most commentators are accustomed to thinking of spiritual schools as 'systems', which are more or less alike, and which depend upon dogma and ritual: and especially upon repetition and the application of continual and standardised pressures upon their followers.The Sufi way, except in degenerate forms which are not to be classified as Sufic, is entirely different from this.
I think the people already know what they're doing wrong, and I certainly believe in Hell. But to me, when I see thousands of people before me, it just doesn't come out of me to say, 'You guys are terrible, and you're going to Hell.' I'd rather say that God is a God of mercy. You've got to live an obedient life, but for every mistake you've made, there's mercy there, and I believe we can do better.
If you go against someone, you say, you can't vote for these Democrats, they don't have good values, they're not good people, they're weak, they're spineless, they're don't love America, they're giving aid and comfort to Saddam Hussein, that's the kind of thing I think is bad for America, because it stops the voters from thinking. And any time you stop thinking in a free society you get in trouble.
I started in comedy when I first started as an actor on stage and doing improvisational theater and stuff like that. So a lot of people who know me know that sort of side of me. But I got the roles that I got as an young actor kind of steered me in a different direction, which were, at times, darker characters. And so comedy was not something that came easy for people to think of my in those terms.
A way of life can be shared among individuals of different ages, status, and social activity. It can yield intense relations not resembling those that are institutionalized. It seems to me that a way of life can yield a culture and an ethics. To be "gay," I think, is not to identify with the psychological traits and the visible masks of the homosexual but to try and define and develop a way of life.
I really think people are greatly stimulated and enriched by experiencing in film just as we can from novels and other art, experiencing things that resonate with what our lives are about. I think people really want to know... want to share, want to have the stimulus to think and care about the way they live their lives, the way they relate to other people, their aspirations, their hopes, et cetera.
It's an eclectic film and I think we served the novel really well. And we had a great cast who worked for free. Everyone read it and said, I'm in, from Nick [Nolte] to Albert [Finney] to Omar [Epps] to Barbara [Hershey]. We really had fun and shot it in a very short time. I think the subject matter is more topical today, more to the point, than it was 30 years ago, when it concerned the Vietnam War.
I think that many managers we meet do take their roles as leaders very seriously and do a lot for their people. And they try to hone their skills by reading books and attending training. But then again, the number one problem is we get busy. We tend to forget that collectively we can accomplish more than we could ever do alone, and we need our people to feel a part of a positive, productive culture.
He'd met other prodigies in mathematical competitions. In fact he'd been thoroughly trounced by competitors who probably spent literally all day practising maths problems and who'd never read a science-fiction book and who would burn out completely before puberty and never amount to anything in their future lives because they'd just practised known techniques instead of learning to think creatively.
When I was 11 years old and I was on a road trip with my family. I turned to my dad and said, "Do you believe in Adam and Eve?" And he said he didn't think so. I remember that felt like a slap in the face, because if my parents questioned Adam and Eve, then they potentially questioned everything within Catholicism. Eventually that idea led to my feeling liberated, but at that time it was very scary.
Belief in one god, praying, charity, the five pillars, ethical moral objectives and messages in the Koran, the history of Islam. There are basic tenants in Islam that we universally believe in but I think it's very naive to think that Sharia, that legal rulings are derived in a vacuum, that people do not bring their own histories and politics and social pledges to bear when they interpret the Koran.
Of course, when you're doing something that's unexpected, people are going to have a very specific point of view about it, but I think it's all good to have a healthy debate about who Hitchcock was and what that means to people. He means a lot of different things to a lot of different people because the films are so great. If the movies were not great, no one would be bothering to show any interest.
When I make films I'm very intuitive; I'm instinctive. When you are shooting there's little time to think about abstract ideas, it's about getting things done, getting them right, and trying to channel the energies and get the best of whatever you have on your set. It's only once the film is finished that it's like, "Okay, let's try to figure out what happened." Try to figure out exactly what I did.
I've tried to divide my time between the US and New Zealand, but it's difficult, and I suddenly realized that I like acting here in Los Angeles anyway. Because when you first come here; especially from New Zealand, you go, This is the ugliest, nastiest, grayest, smoggiest town in the world, and then your scale of beauty adjusts and suddenly you think, Oh, isn't it beautiful, not too much smog today!
There are different levels of fame. There are the polite fans who quietly and respectfully approach you and ask for an autograph - and that's acceptable. But the next level... when you think you're having a moment of privacy and there's someone with a long lens catching you when you're about to eat, or sunbathe, or worse... it's just so intrusive and I think it's part of the sickness of our culture.
Not that I knew who you were until last month. But now that I've got you, I'm not letting you go." "You're not?" Blake stared at her in irritated confusion. What was her game? "Do you think I'm an idiot?" he spat out. "No," she said. "I've just escaped from a den of idiots, so I'm well familiar with the breed, and you're something else entirely. I am, however, hoping you're not a terribly good shot.
Yes, there's something dangerous about turning people into token social activists. I was thinking about this recently with our pop-culture feminism, when feminism is such a buzzword in the media now. We're covering it in a way that we haven't before, but also in a way that's way more surface level. And while I think that there's some danger in that, I also think it's a great gateway for some people.
I think Republicans now are recognizing that [Obamacare cancellation] may not be what the American people, including even [Donald] Trump voters, are looking for. And my hope is that the president-elect, members of Congress from both parties look at, "Where have we objectively made progress, where things are working better?" Don't undo things just because I did them. I don't have pride of authorship.
Is this Prior?" "In the flesh." "Why's he bleeding?" "Because he's an idiot." Zeke offers me a black jacket with a factionless symbol stitched into the collar. "I didn't know that idiocy caused people to just start spontaneously bleeding from the nose." I wrap the jacket around Caleb's shoulders and fasten one of the buttons over his chest. He avoids my eyes. "I think it's a new phenomenon.", I say.
I love the sound of a brand-new bottle of coke when you pry the lid off and it starts to fizz. Whenever I hear that sound, I think of roses, and of sitting together with someone you care about and of Romeo and Juliet waking up somewhere and saying to each other, weren't we jerks? And then having all that be over. That's what I think of when I hear the sound of a brand-new bottle of Coke being opened
One of the great things about being commander in chief is getting to know our men and women in uniform in a very intimate way, whether it's visiting Walter Reed and seeing our wounded soldiers, or being on a base and talking to families, or interacting with them on missions. They're the best of the best: always thinking about the mission, not thinking about credit, not thinking about who's up front.
If there be any man who thinks the ruin of a race of men a small matter, compared with the last decoration and completions of hisown comfort,--who would not so much as part with his ice- cream, to save them from rapine and manacles, I think I must not hesitate to satisfy that man that also his cream and vanilla are safer and cheaper by placing the negro nation on a fair footing than by robbing them.
People expect it to be easy because there you are, out there, doing the thing that you want and making lots of money out of it. But, you know, I'm not that smooth. I can get clumsy around certain people. Like if I were to sit down and think, 'OK, I'm really famous, how am I going to conduct myself in public?' I wouldn't know who that person would be! It would be a lot easier if I could, but I can't.
Black people are just constantly immature in their thinking, undisciplined, and we suffer as a people. This is not about race in the sense that black people got to get something better than whites or Latinos or Asians. This is just basically that we keep complaining about what we don't have and what we can't do, and then, when we get in positions to do stuff, we fight amongst ourselves like savages.
I cannot draw a human figure if I don't know the order of his bones, muscles or tendons. Same is that I cannot draw a human face if I don't know what's going on his mind and heart. In order to paint life one must understand not only anatomy, but what people feel and think about the world they live in. The painter who knows his own craft and nothing else will turn out to be a very superficial artist.
As you can imagine when you have to summon a force like that together, the opposing elements are pretty freaking gnarly. I would think of those pioneer movies where they've got the cook and the ladies loading the guns and firing at the surrounded wagons. I don't put Coulson in that category, I think he is on the upper tier of people who come to scrap at situations like that but everybody's involved.
Law of Attraction abounds, and when it is said to you, 'Ask, and it is given,' there is no more powerful statement that is at the basis of what makes things happen than that. Now, how is it that you think you ask? With your words? The Universe doesn't hear your words. You ask with your desire. The desire that is born out of the contrast. That desire. That wanting. That's what summons the Life Force.
And if you listen to Irish music, they say that kilts came from the middle east. So really I'm an Arab. If you listen to the way someone like Sinead O'Connor sang. It could be Muslim. You know that angst that sort of ****. That wail. I think it's in our genes. I think certain stuff is in our genes, like nobody can dance like a black guy. It's in their genes. So we don't have oil, but we have poetry.
I've never changed my approach to acting. I've always felt like I've gotten better. I think that all of us can get better. I feel like, in my acting, I'm better than I was three pictures ago. I think about it. I'm a slow study. It takes me a long time to grasp the material, in order to perform it. But when I come to the set, on the first day, I know the whole movie. That's why I have to start early.
The top two for me are Spotlight and The Revenant [movies]. Everything says The Revenant, but Spotlight is special. I think this movie would have been a lot more jumpy and fast-faced if anyone else had done it. This movie is very unassuming in how powerful it is. It very calmly, and very cooly, eats you up inside. I think if there's anything that will upset the Revenant run, it's gonna be Spotlight.
I'm very concerned with questions of language. This is what I think of when I think of myself as a writer: I'm someone who writes sentences and paragraphs. I think of the sentence - not only what it shares but, in a sense, what it looks like. I like to match words not only in a way that convey a meaning, possibly an indirect meaning, but even at times words that have a kind of visual correspondence.
I think a lot about Big Mind-Small Mind, expansive, wide-lens consciousness and contracted, introverted consciousness. I have moments-we all do-when just being alive is a pleasure and a miracle. They feel like moments when the shutters of the mind are open so I can look out. It also feels as if those same shutters have no hooks to fix them in an open position. One small wind and bang-they slam shut.
What I learned at a very early age was that I was responsible for my life. And as I became more spiritually conscious, I learned that we all are responsible for ourselves, that you create your own reality by the way you think and therefore act. You cannot blame your parents, your circumstances, because you are NOT your circumstances. You are your possibilities. If you know that, you can do anything.
When some people look at a shrimp they think, "Hmm. Delicious." When I look at a shrimp I think, "You're a miracle, absolutely incredible. Your ancestors have gone back hundreds of millions of years." And to develop a thing as simple as a shrimp cocktail, you have to calculate the hundreds of millions of years that have preceded that moment where you're sitting there with your sauce and fork poised.
A good laugh is a mighty good thing, and rather too scarce a good thing; the more's the pity. So, if any one man, in his own proper person, afford stuff for a good joke to anybody, let him not be backward, but let him cheerfully allow himself to spend and be spent in that way. And the man that has anything bountifully laughable about him, be sure there is more in that man than you perhaps think for.
I do believe that when we're in the process of dying, that all these emergency circuits in the brain take over. I base what I'm saying not on any empirical evidence. I think it's very possible that when you're dying, these circuits open up, which would explain this whole white-light phenomena - when people clinically die and they see their relatives and stuff and say, "Hello, it's great to see you."
All you have to do is wait,” I explained. “Sit tight and wait for the right moment. Not try to change anything by force, just watch the drift of things. Make an effort to cast a fair eye on everything. If you do that, you just naturally know what to do. But everyone’s always too busy. They’re too talented, their schedules are too full. They’re too interested in themselves to think about what’s fair.
If you can't, or won't, think of Seymour, then you go right ahead and call in some ignorant psychoanalyst. You just do that. You just call in some analyst who's experienced in adjusting people to the joys of television, and Life magazine every Wednesday, and European travel, and the H-bomb, and Presidential elections, and the front page of the Times, and God knows what else that's gloriously normal.
You have to decide what those issues are for you. What do you think disqualifies a person from holding public office? I believe that the endorsement of the right to kill unborn children disqualifies a person from any position of public office. It's simply the same as saying that the endorsement of racism, fraud, or bribery, would disqualify him - except that child-killing is more serious than those.
We used to think that you could spend your way out of a recession and increase employment by cutting taxes and boosting government spending. I tell you in all candour that that option no longer exists, and in so far as it ever did exist, it only worked on each occasion since the war by injecting a bigger dose of inflation into the economy, followed by a higher level of unemployment as the next step.
I think that honesty in presenting the gospel goes out the window when you want people to respond to the message, but you are prepared to accept any sort of response. Of course, the only true response is heartfelt repentance and faith. However, if you don't feel the need to be honest in your presentation, then you will calibrate your presentation of the gospel to whatever gets the response you want.
I gravitate to stories that I feel I can tell well, and that will have a positive affect on the viewer. That doesn't mean it always has to have a happy ending, but I always like to try to tell a story that will make people think in a new way or come to their own constructive resolution on a particular topic. Or simply, just to experience something collectively and say: "Yeah, I know how that feels".
People of conscience in our leadership in Washington have been scared off by the right and the fossil fuel lobbies. They won't even use the term "sustainability" or "climate change" in an energy bill, which is ludicrous on its face. It completely ignores the elephant in the room that we're all dealing with. The average American doesn't even believe climate change is real, they think it's all a hoax.
I don't feel like I have a lot to offer in terms of an authoritative voice on a lot of political issue. I don't know how to fix the economy, or how to increase the number of jobs. That is not where I spent my life and thought and meditation. I guess I would like to think that the topics that I am discussing - the Gospel, the forgiveness of sins and the defeat of death - goes up river to all problem.
Clear mind is like the full moon in the sky. Sometimes clouds come and cover it, but the moon is always behind them. Clouds go away, then the moon shines brightly. So don't worry about clear mind: it is always there. When thinking comes, behind it is clear mind. When thinking goes, there is only clear mind. Thinking comes and goes, comes and goes, You must not be attached to the coming or the going.