The work of the Lord is done by ordinary people who work in an extraordinary way.

I'm trying to get low. People's personalities can get in the way of their own work.

I go to work with humility and I don't give my opinion about the way other people work.

That's the way it is with entrepreneurial people. You try one thing, it doesn't work, you try another.

I've experienced firsthand the disconnect between furniture, their environments, and the way people work.

People tend to typecast you in a certain way, depending on the kind of work you have been doing till then.

I'm Italian, but some people think I'm Jewish because I work the Yiddish. I also work the Italian, by the way.

We all know that people who've never been on a film set think it's way more glamorous than the people who work on them.

Shows don't reunite because television doesn't work that way. There's no profit model and people go off to do other work.

Having your stuff online - some people think of it as gimmicky, but in a way, it's one of the most pure forms of having your work judged.

People assume a lot of things about gymnasts - that the girls work too hard, it's way too much for them, they are too young to work so hard.

Market timing doesn't work. If all the bubbles and all this mispricing really exist, how come so few people see it before it turns out that way?

What's overwhelmingly clear is 'Havana' didn't work for people, but why it didn't work I don't feel I can put my finger on in a way I can learn from.

Presentation skills are key. People who work for you represent your brand. You want them to present themselves - and represent you - in a certain way.

Slack is gratifying to work on in the same way that Flickr was. The mission is to make people's working lives simpler, more pleasant, more productive.

In my own work, I've tried to anticipate what's coming over the horizon, to hasten its arrival, and to apply it to people's lives in a meaningful way.

I like to connect with people through my work. That's my favorite way - meetings of the minds, fans at a show. Those are nice mediated ways of hanging out.

I think if you touch ordinary people, they're simply ordinary people, the way they've always been. They work hard, they don't have really as much as they should.

I've seen people who come to work say, 'No, I'm doing it this way, and that's that.' I'm the opposite - I like being out of my element; it's where I like to live.

I'm not your typical quarterback. I don't like when people say, 'Quarterbacks aren't supposed to run,' or, 'Quarterbacks aren't supposed to work out a certain way.'

People tend to work in teams, in a collaborative way, in an informal network. If you create an environment like that, it's much more effective and much more efficient.

Online piracy needs to be dealt with itself, because people are just wholesale stealing people's work and not paying for it. It's very hard to figure out a way to fix it.

Idolizing is a strong word, though. I'm happy that people respond well to the work I'm doing now. If anyone admires what I'm doing in any way, then I'm really proud of it.

All these tales of people sitting down and composing symphonies just as though they were writing a letter are very much exaggerated; at least, it isn't that way in my work.

I will lead my people by the hand along the road until their feet are sure and they know the way. Then they may choose for themselves and rule themselves. Then my work will be done.

People must insist on the right to say no, to be alone, to stand out from the herd. Creative artists can say all this in their own way and in their own field, by hard, rigorous work.

I'm a stand-up comic, but I also have ideas, and I want to get them out. People think getting in front of the mic is the only way to work out. You've got to try different situations.

You've got a big, big problem if you get caught up in what people say. If you're gonna live for what people say, you might as well lay down and forget it. Because it doesn't work that way.

It is exhilarating and dangerous to perform live. You are walking a tight rope in front of hundreds of people: anything could happen on stage, and whatever does, you must find a way to make it work.

I've always understood that, as a woman and as a person of color, I would always have to work harder; I would have to have thicker skin. I would have to be more mindful of my reactions, the way I spoke to people.

My work is very popular with performers, and there are theatre people who get what I'm doing and what tradition I'm working in. I'm very grateful to them - they're my people, who understand why I work the way I do.

I don't want to go around like some kind of bleeding giant or whatever, or thinking I'm a big deal, because it doesn't help you do your work. I think people like Hemingway got into an awful lot of trouble that way.

Try out lots of different options early in your career. Then watch the responses: how you feel, what the market values, what people appreciate about you. It's the only way to find work that's uniquely right for you.

School is the same as producing: If you want to make it far, there are a million, trillion people trying to do the same thing. If you're not in over-grind mode, it's probably not going to work the way that you want it to.

I could never just play in a pub in front of four people because I would have had all the press turn up. That way, you don't get to build up naturally. It makes the work feel unnatural, and puts a lot of unnatural pressure on you.

People think writing is a very distinguished, cerebral thing, where all you do is write. It doesn't work that way. People have to see online promotions, see piles of your book in stores, and you have to make sure the guy recommends it!

In the grand spectrum of things in WWE, you are wrestling for that camera and that camera and that camera - and all the cameras they have - and you have to make things work that way because, through that camera, there's a million people watching.

A lot of organizers are trying to figure out how do we create entrances for people so they can be involved in the work in a way that makes them feel is aligned to the things they're interested in and not the things the organizer is interested in?

If I wanted to make a quick buck, there's far easier ways of doing it. What I want is to provoke people. If you want a hit song, all you need to do is rewrite an old song. It might have been proven to work, but you won't be remembered the same way.

People shouldn't be teaching if they break appointments, if they behave in an irresponsible way. I try to be down-to-earth and sensible. I want students to know I'm going to work for all of them and not play favorites and that I'm really going to do my work.

I have to work with the team at Blizzard and the producers on the film and convince them that, as a fan, I have a unique and hopefully entertaining way of taking people through the first contact story, which is really what sets up 'Warcraft' for everyone else.

It doesn't work the same way everywhere. The Americans are the most gullible, because they don't like to deny co-workers' requests. People in the former Soviet bloc countries are less trusting, perhaps because of their previous experiences with their countries' secret services.

I try to ignore the Tonys buzz as much as possible. It's wonderful to be thought of that way, but I have to kind of pretend it's not happening so I can keep focus. It's about the work I'm doing, and it's more than enough to come away knowing that people are changed when they leave the theater.

Listen, if you a comedian, and you try to jump in the rap lane, it's not gonna work out the way you think it's gonna work out. Just cause you got 4 million followers, 5 million followers, them people follow you 'cause you a comedian. So, once you try to rap they are not going to take you serious.

Along the way, I learned a lot about being told I didn't have the right skills for the jobs I wanted and how to overcome the setbacks and keep pushing forward. This is why I've become an Ambassador for LifeSkills, a programme created by Barclays to help one million young people get the skills they need for work.

Unemployment insurance, abolishing child labor, the 40-hour work week, collective bargaining, strong banking regulations, deposit insurance, and job programs that put millions of people to work were all described, in one way or another, as 'socialist.' Yet, these programs have become the fabric of our nation and the foundation of the middle class.

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